Reckonings: a journal of justice, hope and history

For Grief - a blessing by John O'Donohue

 

For Grief

When you lose someone you love,
Your life becomes strange,
The ground beneath you becomes fragile,
Your thoughts make your eyes unsure;
And some dead echo drags your voice down
Where words have no confidence.

Your heart has grown heavy with loss;
And though this loss has wounded others too,
No one knows what has been taken from you
When the silence of absence deepens.

Flickers of guilt kindle regret
For all that was left unsaid or undone.

There are days when you wake up happy;
Again inside the fullness of life,
Until the moment breaks
And you are thrown back
Onto the black tide of loss.

Days when you have your heart back,
You are able to function well
Until in the middle of work or encounter,
Suddenly with no warning,
You are ambushed by grief.

It becomes hard to trust yourself.
All you can depend on now is that
Sorrow will remain faithful to itself.
More than you, it knows its way
And will find the right time
To pull and pull the rope of grief
Until that coiled hill of tears
Has reduced to its last drop.

Gradually, you will learn acquaintance
With the invisible form of your departed;
And when the work of grief is done,
The wound of loss will heal
And you will have learned
To wean your eyes
From that gap in the air
And be able to enter the hearth
In your soul where your loved one
Has awaited your return
All the time.

 

Pope Francis: A Crisis Reveals What Is In Our Hearts

Pope Francis: A Crisis Reveals What Is in Our Hearts

To come out of this pandemic better than we went in, we must let ourselves be touched by others’ pain.

By Pope Francis

 The New York Times, Nov. 26, 2020

In this past year of change, my mind and heart have overflowed with people. People I think of and pray for, and sometimes cry with, people with names and faces, people who died without saying goodbye to those they loved, families in difficulty, even going hungry, because there’s no work.

Sometimes, when you think globally, you can be paralyzed: There are so many places of apparently ceaseless conflict; there’s so much suffering and need. I find it helps to focus on concrete situations: You see faces looking for life and love in the reality of each person, of each people. You see hope written in the story of every nation, glorious because it’s a story of daily struggle, of lives broken in self-sacrifice. So rather than overwhelm you, it invites you to ponder and to respond with hope.

These are moments in life that can be ripe for change and conversion. Each of us has had our own “stoppage,” or if we haven’t yet, we will someday: illness, the failure of a marriage or a business, some great disappointment or betrayal. As in the Covid-19 lockdown, those moments generate a tension, a crisis that reveals what is in our hearts.

In every personal “Covid,” so to speak, in every “stoppage,” what is revealed is what needs to change: our lack of internal freedom, the idols we have been serving, the ideologies we have tried to live by, the relationships we have neglected.

When I got really sick at the age of 21, I had my first experience of limit, of pain and loneliness. It changed the way I saw life. For months, I didn’t know who I was or whether I would live or die. The doctors had no idea whether I’d make it either. I remember hugging my mother and saying, “Just tell me if I’m going to die.” I was in the second year of training for the priesthood in the diocesan seminary of Buenos Aires.

I remember the date: Aug. 13, 1957. I got taken to a hospital by a prefect who realized mine was not the kind of flu you treat with aspirin. Straightaway they took a liter and a half of water out of my lungs, and I remained there fighting for my life. The following November they operated to take out the upper right lobe of one of the lungs. I have some sense of how people with Covid-19 feel as they struggle to breathe on a ventilator.

I remember especially two nurses from this time. One was the senior ward matron, a Dominican sister who had been a teacher in Athens before being sent to Buenos Aires. I learned later that following the first examination by the doctor, after he left she told the nurses to double the dose of medication he had prescribed — basically penicillin and streptomycin — because she knew from experience I was dying. Sister Cornelia Caraglio saved my life. Because of her regular contact with sick people, she understood better than the doctor what they needed, and she had the courage to act on her knowledge.

Another nurse, Micaela, did the same when I was in intense pain, secretly prescribing me extra doses of painkillers outside my due times. Cornelia and Micaela are in heaven now, but I’ll always owe them so much. They fought for me to the end, until my eventual recovery. They taught me what it is to use science but also to know when to go beyond it to meet particular needs. And the serious illness I lived through taught me to depend on the goodness and wisdom of others.

This theme of helping others has stayed with me these past months. In lockdown I’ve often gone in prayer to those who sought all means to save the lives of others. So many of the nurses, doctors and caregivers paid that price of love, together with priests, and religious and ordinary people whose vocations were service. We return their love by grieving for them and honoring them.

Whether or not they were conscious of it, their choice testified to a belief: that it is better to live a shorter life serving others than a longer one resisting that call. That’s why, in many countries, people stood at their windows or on their doorsteps to applaud them in gratitude and awe. They are the saints next door, who have awakened something important in our hearts, making credible once more what we desire to instill by our preaching.

They are the antibodies to the virus of indifference. They remind us that our lives are a gift and we grow by giving of ourselves, not preserving ourselves but losing ourselves in service.

With some exceptions, governments have made great efforts to put the well-being of their people first, acting decisively to protect health and to save lives. The exceptions have been some governments that shrugged off the painful evidence of mounting deaths, with inevitable, grievous consequences. But most governments acted responsibly, imposing strict measures to contain the outbreak.

Yet some groups protested, refusing to keep their distance, marching against travel restrictions — as if measures that governments must impose for the good of their people constitute some kind of political assault on autonomy or personal freedom! Looking to the common good is much more than the sum of what is good for individuals. It means having a regard for all citizens and seeking to respond effectively to the needs of the least fortunate.

It is all too easy for some to take an idea — in this case, for example, personal freedom — and turn it into an ideology, creating a prism through which they judge everything.

The coronavirus crisis may seem special because it affects most of humankind. But it is special only in how visible it is. There are a thousand other crises that are just as dire, but are just far enough from some of us that we can act as if they don’t exist. Think, for example, of the wars scattered across different parts of the world; of the production and trade in weapons; of the hundreds of thousands of refugees fleeing poverty, hunger and lack of opportunity; of climate change. These tragedies may seem distant from us, as part of the daily news that, sadly, fails to move us to change our agendas and priorities. But like the Covid-19 crisis, they affect the whole of humanity.

Look at us now: We put on face masks to protect ourselves and others from a virus we can’t see. But what about all those other unseen viruses we need to protect ourselves from? How will we deal with the hidden pandemics of this world, the pandemics of hunger and violence and climate change?

If we are to come out of this crisis less selfish than when we went in, we have to let ourselves be touched by others’ pain. There’s a line in Friedrich Hölderlin’s “Hyperion” that speaks to me, about how the danger that threatens in a crisis is never total; there’s always a way out: “Where the danger is, also grows the saving power.” That’s the genius in the human story: There’s always a way to escape destruction. Where humankind has to act is precisely there, in the threat itself; that’s where the door opens.

This is a moment to dream big, to rethink our priorities — what we value, what we want, what we seek — and to commit to act in our daily life on what we have dreamed of.

God asks us to dare to create something new. We cannot return to the false securities of the political and economic systems we had before the crisis. We need economies that give to all access to the fruits of creation, to the basic needs of life: to land, lodging and labor. We need a politics that can integrate and dialogue with the poor, the excluded and the vulnerable, that gives people a say in the decisions that affect their lives. We need to slow down, take stock and design better ways of living together on this earth.

The pandemic has exposed the paradox that while we are more connected, we are also more divided. Feverish consumerism breaks the bonds of belonging. It causes us to focus on our self-preservation and makes us anxious. Our fears are exacerbated and exploited by a certain kind of populist politics that seeks power over society. It is hard to build a culture of encounter, in which we meet as people with a shared dignity, within a throwaway culture that regards the well-being of the elderly, the unemployed, the disabled and the unborn as peripheral to our own well-being.

To come out of this crisis better, we have to recover the knowledge that as a people we have a shared destination. The pandemic has reminded us that no one is saved alone. What ties us to one another is what we commonly call solidarity. Solidarity is more than acts of generosity, important as they are; it is the call to embrace the reality that we are bound by bonds of reciprocity. On this solid foundation we can build a better, different, human future.

 

Entering the Bardo, by Joanna Macy

Entering the Bardo

by Joanna Macy

Emergence Magazine

In this short essay published in Emergence Magazine, eco-philosopher and Buddhist scholar Joanna Macy introduces us to the bardo—the Tibetan Buddhist concept of a gap between worlds where transition is possible.  As the pandemic reveals ongoing collapse and holds a mirror to our collective ills, she writes, we have the opportunity to step into a space of reimagining.

We are in a space without a map.  With the likelihood of economic collapse and climate catastrophe looming, it feels like we are on shifting ground, where old habits and old scenarios no longer apply.  In Tibetan Buddhism, such a space or gap between known worlds is called a bardo.  It is frightening. It is also a place of potential transformation.

As you enter the bardo, there facing you is the Buddha Akshobhya.  His element is Water.  He is holding a mirror, for his gift is Mirror Wisdom, reflecting everything just as it is.  And the teaching of Akshobhya’s mirror is this:  Do not look away. Do not avert your gaze. Do not turn aside.  This teaching clearly calls for radical attention and total acceptance.

For the last forty years, I’ve been growing a form of experiential group work called The Work That Reconnects.  It is a framework for personal and social change in the face of overwhelming crises—a way of transforming despair and apathy into collaborative action. Like the Mirror Wisdom of Akshobhya, the Work That Reconnects helps people tell the truth about what they see and feel is happening to our world.  It also helps them find the motivation, tools, and resources for taking part in our collective self-healing.

When we come together for this work, at the outset we discern three stories or versions of reality that are shaping our world so that we can see them more clearly and choose which one we want to get behind. The first narrative we identify is “Business as Usual,” by which we mean the growth economy, or global corporate capitalism.  We hear this marching order from virtually every voice in government, publicly traded corporations, the military, and corporate-controlled media.

The second is called “The Great Unraveling”: an ongoing collapse of living structures. This is what happens when ecological, biological, and social systems are commodified through an industrial growth society or “business as usual” framework.  I like the term “unraveling,” because systems don’t just fall over dead, they fray, progressively losing their coherence, integrity, and memory.

The third story is the central adventure of our time: the transition to a life-sustaining society. The magnitude and scope of this transition—which is well underway when we know where to look—is comparable to the agricultural revolution some ten thousand years ago and the industrial revolution a few centuries back.  Contemporary social thinkers have various names for it, such as the ecological or sustainability revolution; in the Work That Reconnects we call it the Great Turning.

Simply put, our aim with this process of naming and deep recognition of what is happening to our world is to survive the first two stories and to keep bringing more and more people and resources into the third story.  Through this work, we can choose to align with business as usual, the unraveling of living systems, or the creation of a life-sustaining society.

Over the last couple of years, a number of us involved in this work have recognized that, given the pace of the Great Unraveling, we are heading toward economic and, indeed, civilizational collapse.  Our thinking was aided by the Deep Adaptation work of Jem Bendell, which seeks to prepare for—and live with—societal breakdown.  I would also like to acknowledge the earlier contributions in French-speaking Europe of Pablo Servigne and Raphael Stevens—whose prescient work focuses on collapse and transition and is only just now coming out in English.

Since the present world economy has been unable to cut greenhouse gas emissions by even the slightest fraction of a degree, it now seems obvious that we cannot avoid climate catastrophe.   Many of us had assumed that the Great Turning could forestall such disintegration, but now we have come to recognize the Great Turning as a process and a commitment to help us survive the breakdown of the industrialized growth economy. The motivation and skills we gain by engaging in the Work That Reconnects provide the guidance, solidarity, and trust needed to make our way through this inevitable breakdown.

There are many dimensions to this work that address the psychological and spiritual issues of the time, and I have found a fruitful resonance between Buddhist thought and postmodern science: much of the Work That Reconnects has been informed by Buddhist teachings. I now think of the Great Turning as somewhat like bodhicitta, the intention to serve all beings. This is the mind state of the bodhisattva—the being who, in their great compassion, delays nirvana in order to address the world’s suffering.  I remember my Tibetan teachers telling me that bodhicitta is like a flame in the heart, and often I can feel it there.

It can seem pretty clear now who is holding up Akshobhya’s mirror—it is COVID-19. The coronavirus has come upon us fast. We knew nothing of it just a short while ago.  First it made us pause so we could take in what the mirror is reflecting.  We’ve been so busy and distracted in our different versions of the rat race that we haven’t been able to pay attention to our actual situation.  We had to cease our rushing about in order to see who, what, and where we are.

COVID-19 reminds us that apocalypse—in its ancient meaning—connotes revelation and unveiling. And what has it unveiled?   A pandemic so contagious that it immediately revealed our failed health care system and our utter interdependence. The need to prioritize the collective nature of our well-being dramatically rose to the surface, especially within our country, which is the most hyper-individualized country in the world.  As Malcolm X put it, “When we change the ‘I’ for the ‘We,’ even Illness becomes Wellness.”

The patterns of contagion then cast a spotlight on what we most need to see: nursing homes, where old people are warehoused; the meatpacking industry, so dangerous to the crowded workers, so cruel to the animals, so costly to the climate;  prisons, where millions are locked away, now becoming petri dishes of contamination; the fault lines of racial inequality in our society, now laid bare in the pandemic’s disproportionate impacts on Black, Brown, and Indigenous communities.  Sixty percent of the cases are African-American—thanks to pre-existing conditions fostered by inequities in health care and environmental racism.

On top of that, the killing of George Floyd has not only revealed the racism and brutality of our police culture, but aroused unparalleled protests, sweeping the country and calling for the defunding and even abolition of police departments and unions.

Globally as well as in the US, many of us are discovering a new solidarity in our determination to move beyond the sick racism we’ve inherited.  In this Uprising, I am inspired by the courage, creativity, and perseverance of those engaging in public demonstrations, who are influencing many civil servants to take action—members of city councils, agencies, and even police departments.  It is no wonder that the bardo represents a place where the unknown, even the inconceivable, can happen and where we who enter are profoundly changed thereby.

When we dare to face the cruel social and ecological realities we have been accustomed to, courage is born and powers within us are liberated to reimagine and even, perhaps one day, rebuild a world.

Do not look away. Do not avert your gaze. Do not turn aside.

 

Two Poems by Rumi: Reminders of friends

Rumi's poems have for more years than I can remember been sources of inspiration and guidance in nourishing the crafts of life and offering inspiration and guidance in how to live it more fully, more closely to what I have come to know as sacred. Naturally over the years I have been drawn to others who have found similar companionship in Rumi. Seldom, though, has that experience come as richly and from more than one source at once. I feel blessed that such is now one of those instances.

The first is a book given to me by a friend. Carol Saysette brought it yesterday to my door, saying she had helped modestly in the book's publication, and so purchased a few copies for her own friends. I only glancingly know its author, but the book is entitled Julie Taylor's Best Loved Poems. Julie Taylor's life and my own have drawn nearer to one another because we have been grateful fellow members of the Community Congregational Church on the top of Rock Hill Road in Tiburon, California. I didn't know until I began reading Julie's best loved poems that in her preface she gathered the poems partly in thanks to her friends in that church, "who have been so supportive in my lifetime challenge, living with Parkinson's Disease." 

Accompanying that acknowledgement and a photo of Julie taken some years ago, are these prefatory lines from an essay of Mary Oliver: "Poetry is a life-cherishing force. For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry. Yes indeed."

The second source is a dear friend and fellow member of the community in which I have made my own home for the last nearly eight years. I came to know life in community only in those years, my eighth decade; but that is another story.

The friend of whom I speak is Al Braidwood, also a member of that same Community Congregational Church, but whom I've come to know more as a fellow resident of The Redwoods, the living place he and I have known since arriving here at roughly the same time. Al and I gather frequently, sometimes with others, sometimes just with each other, to enjoy and learn from each other's company. This morning Al wrote to me and some of our other close friends,

"Rumi," Al wrote, "is a 13th century Persian poet with a prophetic cast of mind.  He dresses experiences with words.  He makes it easier for us to understand matters of the heart, the mind, and the soul.  Some people underestimate spirituality or see it as a trend, but as Pierre Teilhard de Chardin said:  'We are not human beings having a spiritual experience.  Actually, we are spiritual beings having a human experience.'  Rumi explores that truth in his poems.  We don’t just live in the spiritual realm, but we are the spiritual realm."

 

 

 

Since Al is the more recent source I evoke, and because the poem he offered today is one with which I have lived most gratefully, I will begin this small collection with the Rumi poem that has affected me most deeply:

 

 

THE NEW NARRATIVE

 

"Out beyond ideas of wrongdoing and rightdoing,

there is a field. I’ll meet you there.

When the soul lies down in that grass,

the world is too full to talk about

Ideas, language, even the phrase 'each other' 

doesn’t make any sense.

 

The breeze at dawn has secrets to tell you.

Don’t go back to sleep.

You must ask for what you really want.

Don’t go back to sleep.

People are going back and forth across the doorsill

where the two worlds touch.

The door is round and open.

Don’t go back to sleep.”

 

 

 

 

 

I don't know whether Rumi himself titled his poems, but the lines with which I have longest lived and been most moved by in this poem are those the poet repeats: "Don't go back to sleep." Awakeness and sleep are literal and metaphoric: Treasure the consciousness you have sought and been given. Literally, of course, we know sleep and wakefulness, but we should never neglect our consciousness, nor shall we fail to learn from it. So, "Don't go back to sleep."

 

 

To turn to Julie Taylor's favorite poems, she includes this lovely one from Rumi (in Colin Barks's translation):

 

 

 

 

THIS BEING HUMAN IS A GUEST HOUSE

 

This being human is a guest house.

Every morning a new arrival.

A joy, a depression, a meanness,

some momentary awareness comes

as an unexpected visitor.

Welcome and entertain them all!

Even if they are a crowd of sorrows,

who violently sweep your house

empty of its furniture,

still, treat each guest honorably.

He may be clearing you out

for some delight.

The dark thought, the shame, the malice,

meet them at the door laughing and

invite them in. Be grateful for whatever

comes because each has been sent

as a guide from beyond.

 

 

A father, a son, and the evolution of masculinity

I want to share with readers of Reckonings two photos of father and son, Joe and Hunter Biden, in the context of excerpts from a current New Yorker article by Liz Plank on changing views of masculinity in the US. Here's a bit from Liz Plank's article:

"President Donald Trump and his allies have tried a series of increasingly desperate tactics to derail former Vice President Joe Biden's campaign momentum. As these would-be October surprises fall flat, Trump surrogates appear to have reverted to the oldest tool in their political arsenal: attacking Biden's masculinity.

On Wednesday, John Cardillo, a host on Newsmax, a Trump-aligned media network, tweeted out a photo of Biden holding his son Hunter and kissing him on the cheek. "Does this look like an appropriate father/son interaction to you?" Cardillo asked.

"While Cardillo isn't an official Trump surrogate, his attacks are very much in line with Trump's incessant bullying of his opponent's masculinity. From mocking him for the size of his masks to simply calling him physically weak, Trump hasn't been subtle. Many male voters have taken notice. Because like many other institutions in America, fatherhood is changing. Men want to be able to express their love for other men, especially their sons. And they want to be able to do this without being called weak. To deny them this ability isn't just old-fashioned; it perpetuates a toxic societal cycle that can have dangerous consequences for young men and boys.

"Make no mistake: The presidential election will be a referendum on masculinity. And there is no better example of the contrasting attitudes of these two men than their behavior as fathers. While Trump believes that men who change their children's diapers are "acting like the wife," Biden took on every single one of his first wife's responsibilities (and far more) when she suddenly died in a car accident along with their daughter. While Trump is known for reportedly calling his son dumb, Biden publicly lauded his son Beau — calling him a better politician than he could ever be — after Beau passed away from brain cancer.

"Even when Trump tried to rattle Biden during the first presidential debate by calling his son Hunter a cocaine addict, Biden's unconditional and warm paternal response turned one of the ugliest moments in presidential debate history into a heartwarming one. "My son, like a lot of people ... had a drug problem," Biden said. "He's fixed it. He's worked on it. And I'm proud of him. I'm proud of my son.

...................

"I've spent the past few years speaking to men around the country. And what I've learned is that a lot of guys are yearning for permission to connect with others — male and female — and are eager for a gender revolution that sets them free to reveal vulnerability, affection and intimacy without their manhood's being scrutinized or questioned.

"I want to live in a world where boys are hugged more, not less. Especially during one of the darkest years in this nation's history. America needs a big warm hug and — and it needs a president man enough to do it."

........................

Adam reminded us that last Tuesday evening at 7pm was our last Boettiger family gathering on Zoom before the 2020 election, arguably the most consequential in American history. There was lots to talk about other than the election, and different perspectives about the election, but I send this to you because Liz Plank has other interesting things to say in that article, particularly about Trump's public comments about his daughters:

"Perhaps nothing else typifies Trump's questionable approach to fatherhood more than the way he treats his daughters. From openly flirting with and inappropriately touching his grown daughter Ivanka or speculating about the future breast size of his daughter Tiffany when she was but a toddler, Trump has objectified his children in strange and sometimes creepy ways. And Trump doesn't just want to talk about his daughters' bodies — he wants to take credit for them. When Ivanka was only 22, Trump told Howard Stern that she had 'got the best body,' and he bragged about the money she made modeling. 'You know who's one of the great beauties of the world, according to everybody? And I helped create her. Ivanka.' No wonder Ivanka Trump left fathers out of her parental leave policy proposal in 2016. It's not clear she ever had one.

"While we have always expected moms to be nurturing and physically affectionate, we're beginning to expect the same kind of emotional involvement and empathetic parenting from men. Fathers are still more likely to sing to their daughters and roughhouse with their sons, but all of this is changing rapidly. According to the Pew Research Center, fathers are spending far more time with their kids than in 1965. Fathers are also much more likely than mothers to report feeling like they don't see their kids enough. Men are growing up to become very different from their own fathers. A study by Dove Men+Care in 2015 suggested that the vast majority of men (86 percent, to be exact) believe masculinity means something different to them from what it meant to their fathers. But only 7 percent of the men surveyed said the guys they see on TV and in movies reflect their own attitudes toward masculinity."

Louise Glück wins 2020 Nobel Prize in Literature

I am going to begin this entry simply by saying how glad I am that Louise Glück has won the 2020 Nobel Prize in Literature.

A prominent website for poetry, www.poetry.org, offers a brief biographical description:

"Louise Glück was born in New York City on April 22, 1943, and grew up on Long Island. She is the author of numerous books of poetry, including Faithful and Virtuous Night (Farrar, Straus, and Giroux, 2014), which won the 2014 National Book Award in Poetry; Averno (Farrar, Straus, and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; and Vita Nova (Ecco Press, 1999), winner of Boston Book Review’s Bingham Poetry Prize and The New Yorker’s Book Award in Poetry. In 2004, Sarabande Books released her six-part poem “October” as a chapbook.

"Her other award-winning books include The Wild Iris (Ecco Press, 1992), which received the Pulitzer Prize and the Poetry Society of America’s William Carlos Williams Award; Ararat (Ecco Press, 1990), for which she received the Library of Congress’s Rebekah Johnson Bobbitt National Prize for Poetry; and The Triumph of Achilles (Ecco Press, 1985), which received the National Book Critics Circle Award, the Boston Globe Literary Press Award, and the Poetry Society of America’s Melville Kane Award.

"In a review in The New Republic, the critic Helen Vendler wrote: “Louise Glück is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual distinction of being neither ‘confessional’ nor ‘intellectual’ in the usual senses of those words.”

"Glück has also published a collection of essays, Proofs and Theories: Essays on Poetry (Ecco Press, 1994), which won the PEN/Martha Albrand Award for Nonfiction. Her honors include the Bollingen Prize in Poetry, the Lannan Literary Award for Poetry, a Sara Teasdale Memorial Prize, the MIT Anniversary Medal and fellowships from the Guggenheim and Rockefeller Foundations, and from the National Endowment for the Arts.

"The recipient of the 2020 Nobel Prize in Literature, Glück was elected a Chancellor of the Academy of American Poets in 1999. In the fall of 2003, she was appointed as the Library of Congress’s twelfth poet laureate consultant in poetry. She served as judge of the Yale Series of Younger Poets from 2003 to 2010.

"In 2008, Glück was selected to receive the Wallace Stevens Award for mastery in the art of poetry. Her collection, Poems 1962-2012, was awarded the 2013 Los Angeles Times Book Prize. In 2015, she was awarded the Gold Medal for Poetry from the American Academy of Arts and Letters. Currently, Glück is a writer-in-residence at Yale University."

_________________________

A few of Glück's shorter poems:

 

Vita Nova

 

You saved me, you should remember me.

 

The spring of the year; young men buying tickets for the ferryboats.

Laughter, because the air is full of apple blossoms.

 

When I woke up, I realized I was capable of the same feeling.

 

I remember sounds like that from my childhood,   

laughter for no cause, simply because the world is beautiful,

something like that.

 

Lugano. Tables under the apple trees.

Deckhands raising and lowering the colored flags.

And by the lake’s edge, a young man throws his hat into the water;

perhaps his sweetheart has accepted him.

 

Crucial

sounds or gestures like

a track laid down before the larger themes

 

and then unused, buried.

 

Islands in the distance. My mother   

holding out a plate of little cakes—

 

as far as I remember, changed

in no detail, the moment

vivid, intact, having never been

exposed to light, so that I woke elated, at my age   

hungry for life, utterly confident—

 

By the tables, patches of new grass, the pale green   

pieced into the dark existing ground.

 

Surely spring has been returned to me, this time   

not as a lover but a messenger of death, yet   

it is still spring, it is still meant tenderly.

 

Confession

 

To say I'm without fear—

It wouldn't be true.

I'm afraid of sickness, humiliation.

Like anyone, I have my dreams.

But I've learned to hide them,

To protect myself

From fulfillment: all happiness

Attracts the Fates' anger.

They are sisters, savages—

In the end they have

No emotion but envy.

 

The Past

 

Small light in the sky appearing
suddenly between
two pine boughs, their fine needles

now etched onto the radiant surface
and above this
high, feathery heaven—

Smell the air. That is the smell of the white pine,
most intense when the wind blows through it
and the sound it makes equally strange,
like the sound of the wind in a movie—

Shadows moving. The ropes
making the sound they make. What you hear now
will be the sound of the nightingale, Chordata,
the male bird courting the female—

The ropes shift. The hammock
sways in the wind, tied
firmly between two pine trees.

Smell the air. That is the smell of the white pine.

It is my mother’s voice you hear
or is it only the sound the trees make
when the air passes through them

because what sound would it make,
passing through nothing?

 

The Red Poppy

 

The great thing

is not having 
a mind. Feelings:
oh, I have those; they 
govern me. I have 
a lord in heaven 
called the sun, and open 
for him, showing him
the fire of my own heart, fire 
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters, 
were you like me once, long ago, 
before you were human? Did you 
permit yourselves
to open once, who would never 
open again? Because in truth 
I am speaking now 
the way you do. I speak 
because I am shattered.

Vespers

 

In your extended absence, you permit me 
use of earth, anticipating
some return on investment. I must report 
failure in my assignment, principally 
regarding the tomato plants.
I think I should not be encouraged to grow 
tomatoes. Or, if I am, you should withhold 
the heavy rains, the cold nights that come 
so often here, while other regions get 
twelve weeks of summer. All this 
belongs to you: on the other hand, 
I planted the seeds, I watched the first shoots 
like wings tearing the soil, and it was my heart 
broken by the blight, the black spot so quickly 
multiplying in the rows. I doubt
you have a heart, in our understanding of 
that term. You who do not discriminate 
between the dead and the living, who are, in consequence, 
immune to foreshadowing, you may not know 
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible 
for these vines.

Aboriginal Landscape

 

You’re stepping on your father, my mother said,

and indeed I was standing exactly in the center

of a bed of grass, mown so neatly it could have been

my father’s grave, although there was no stone saying so.

 

You’re stepping on your father, she repeated,

louder this time, which began to be strange to me,

since she was dead herself; even the doctor had admitted it.

 

I moved slightly to the side, to where

my father ended and my mother began.

 

The cemetery was silent. Wind blew through the trees;

I could hear, very faintly, sounds of  weeping several rows away,

and beyond that, a dog wailing.

 

At length these sounds abated. It crossed my mind

I had no memory of   being driven here,

to what now seemed a cemetery, though it could have been

a cemetery in my mind only; perhaps it was a park, or if not a park,

a garden or bower, perfumed, I now realized, with the scent of roses —

douceur de vivre filling the air, the sweetness of  living,

as the saying goes. At some point,

 

it occurred to me I was alone.

Where had the others gone,

my cousins and sister, Caitlin and Abigail?

 

By now the light was fading. Where was the car

waiting to take us home?

 

I then began seeking for some alternative. I felt

an impatience growing in me, approaching, I would say, anxiety.

Finally, in the distance, I made out a small train,

stopped, it seemed, behind some foliage, the conductor

lingering against a doorframe, smoking a cigarette.

 

Do not forget me, I cried, running now

over many plots, many mothers and fathers —

 

Do not forget me, I cried, when at last I reached him.

Madam, he said, pointing to the tracks,

surely you realize this is the end, the tracks do not go further.

His words were harsh, and yet his eyes were kind;

this encouraged me to press my case harder.

But they go back, I said, and I remarked

their sturdiness, as though they had many such returns ahead of them.

 

You know, he said, our work is difficult: we confront

much sorrow and disappointment.

He gazed at me with increasing frankness.

I was like you once, he added, in love with turbulence.

 

Now I spoke as to an old friend:

What of  you, I said, since he was free to leave,

have you no wish to go home,

to see the city again?

 

This is my home, he said.

The city — the city is where I disappear.

 

 

 

All Hallows

 

Even now this landscape is assembling.

The hills darken. The oxen

Sleep in their blue yoke,

The fields having been

Picked clean, the sheaves

Bound evenly and piled at the roadside

Among cinquefoil, as the toothed moon rises:

 

This is the barrenness

Of harvest or pestilence

And the wife leaning out the window

With her hand extended, as in payment,

And the seeds

Distinct, gold, calling

Come here

Come here, little one

 

And the soul creeps out of the tree.

 

 

 

Grandmother in the Garden

 

The grass below the willow

Of my daughter's wash is curled

With earthworms is curled

Is measured into row on row

Of unspiced houses, painted to seem real.

The drugged Long Island summer sun drains

Pattern from those empty sleeves, beyond my grandson

Squealing in his pen. I have survived my life.

The yellow daylight lines the oak leaf

And the wire vines melt with the unchanged changes

Of the baby. My children have their husbands' hands.

My husband's framed, propped bald as a baby on their pianos,

My tremendous man. I close my eyes. And all the clothes

I have thrown out come back to me, the banners

Of my daughters' slips ... they drift; I see the sheer

Summer cotton drift, equivalent to air.

 

"Kindness": a poem by Naomi Shihab Nye

Although it is well known among poets and those who love poetry, I read this truly wonderful, insightful and thoughtful poem by Naomi Shihab Nye for the first time a few days ago, courtesy of a  nourishing online journal, BrainPickings, written for many years by Maria Popova. 

 

In her preface to Nye's poem, Popova draws upon its spirit in lines of her own: "The measure of true kindness — which is different from nicety, different from politeness — is often revealed in those challenging instances when we must rise above the impulse toward its opposite, ignited by fear and anger and despair."

 

 

 

 

 

KINDNESS

By Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

 

Popova recalls that Nye, in a conversation with Krista Tippett a few years ago, spoke of the backstory of this beloved poem, the real events in Nye's life that inspired it. I want to share that backstory with you, but first ask Krista Tippet to re-introduce her poet-friend to readers of Reckonings, as she did on that occasion:

Krista:“'You are living in a poem.' This is how the poet Naomi Shihab Nye sees the world, and she teaches how this way of being and writing is possible. She has engaged the real-world power of words since her upbringing between her father’s Palestinian homeland and Ferguson, Missouri, near where her American mother grew up. Her father was a refugee journalist, and she carries forward his hopeful passion, his insistence that language must be a way out of cycles of animosity. A poem she wrote, called 'Kindness,' is carried around in the pockets and memories of readers around the world."

 

Here is Naomi Shihab Nye's description of how "Kindness" came to be:

Naomi: "I really feel, amongst all my poems, that this was a poem that was given to me. I was simply the secretary for the poem. I wrote it down, but I honestly felt as if it were a female voice speaking in the air across a plaza in Popayán, Colombia. And my husband and I were on our honeymoon. We had just gotten married one week before, here in Texas. And we had this plan to travel in South America for three months. And at the end of our first week, we were robbed of everything. And someone else who was on the bus with us was killed. And he’s the Indian in the poem. And it was quite a shake-up of an experience.

"And what do you do now? We didn’t have passports. We didn’t have money. We didn’t have anything. What should we do first? Where do we go? Who do we talk to? And a man came up to us on the street and was simply kind and just looked at us — I guess could see our disarray in our faces, and just asked us in Spanish, “What happened to you?” And we tried to tell him. And he listened to us, and he looked so sad. And he said, 'I’m very sorry. I’m very, very sorry that happened,' in Spanish; and he went on. And then we went to this little plaza, and I sat down, and all I had was the notebook in my back pocket, and pencil. And my husband was going to hitchhike off to Cali, a larger city....

"And so this was also a little worrisome to us, because, suddenly, we were gonna split up. I was going to stay here, and he was gonna go there. And as I sat there alone, in a bit of a panic, night coming on, trying to figure out what I was going to do next, this voice came across the plaza and spoke this poem to me — spoke it. And I wrote it down."

 

Two Current Perspectives on the Challenges Facing a Country in Deep Trouble: Paul Krugman and David Brooks

Yesterday, Thursday, June 25th, two columnists for The New York Times, Paul Krugman and David Brooks, trained their minds upon the manifold challenges faced by the United States in the months ahead, with impressive clarity, intelligence and complementarity. I admit to surprise that Brooks does not directly address the climate crisis; so we are left to imagine the likely fate of that crisis in the context of the political, economic and medical crises described below. Krugman has examined climate change earlier this year, and explicitly chose to focus yesterday on the economic and political issues related to COVID-19, so it's understandable that he reserves the climate for other occasions. I'll keep you appraised.

Rather than summarize Krugman and Brooks, since their columns are relatively short, I am going to give them to you here, with a short paragraph from The Times about their professional accomplishments. Historically, I have aligned my own views more closely with Krugman as a liberal political economist and a fellow Democrat. That is still my view. Brooks has generally been more conservative, perhaps what we used to call a “liberal Republican,” but that phrase over the past decade and more has become increasingly meaningless. I respect and learn from them both. That is certainly true of the columns below, both offering us deeply sobering and plausible indications of where we of the United States find ourselves.

1. Paul Krugman joined The New York Times in 1999 as an Op-Ed columnist. He is distinguished professor in the Graduate Center Economics Ph.D. program and distinguished scholar at the Luxembourg Income Study Center at the City University of New York. In addition, he is professor emeritus of Princeton University’s Woodrow Wilson School. In 2008, Mr. Krugman was the sole recipient of the Nobel Memorial Prize in Economic Sciences for his work on international trade theory.

America Didn’t Give Up on Covid-19. Republicans Did.

Partisanship has crippled our response.

By Paul Krugman

June 25, 2020

Earlier this year much of America went through hell as the nation struggled to deal with Covid-19. More than 120,000 Americans have now died; more than 20 million have lost their jobs.

But it’s looking as if all those sacrifices were in vain. We never really got the coronavirus under control, and now infections, while they have fallen to a quite low level in the New York area, the pandemic’s original epicenter, are surging in much of the rest of the country.

And the bad news isn’t just a result of more testing. In new hot spots like Arizona — where testing capacity is being overwhelmed — and Houston the fraction of tests coming up positive is soaring, which shows that the disease is spreading rapidly.

It didn’t have to be this way. The European Union, a hugely diverse area with a larger population than the U.S., has been far more successful at limiting the spread of Covid-19 than we have. What went wrong?

The immediate answer is that many U.S. states ignored warnings from health experts and rushed to reopen their economies, and far too many people failed to follow basic precautions like wearing face masks and avoiding large groups. But why was there so much foolishness?

Well, I keep seeing statements to the effect that Americans were too impatient to stay the course, too unwilling to act responsibly. But this is deeply misleading, because it avoids confronting the essence of the problem. Americans didn’t fail the Covid-19 test; Republicans did.

After all, the Northeast, with its largely Democratic governors, has been appropriately cautious about reopening, and its numbers look like Europe’s. California and Washington are blue states that are seeing a rise in cases, but it’s from a relatively low base, and their Democratic governors are taking actions like requiring the use of face masks and seem ready to reverse their reopening.

So the really bad news is coming from Republican-controlled states, especially Arizona, Florida and Texas, which rushed to reopen and, while some are now pausing, haven’t reversed course. If the Northeast looks like Europe, the South is starting to look like Brazil.

Nor is it just Republican governors and state legislatures. According to the new New York Times/Siena poll, voters over all strongly favor giving control of the pandemic priority over reopening the economy — but Republican voters, presumably taking their cue from the White House and Fox News, take the opposite position.

And it’s not just about policy decisions. Partisanship seems to be driving individual behavior, too, with self-identified Democrats significantly more likely to wear face masks and engage in social distancing than self-identified Republicans.

The question, then, isn’t why “America” has failed to deal effectively with the pandemic. It’s why the G.O.P. has in effect allied itself with the coronavirus.

Part of the answer is short-term politics. At the beginning of this year Donald Trump’s re-election message was all about economic triumphalism: Unemployment was low, stocks were up, and he was counting on good numbers to carry him through November. He and his officials wasted crucial weeks refusing to acknowledge the viral threat because they didn’t want to hear any bad news.

And they pushed for premature reopening because they wanted things to return to what they seemed to be back in February. Indeed, just a few days ago the same Trump officials who initially assured us that Covid-19 was no big deal were out there dismissing the risks of a second wave.

I’d suggest, however, that the G.O.P.’s coronavirus denial also has roots that go beyond Trump and his electoral prospects. The key point, I’d argue, is that Covid-19 is like climate change: It isn’t the kind of menace the party wants to acknowledge.

It’s not that the right is averse to fearmongering. But it doesn’t want you to fear impersonal threats that require an effective policy response, not to mention inconveniences like wearing face masks; it wants you to be afraid of people you can hate — people of a different race or supercilious liberals.

So instead of dealing with Covid-19, Republican leaders and right-wing media figures have tried to make the pandemic into the kind of threat they want to talk about. It’s “kung flu,” foisted on us by villainous Chinese. Or it’s a hoax perpetrated by the “medical deep state,” which is just looking for a way to hurt Trump.

The good news is that the politics of virus denial don’t seem to be working. Partly that’s because racism doesn’t play the way it used to: The Black Lives Matter protesters have received broad public support, despite the usual suspects’ efforts to portray them as rampaging hordes. Partly it’s because the surge in infections is becoming too obvious to deny; even Republican governors are admitting that there’s a problem, although they still don’t seem willing to act.

The bad news is that partisanship has crippled our Covid-19 response. The virus is winning, and all indications are that the next few months will be a terrifying nightmare of rampant disease and economic disruption.

 

2. David Brooks became an Op-Ed columnist for The New York Times in September 2003. His column appears every Tuesday and Friday. He is currently a commentator on “PBS NewsHour,” NPR’s “All Things Considered” and NBC’s “Meet the Press.”He is the author of Bobos in Paradise: The New Upper Class and How They Got There and On Paradise Drive: How We Live Now (And Always Have) in the Future Tense. In March 2011 he came out with his third book, The Social Animal: The Hidden Sources of Love, Character, and Achievement, which was a No. 1 New York Times bestseller. Mr. Brooks also teaches at Yale University, and is a member of the American Academy of Arts and Sciences.

America Is Facing 5 Epic Crises All at Once

This is not the time to obsess about symbolism.

By David Brooks

June 25, 2020

There are five gigantic changes happening in America right now. The first is that we are losing the fight against Covid-19. Our behavior doesn’t have anything to do with the reality around us. We just got tired so we’re giving up.

Second, all Americans, but especially white Americans, are undergoing a rapid education on the burdens African-Americans carry every day. This education is continuing, but already public opinion is shifting with astonishing speed.

Third, we’re in the middle of a political realignment. The American public is vehemently rejecting Donald Trump’s Republican Party. The most telling sign is that the party has even given up on itself, a personality cult whose cult leader is over.

Fourth, a quasi-religion is seeking control of America’s cultural institutions. The acolytes of this quasi-religion, Social Justice, hew to a simplifying ideology: History is essentially a power struggle between groups, some of which are oppressors and others of which are oppressed. Viewpoints are not explorations of truth; they are weapons that dominant groups use to maintain their place in the power structure. Words can thus be a form of violence that has to be regulated.

Fifth, we could be on the verge of a prolonged economic depression. State and household budgets are in meltdown, some businesses are failing and many others are on the brink, the continuing health emergency will mean economic activity cannot fully resume.

These five changes, each reflecting a huge crisis and hitting all at once, have created a moral, spiritual and emotional disaster. Americans are now less happy than at any time since they started measuring happiness nearly 50 years ago. Americans now express less pride in their nation than at any time since Gallup started measuring it 20 years ago.

Americans look around the world and see that other nations are beating Covid-19 and we are failing. Americans look around and see state-sponsored violence — rhetorical and actual — inflicted on their fellow citizens. America doesn’t seem very exceptional.

In times like this, you’ve got to have a theory of change.

The loudest theory of change is coming from the Social Justice movement. This movement emerged from elite universities, and its basic premise is that if you can change the cultural structures you can change society.

Members of this movement pay intense attention to cultural symbols — to language, statues, the names of buildings. They pay enormous attention to repeating certain slogans, such as “defund the police,” which may or may not have anything to do with policy, and to lifting up symbolic gestures, like kneeling before a football game. It’s a very apt method for change in an age of social media because it’s very performative.

The Social Justice activists focus on the cultural levers of power. Their most talked about action is canceling people. Some person, usually mildly progressive, will say something politically “problematic” and his or her job will be terminated. In this way new boundaries are established for what has to be said and what cannot be said.

The Social Justice activists sometimes claim that if you don’t like their tactics then you are not fighting for racial equity or economic justice or whatever. But those movements all existed long before Social Justice affixed itself to them and tried to change their methods.

The core problem is that the Social Justice theory of change doesn’t produce much actual change. Corporations are happy to adopt some woke symbols and hold a few consciousness-raising seminars and go on their merry way. Worse, this method has no theory of politics.

How exactly is all this cultural agitation going to lead to legislation that will decrease income disparities, create better housing policies or tackle the big challenges that I listed above? That part is never spelled out. In fact, the Sturm und Drang makes political work harder. You can’t purify your way to a governing majority.

The Social Justice methodology is ultimately not a solution to our problem, it’s a symptom of our problem. Over the last half century, we’ve turned politics from a practical way to solve common problems into a cultural arena to display resentments. Donald Trump is the ultimate performer in this paralyzed arena.

If you think the interplay of these five gigantic changes is going to fit into some neat ideological narrative, you’re probably wrong. If you think we can deal with a racial disparity, reform militaristic police departments and address an existential health crisis and a prolonged economic depression by taking the culture war up another notch, I think you’re mistaken.

Dealing with these problems is going to take government. It’s going to take actual lawmaking, actual budgeting, complex compromises — all the boring, dogged work of government that is more C-SPAN than Instagram.

I know a lot of people aren’t excited about him, but I thank God that Joe Biden is going to be nominated by the Democratic Party. He came to public life when it wasn’t about performing your zeal; it was about crafting coalitions and legislating. He exudes a spirit that is about empathy and friendship, not animosity and canceling. The pragmatic spirit of the New Deal is a more apt guide for the years ahead than the spirit of critical theory symbology.

Bill McKibben: Racism, Police Violence, and the Climate Are Not Separate Issues

Racism, Police Violence, and the Climate Are Not Separate Issues

 

Bill McKibben

June 3, 2020

The New Yorker

I find that lots of people are surprised to learn that, by overwhelming margins, the two groups of Americans who care most about climate change are Latinx Americans and African-Americans. But, of course, those communities tend to be disproportionately exposed to the effects of global warming: working jobs that keep you outdoors, or on the move, on an increasingly hot planet, and living in densely populated and polluted areas. (For many of the same reasons, these communities have proved disproportionately vulnerable to diseases such as the coronavirus.) One way of saying it is that money buys insulation, and white people, over all, have more of it.

Over the years, the environmental movement has morphed into the environmental-justice movement, and it’s been a singularly interesting and useful change. Much of the most dynamic leadership of this fight now comes from Latinx and African-American communities, and from indigenous groups; more to the point, the shift has broadened our understanding of what “environmentalism” is all about. John Muir, who has some claim to being the original modern environmentalist, once explained that “when we try to pick out anything by itself, we find it hitched to everything else in the Universe.” He was talking about ecosystems, but it turns out that he was more correct than he knew: the political world is hopelessly (and hopefully) intertwined with the natural world. So, for instance, living in a community with high levels of air pollution impairs human bodies—it raises blood pressure, increases cancer. But so does living in a place with a brutal police force. As one study recently put it:

 

When faced with a threat, the body produces hormones and other signals that turn on the systems that are necessary for survival in the short term. These changes include accelerated heart rate and increased respiratory rate. But when the threat becomes reoccurring and persistent—as is the case with police brutality—the survival process becomes dangerous and causes rapid wear and tear on body organs and elevated allostatic load. Deterioration of organs and systems caused by increased allostatic load occurs more frequently in Black populations and can lead to conditions such as diabetes, stroke, ulcers, cognitive impairment, autoimmune disorders, accelerated aging, and death.

Or, to put it another way, having a racist and violent police force in your neighborhood is a lot like having a coal-fired power plant in your neighborhood. And having both? And maybe some smoke pouring in from a nearby wildfire? African-Americans are three times as likely to die from asthma as the rest of the population. “I Can’t Breathe” is the daily condition of too many people in this country. One way or another, there are a lot of knees on a lot of necks.

The job of people who care about the future—which is another way of saying the environmentalists—is to let everyone breathe easier. But that simply can’t happen without all kinds of change. Some of it looks like solar panels for rooftops, and some of it looks like radically reimagined police forces. All of it is hitched together.

Passing the Mic

Nina Lakhani is the environmental-justice reporter for the Guardian. Prior to that, she was a freelance reporter whose work took her to many parts of the world, including Central America, where she chronicled the sad story told in her new book, “Who Killed Berta Cáceres?” The interview has been edited for clarity and length.

Why was Berta Cáceres killed—what fight was she involved in?

Berta Cáceres was murdered after leading a long campaign to stop construction of an internationally financed hydroelectric dam on the Gualcarque River, in Rio Blanco, western Honduras. The Agua Zarca Dam was among scores of environmentally destructive mega projects in indigenous territories sanctioned by the post-coup government, without the legally required consultation. The Gualcarque is considered sacred by the indigenous Lenca people, who rely on the river for food, medicine, water, and spiritual nourishment. The proposed dam would have diverted the river from the Rio Blanco community, who are mostly subsistence farmers, ruining their sustainable lives and forcing them to migrate to towns and cities—or the U.S.—in order to survive. The community asked Berta, who was the coördinator of the Council of Popular and Indigenous Organizations of Honduras (copinh), to help them stop construction of the dam through peaceful actions. This unleashed a wave of terror against her and the community, which included harassment, defamation, trumped-up criminal charges, and dozens of threats. But they couldn’t silence her, so they killed her, on March 2, 2016.

Somebody pulled the trigger—but who was behind that person?

Berta was hated by the powerful network of political, economic, religious, and military élites that controls Honduras. We know that a hit squad, a group of poor young men, were paid to murder Berta: a gunman shot her dead in her bedroom, close to midnight; another shot Gustavo Castro, a Mexican environmentalist and dear friend of Berta’s, who was staying at her house. He was injured, but survived by playing dead. Also present was the getaway-car driver and a former special-forces sergeant, who was coördinating the mission at the house. The trial, which took place in late 2018, convicted those four and three others, whom I’d describe as middlemen. Don’t get me wrong—they played important roles. But those who paid for and ordered the murder have not been prosecuted, even though the court ruled that Berta was killed because her actions were delaying the dam construction and costing the Honduran company building the dam, desa, money. David Castillo, the former executive president of the company, and a U.S.-trained former intelligence officer, is the only person so far accused of masterminding the crime. He’s been in prison, awaiting trial, for twenty-seven months. But the evidence strongly suggests that other company executives, who are members of one of the country’s most powerful clans, should be investigated—yet none have even been formally questioned. [desa has denied that Castillo or anyone else at the company was involved in the crime.] The possible role played by any state officials—police, military, judges, prosecutors, and politicians—before, during, and after the murder has never been investigated.

What can we say about the role indigenous communities play in protecting the environment?

Indigenous people across the world mobilize against damaging environmental activities to protect their sacred lands, water, and traditional way of life, and they are involved in forty-one per cent of documented environmental conflicts, according to a new study analyzing nearly three thousand community movements. Across the board, environmental defenders face high rates of criminalization, physical violence, and assassination, but the risk is significantly higher when indigenous people are involved. In my experience reporting from across Mexico and Central America, environmentally destructive projects—such as mining, dams, logging, and tourism resorts—are imposed on indigenous communities without any consultation or compensation, and when they resist investors and politicians try to discredit them as anti-development and anti-green energy. This simply isn’t true. Imposing these environmentally destructive projects, including clean-energy projects, will destroy indigenous communities who could teach us so much about sustainability.

Climate School

• Organized labor is often lumped in with progressive groups as a champion of environmental progress, and, indeed, many unions are engaged in the fight for a Green New Deal. But, as the climate journalist Steve Horn remindsus, in an incisive piece of reporting, other unions have continued to fight for pipelines and other big fossil-fuel initiatives. Some of them are joining with the former Obama Administration Energy Secretary Ernest Moniz in a coalition to back “clean coal,” natural gas, and other fossil-fuel projects. It will be fateful to see which vision carries the day, as the Democrats choose an energy future: the other pole is represented here, by Varshini Prakash, whom Senator Bernie Sanders has named to the joint task force on climate that he formed with Joe Biden. (The chairs are Congresswoman Alexandria Ocasio-Cortez and the former Secretary of State John Kerry.)
• A new studyfinds that four more years of Donald Trump could delay global-emissions cuts by a decade, since it will not just depress action here but give other leaders around the world a good excuse for inaction.
• Another new study—this one headed by the senators Sheldon Whitehouse, of Rhode Island, Debbie Stabenow, of Michigan, and Chuck Schumer, of New York—details the decades-long effort to stage a right-wing “capture” of the American judiciary, helping to insure a rising number of court decisions protecting polluters.

Scoreboard

⬇️The number of birds in North America has fallen by a third since 1970, and climate change now seems to be making long-distance migration—always something of a miracle—much more difficult.

⬇️A lot of oil companies are making promises to go “net zero” in emissions by 2050, and this trend has come in for questions and critiques from environmental groups. That’s not a problem for ExxonMobil, though—always the hold-my-beer champion of corporate irresponsibility. At last week’s shareholder meeting, Darren Woods, the chairman and chief executive, said that there would be no such targets for the company. He also told shareholders that there are no plans to invest in renewable energy, because the company has no “unique advantage” in the field. If nothing else, ExxonMobil’s intransigence makes embarrassingly clear the failure of engagement strategies pursued by those who have chosen to work with the company rather than to divest their shares, a group that includes New York State (under the comptroller, Tom DiNapoli) and the Church of England.

⬇️On the world’s short list of truly bad ideas: flying cars, which are apparently now under development at twenty different companies, and which, as Kevin DeGood, of the Center for American Progress, says, would “represent the technological apotheosis of sprawl and an attempt to eradicate distance as a fact of life for elites who are wealthy enough to routinely let slip the bonds of gravity.”

⬆️The Ninth Circuit Court of Appeals ruled against several big oil companies, sending lawsuits seeking to hold them responsible for the effects of climate change back to California state courts. The companies had argued that damage from global warming was “speculative,” and that, in any event, Congress had urged them to produce more hydrocarbons.

⬆️The United States consumed more energy from renewables than from coal last year—the first time this has happened since the nineteenth century. Meanwhile, those who invested in fossil-fuel stocks have seen their value crater by more than forty per cent in the first four months of this year, while investments in renewable energy grew more than two per cent.

Warming Up

The former Times science reporter Andrew Revkin has been hosting what he calls “Sustain What?” Webcasts, with Columbia University’s Earth Institute, to foster “online conversations and communities shaping solution-oriented policy and personal paths amid wickedly intertwined challenges,” such as covid-19 and climate change. Late last month, he invited the University of Alabama biologist Gui Becker, whom you can hear singing his own composition, “Cataclysmic Chaos,” at 1:17:45 of this YouTube video.

—Bill McKibben

What if there were no George Floyd video? Even when racism doesn't go viral, it's still deadly

What if there were no George Floyd video?

Even when racism doesn't go viral, it's still deadly.

Nicholas Kristof

• There is no video to show that a black boy born today in Washington, D.C., Missouri, Alabama, Louisiana, Mississippi or a number of other states has a shorter life expectancy than a boy born in Bangladesh or India.

• There’s no video to show that black children still are often systematically shunted to second-rate schools and futures, just as they were in the Jim Crow era. About 15 percent of black or Hispanic students attend so-called apartheid schools that are less than 1 percent white.

• There’s no video to show that blacks are dying from the coronavirus at more than twice the rate of whites, or that a result of the recent mass layoffs is that, as of last month, fewer than half of African-American adults now have a job.

 

“There is another kind of violence, slower but just as deadly, destructive as the shot or the bomb in the night,” Robert F. Kennedy said in 1968 shortly before his assassination. “This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is a slow destruction of a child by hunger, and schools without books and homes without heat.”

Health statistics bear that out. A black newborn in the United States is twice as likely to die in infancy as a white newborn and a black woman is as likely to die in pregnancy or childbirth as a white woman. “Racism is nothing short of a public health crisis,” Michelle A. Williams, the dean of the Harvard School of Public Health, told me. “That reality is palpable not just in the scourge of police violence that disproportionately kills black Americans, but in the vestiges of slavery and segregation that have permeated the social determinants of health.

“Racism has robbed black Americans from benefiting from the advancements they’ve fought for, bled for and died for throughout history. That reality manifests in myriad ways — from underfunded schools to the gutting of health care and social programs, to financial redlining, to mass incarceration, to voter suppression, to police brutality and more. And it is undeniably harming health and prematurely ending black lives.”

The Pediatric Infectious Diseases Society said in a statement a few days ago, “Structural racism is more harmful to the health and well-being of children than infectious diseases, including Covid-19.”

Sociologists like Orlando Patterson have noted that while whites increasingly have progressive views about race in general, they often still favor public policies that disadvantage African-Americans. For example, they may oppose multi-occupancy housing in their affluent suburbs, reducing affordable housing and perpetuating segregation. Or they may support a broken local funding system for education that results in apartheid school“Confinement to segregated, poorly funded schools interferes with children’s life chances,” said Rucker Johnson, a professor of public policy at the University of California, Berkeley, and the author of a book, “Children of the Dream,” about integration. Johnson found that American public schools achieved peak integration in 1988 and have since become more racially segregated.

Structural racism doesn’t easily go viral, but it is deadly. A recent study of insurance records found that when blacks and whites with Covid-19 symptoms like a fever and cough sought medical help, blacks were less likely to be given a coronavirus test.

I wonder about doctors who didn’t get black patients tested — or officials who didn’t allocate tests to clinics in black neighborhoods. I’m sure many were well-meaning and had no idea that they were discriminating. But unconscious racial bias is widespread, resulting in what the scholar Eduardo Bonilla-Silva has called “racism without racists.”

Scholars have found, for example, that professional baseball umpires are more likely to call strikes when they are of the same race as the pitcher (whatever their race, although this mostly benefits white pitchers). Likewise, professional basketball referees are more likely to call personal fouls against a player of a different race.

Much of the research seems bleak, but three things give me hope. First, many metrics show improvement. Second, robust evidence shows what policies would help. For example, a careful study by the National Academies of Sciences, Engineering and Medicine last year showed how we could reduce child poverty by half — hugely reducing racial inequality. What we lack isn’t tools or resources, it’s political will.

My third reason for hope has to do with those biased basketball referees. That research angered the N.B.A. and caused painful controversy — which laid the groundwork for progress. A follow-up study found that after the first research was absorbed, those biased calls disappeared. It appeared that once people were forced to have anguished discussions about racial bias, they were able to overcome it.

 

Among The Trees

[Preface by John R. Boettiger: I've loved the company of trees all my life, their singularity and community, their slow growth and decay, their extraordinary diversity of lifespans, their changing seasonal colors of leaves and intertwined rootedness, their hospitality to other lives, their responsiveness to breeze and wind. As a child I loved to climb them, swing from their sturdy branches, find nooks in which to contemplate, read, find refuge, soften my soul, allow my imagination to wander.

[I wanted to be a forest ranger, living atop a tower in a room of, say, 200+  square feet, with a 360-degree view, caring for the forest that surrounded me on all sides, forest trails open for exploration, resupply and companionship. Hiking forest paths is still my favorite form of recreation. I was born and spent my earliest childhood years in the Pacific Northwest, and came especially - virtually lifelong - to admire the wonderful tangle of California live oaks and to stand in awe of redwoods and giant sequoia, of which the oldest recorded lifespan was an astonishing 3,200 years. Now in my later adulthood, after too many and too stumbling - but also nourishing - moves, I am settled again in the land of my birth, grateful to have come full circle.] 

[See "Comments" at the bottom of this post.]

 

Among The Trees

by Carl Phillips

Emergence Magazine: Ecology, Culture and Spirituality (https://emergencemagazine.org)

In this extended meditation on the relationship between place and intimacy, the body and the word, Carl Phillips walks among trees to explore what can and cannot be known.

What happened back there, among the trees, is only as untenable as you allow yourself or just decide to believe it is. It happened, and now it’s over. And the end feels—to you, at least—both like the end of a long pilgrimage and like the end of a well-reasoned, irrefutable argument, which is its own form of pilgrimage. Don’t both depend on stamina and faith, in the right proportions? Wasn’t the point, at the end, persuasion?

I used to speak in terms of shadowlands, by which I meant, I think, some space where what transpires between two bodies and what gets transacted almost look the same. I’d say a thing like

There’s a kind of shadowland that one body makes, entering

another; and there’s a shadowland the body contains always

within itself, without resolution—as mystery a little more

often, perhaps, should be …

and I’d call it a poem, and it looked like one, but how it felt was more like saying aloud the words “rescue me” long enough that it almost seemed plausible that mere saying could turn the light to twilight, and the twilight dark. I lived in the world that, for lack of a prettier word, I’d call tangible, where risk meant risk, it seemed, and violation meant violation, not psychological but solid things, for they each cast a shadow as only a solid thing, so I’d been told, could, though I had tried to touch them—violation, risk—and each time my hands touched nothing.

MY EARLIEST MEMORY of trees is of a particular fig tree in the yard of the first house I remember, in Portland, Oregon. I was five, at the most. Sometimes what I remember is playing in the shade of it, and at other times the bees that seemed to bloom from inside the windfalls—though it seems now to have been less the wind that brought the fruit down but the weight of ripeness itself, as if sweetness, too much sweetness, meant mistake, punishment therefore; for hours, I’d watch the bees enter and leave the split-open sides, and how the figs looked lonely, once the bees had gone, as if to be plundered meant at least not being alone …

One evening, instead of coming inside when called, I climbed the fig tree, wearing only a tee shirt and underpants. It seemed
like a game, to be up in the tree, and my parents not able to find me, calling my name as they wandered the yard. And then somehow, I fell, and then suddenly stopped falling: my underwear had caught on a branch, saving me from hitting the ground, but holding me in midair, unable to get down. The way I remember it, my mother told my father to get a ladder.

What’s very clear in memory is my father saying I should hang there in the tree for a bit, to learn a lesson about disobeying my parents.

I find no evidence, in my sixty years of knowing him, that my father is particularly attentive to historical resonances when it comes to our daily lives, but I can’t help thinking about the place of trees in African-American history, as the site for lynching. How strange for my father, an African American, to find it a fitting punishment to leave his son hanging in a tree at night.

My earliest memory of humiliation is of a particular fig tree in the yard of the first house I remember. Who can say how related this is to my refusal, all my life, to believe forgiveness exists?

Some trees are compasses, and some are flags. If a flag tells you where you are, a compass can potentially tell you how to get there or how to find someplace else. A flag, in marking a spot, seems more definitive, a form of punctuation; a compass implies movement, navigation. I know a man who, whenever he needs to write, or cry, or think—really think—goes to a
willow in his local park and hides beneath its draped branches. He goes there so often, you could almost say he’s become part of the willow; he seems a willow himself; he marks a place in my life where I stopped to rest, once, but I couldn’t stay. Then there’s another man, long ago now. His body a forest when seen from the air in a small plane, so that it’s possible to get close enough to see where the oaks give way to poplar trees, or where, if you follow the pines far enough, they’ll open out to a field across which you can see the ocean. I couldn’t have found my way here without him.

DESPITE MY CHILDHOOD mishap with the fig tree, and despite fairy tales, in which the forest so often contains danger—witches ready to shove children into ovens, wolves masquerading as harmless grandmothers—I’ve had a love of trees all my life. Throughout high school, I lived in a house in the woods in Massachusetts, and even on the darker mornings of winter what kept me from being frightened was the trees themselves—mostly scrub pines, as we called them there, with struggling oaks scattered among them. Unlike the kids at school, the trees remained silent as I passed, and I took this as a sign of acceptance. Irrational, sure—but in my feeling so unlike everyone else at school, in my confused wrestling with what I felt was real but I couldn’t name precisely, why not take silence for acceptance? Among the trees loneliness could be itself, in the open—so could strangeness—even as both remained hidden from the rest of the world for the time it took me to pass through the woods to the bus stop. As I walked, I’d sing to the trees, loudly at first, then more and more softly the closer I got to where the woods gave out, until all I could hear was whatever wind there was through the leaves and needles. A sound like the trees unable to sing back, but trying to.

As with myth, fairy tales often seem designed to explain something very real in surreal terms. The story of Red Riding Hood might as easily be a way to warn about the fact of dangerous animals in the woods as to suggest that potential criminals might be encountered. The secrecy that a forest provides makes it the perfect setting for crime. Also for intimacy, which has often been deemed a crime. It makes sense that woods and forests have long been a queer space. Queer, not just in the sense of strangeness or alienation—going back to my relationship to the woods in high school—but in terms of sexuality, the woods as a space in which to hunt for sex. What is cruising, if not a form of hunting, if not to pass, as animal (the act of sex is perhaps our most animal manifestation, as humans), in pursuit of another human who has chosen for the moment to yield more entirely to the animal that each of us carries inside?

Was like when the body surrenders to risk, that moment when an unwillingness to refuse can seem no different from an inability to, though they are not the same—inability, unwillingness. To have said otherwise doesn’t make it true, or even make it count as true. “Yes, but what does the truth matter now,” I whispered, stepping further inside what, by then, was night, almost. The tamer animals would soon lie down again, and the wild go free.

It's not just the convenience of the woods—its ability to conceal, to keep a secret—that makes it a likely site for sexual behavior that isn’t societally condoned. Trees are utterly natural, or the collections of trees called woods and forests tend, anyway, not to have been artificially constructed (as compared with parks or public gardens). And this natural context for sexual intimacy can give, if not a sense of wholesomeness exactly, then a sense of permission, at least, to what can feel like—what we’ve been made to feel is—transgression; if only temporarily, the trees erase the shame that drove us to seek hiddenness in the first place. Or if shame didn’t drive us there, a reasonable fear likely did. And then—remember?—that well-worn path where we found one another, the trees to either side like a lengthy convoy of fears that kept diminishing, the more south they shuffled—until there was no fear.

 

At this point in my life, I’m not always sure how much of what I think about my life among trees—in forests, in woods—actually happened, how much is imagined, and how much is what I’ve read and somehow superimposed over my own actual experience—everything from Sir Gawain and the Green Knight—the forest as the site of quest and conquest, riddle and answer—to those passages in Tolkien’s The Hobbit and The Lord of the Rings where so much travel is done under cover of night through forests. In the Tolkien, especially, while there is plenty of potential danger, so many of the scenes have to do with camaraderie and trust and an intimacy that isn’t sexual at all. Or I think about Randall Jarrell, whose poetry often revisits fairy tale, and seems especially fascinated with what goes on in the woods—specifically, Jarrell seems to want to rewrite fairy tale and the psychology of it. The forest is an example of “the lost world” that he’s always seeking, where the witch who would kill children is transformed. Here’s the end of his “The House in the Wood”:¹

Here at the bottom of the world, what was before the world

And will be after, holds me to its black

Breasts and rocks me: the oven is cold, the cage is empty,

In the House in the Wood, the witch and her child sleep.

The house is held by the wood, the mother and child are held by the house, perhaps the mother is holding her child. Which is to say the poem’s in part about enclosure as a form of security, and about nurture, the very opposite of what the witch conventionally stands for. The wood, in effect, reverses evil to the good it began as, or that’s the wish, a human one, with which the wood in the end has very little to do. In that same poem, Jarrell reminds us that

… after the last leaf,

The last light—for each year is leafless,

Each day is lightless, at the last—the wood begins

Its serious existence: it has no path,

No house, no story; it resists comparison …

So there are the trees of literature, floating somewhere in my head, always. Then there are all of my actual adventures and misadventures among trees throughout my life. And then there are the stories that maybe began with a shred of fact but got transformed in the course of my making a poem. Jarrell, again: “Which one’s the mockingbird? which one’s the world?”

They moved together in groups, and singly.

They moved among the trees as among the parts of a language they’d forgotten they knew.

Pitch pine, sycamore, maple, oak, and birch.

Humiliation, loneliness, permission, sex, and shame.

Memory, innocence, forgiveness. Willow. Willow.

Another way of thinking, though, about this interplay between reality and imagination when it comes to memory is that I’ve lost track of what happened, versus what serves as camouflage for what happened—camouflage in the form not just of trees but of the context they become for the stories that I tell in poems. In a sense, the poems themselves are trees, or tree-like, in that they become a place where what’s difficult and/or forbidden can have a place both to be hidden and within which to feel free to unfurl and extend itself. Here’s how I spoke of the forest once:

 … I lived, in those days, at the forest’s edge—

metaphorically, so it can sometimes seem now, though

the forest was real, as my life beside it was. I spent

much of my time listening to the sounds of random, un-

knowable things dropping or being dropped from, variously,

a middling height or a great one until, by winter, it was

just the snow falling, each time like a new, unnecessary

taxonomy or syntax for how to parse what’s plain, snow

from which the occasional lost hunter would emerge

every few or so seasons, and—just once—a runaway child

whom I gave some money to and told no one about,

having promised …

 

And here is a different way since then:

There’s a forest that stands at the exact center of sorrow.

Regrets find no shelter there.

The trees, when they sway,

sway like the manes of horses when a storm’s not far.

There’s no reason to stay there,

nothing worth going to see,

but if you want to, you can pass through the forest

in the better part of a long day.

Who would want to, though?

Story, versus information. Lyric, versus didactic. Long, periodic sentences, versus clipped, straightforward ones. Catalpa trees aren’t hawthorns. I’m not the man I was.

They lay where they’d fallen, beneath the forest’s canopy. And at first when they woke, it was as if the forest, besides containing them, was itself contained, as in a snow-globe when it’s been shaken and just now set down, except instead of snow, just shadows falling, like snow, in pieces that it was as useless to try to hold on to as catching snow on the tongue—“to catch us is at once to know us and to lose us,” said the shadows, falling like snow, gathering in shadowy, steep banks on which the light, being light, depended.

To know where we came from—and what we came through—doesn’t have to mean we know any more clearly where we are, except not there, anymore. The forest begins where civilization ends, so I’d been told. Past here be monsters. Past the meadow; past harvest. Past daylight into forest light—for it’s never all darkness, beneath the trees, not even at night; not even on a moonless night. Song travels differently in forest light. Everything’s different.

That the forest itself contains no apology doesn’t mean you’re not hurt. Or I’m not sorry. Or I didn’t hurt you.

Toward the end of Marilyn Nelson’s poem “My Grandfather Walks in the Woods,” the grandfather asks the trees a question, and “They answer / with voices like wind / blowing away from him.” That’s one way of putting it, for their voices can sound like wind. What matters more, I think, is that in the language of trees there’s no grammatical mood: questions, statements, commands—it’s all song, stripped of anything like judgment, intention, or need. This makes translation especially difficult. Though I know parts of many of their songs, I’ve only three by heart: “Yes, you can tell me anything,” and “No, even we can’t help you,” and “If I were you, I’d be the lostest, lostest boy I know.”

In the dream, I’d bought a large house in a large city, a house that came with a backyard so thick with trees that by summer, by then in full leaf, they blocked all views of the high-rises to the north, of the neighbors to the west, while to the east through the leaves of an old pear tree I could see the cathedral dome, on top of it a cross caught the sunlight and tossed it back. Besides the pear, there’s a high-rise-sized pin oak, two dogwoods, two catalpas, a chestnut, before the yard ends in a stand of bamboo I’ll eventually lose almost all of, as the dream continues. When I wake, it’s as if to another dream, though it feels no different: I become briefly silver, as in what the leaves mean, beneath. Bells are ringing. No, the leaves are falling. Now the bells start ringing. Sudden scattering, all around me, of leaves, all gold.

 

Carl Phillips

Carl Phillips (1959 -)

Carl Phillips is the author of Wild Is the Wind, Reconnaissance, Silverchest, and Riding Westward. His collection The Rest of Love won the Theodore Roethke Memorial Foundation Poetry Prize and the Thom Gunn Award for Gay Male Poetry, and was a finalist for the National Book Award. He is the recipient of numerous honors, including the Kingsley Tufts Poetry Award, the Lambda Literary Award, the Pushcart Prize, the Academy of American Poets Prize, and fellowships from the Guggenheim Foundation and the Library of Congress.

 

Jane Hirshfield: A poem about finding life while we shelter in place

A poem about finding life while we shelter in place

Jane Hirshfield 

March 23, 2020

 

 

Award-winning poet, essayist and translator Jane Hirshfield lives in Mill Valley.

Editor’s note: In the days following the Bay Area’s shelter-in-place order, The San Francisco Chronicle contacted poet Jane Hirshfield, asking if she would write about this rare and unsettling experience. The celebrated Mill Valley writer replied by offering a poem she’d already written, that morning, reminding us that sometimes poetry can summarize a moment with great poignancy.

 

Today, When I Could Do Nothing

Today, when I could do nothing,
I saved an ant.

It must have come in with the morning paper,
still being delivered
to those who shelter in place.

A morning paper is still an essential service.

I am not an essential service.

I have coffee and books,
time,
a garden,
silence enough to fill cisterns.

It must have first walked
the morning paper, as if loosened ink
taking the shape of an ant.

Then across the laptop computer — warm —
then onto the back of a cushion.

Small black ant, alone,
crossing a navy cushion,
moving steadily because that is what it could do.

Set outside in the sun,
it could not have found again its nest.
What then did I save?

It did not move as if it was frightened,
even while walking my hand,
which moved it through swiftness and air.

Ant, alone, without companions,
whose ant-heart I could not fathom—
how is your life, I wanted to ask.

I lifted it, took it outside.

This first day when I could do nothing,
contribute nothing
beyond staying distant from my own kind,
I did this.

 

• Jane Hirshfield's ninth book of poems, Ledger, has just been released by Knopf.

The Way We Get Through This Is Together

[Preface by John R. Boettiger: Rebecca Solnit is a freelance writer who has written more than 20 books on subjects including hope, feminism, the environment, politics, place, art and human rights. Among her awards are a Guggenheim Fellowship, a Lannan Literary Fellowship, and a National Book Critics Award in criticism.

[Readers will see that my postings on the climate crisis often in these last months have come to focus as well – almost inevitably – on the coronavirus crisis as well. Together they are the two preeminent challenges of our times.]

 

https://www.theguardian.com/world/2020/may/14/mutual-aid-coronavirus-pandemic-rebecca-solnit

The Way We Get Through This Is Together

The way we get through this is together: the rise of mutual aid under coronavirus. Amid this unfolding disaster, we have seen countless acts of kindness and solidarity. It’s this spirit of generosity that will help guide us out of this crisis and into a better future.

Rebecca Solnit
Thursday, 14 May 2020
The Guardian

People behaving badly is a staple of the news, and the pandemic has given us plenty of lurid snapshots. In the US alone, we have seen protesters with guns in Michigan’s capital demanding an end to lockdown, anti-vaxxer women in a frenzy at California’s capitol, opportunists stockpiling hand sanitiser to resell for profit.

One of the biggest cliches about disasters is that they reveal civilisation as a thin veneer, beneath which lies brutal human nature. From this perspective, the best we can hope for from most people under crisis is selfish indifference; at worst, they will swiftly turn to violence. Our worst instincts must be repressed. This becomes a justification for authoritarianism and heavy-handed policing.

But studies of historical disasters have shown that this is not how most people actually behave. There are nearly always selfish and destructive people, and they are often in power, because we have created systems that reward that kind of personality and those principles. But the great majority of people in ordinary disasters behave in ways that are anything but selfish, and if we’re stuck with veneer as a metaphor, then it peels off to reveal a lot of creative and generous altruism and brilliant grassroots organising. With the global pandemic, these empathic urges and actions are wider and deeper and more consequential than ever.

A dozen years ago, the term “mutual aid” was, as far as I can tell, used mostly by anarchists and scholars. Somehow it has migrated into general usage in recent years and now, in the midst of the pandemic, it is everywhere. Mutual aid has generally meant aid offered in a spirit of solidarity and reciprocity, often coming from within struggling communities, empowering those aided, and with an eye towards liberation and social change. Generally it meant volunteer coalitions doing work such as rebuilding or food distribution or supporting resistance camps. One of the most striking aspects of this global crisis is how many forms of aid and solidarity there are. These new forms of generosity we are seeing – organising, networks, projects, donations, support and outreach – are numerous beyond counting, a superbloom of altruistic engagement.

This work has been made more difficult by the great withdrawal – the empty schools, shops, streets and offices. And that withdrawal is itself altruism in action – a withdrawal carried out by billions for the benefit of their communities, as well as their own safety. In the initial phase, we withdrew from the spaces we share out of solidarity: we moved apart to come together. We intentionally produced, in the form of business and school shutdowns and staying home, an unprecedented economic calamity as an alternative to accepting mass death.

In March, many small business owners and service workers in the US willingly shut down their enterprises, and thereby their livelihood, even before the official orders came. In April, 50 restaurant owners in the Atlanta area publicly rejected the Georgia governor’s invitation to reopen. Together they took out an ad in a local newspaper and wrote: “We agree that it’s in the best interest of our employees, our guests, our community and our industry to keep our dining rooms closed at this time.”

For some, staying home may be a strain, but for others it means financial ruin. Sacrificing your own financial security for the common good was a solemn commitment that people made across the world. It was one of the things that made this crisis distinct: how often refraining, not doing, not going anywhere, not continuing activities, was also an act of public-spirited generosity. This is willing sacrifice for the public good. But people have been doing more than that.

In March, the UK’s National Health Service called for 250,000 volunteers to sign up to help seniors, people who were isolating and medical staff who needed deliveries. More than three times that many signed up. Appreciation for the NHS grew even stronger, and the widespread weekly rounds of applause for its workers became one of the welcome interruptions of isolation. In mid-March, a website was launched listing several hundred new mutual aid groups across the country, so people could search their local area.

“In my area in London, we have had so many [mutual aid groups] that we’ve spun off down to street level,” one Londoner told me. “Our two-street collective has done shopping, picked up medicines, created an Easter-egg -in-the-window hunt for kids, all to help one another.” Another wrote: “Hackney in London has all the usual stuff like grocery buying and support, plus people are sourcing donated phones for people in hospital, laptops for kids who need them to access home learning and cars for healthcare staff redeployed to the makeshift Covid-19 hospital.”

A few weeks ago, I heard someone complain that Lexington, Kentucky, had four mutual aid groups – they were concerned that so many volunteers would be redundant; I was awestruck by the abundance. In the course of writing this piece, I looked at various new mutual aid projects: meal deliveries to the elderly in Paterson, New Jersey; the Twin Cities Queer and Trans Mutual Aid group in Minneapolis-Saint Paul; projects to aid the Hopi, Zuni and Navajo on reservations in the US south-west; a Washington state project to support the undocumented; sex workers organising to raise emergency funds.

I saw people stuck at home in isolation teach dance and drawing classes, tell stories, play music online to encourage others quarantining in place; Italians singing together from their balconies and Iranians reciting poetry from theirs; a young native Nevadan going fishing to feed members of her Pyramid Lake Paiute tribe. Most of us have seen, or performed, one-off acts of kindness – running an errand for a frail neighbour, chalking a cheerful message on the pavement, picking up the shopping bill for the struggling couple at the checkout, donating to a fundraiser for an acquaintance who has been laid off or taken ill. But such individual actions are not enough to address this triple catastrophe of a viral pandemic, a financial collapse and the emotional, educational and other consequences of the great withdrawal.

Thus there are also people building organisations to provide broader, ongoing practical aid – such as the young people in more than a dozen US cities delivering groceries and supplies to older and immunocompromised people via a network called Zoomers to Boomers – and others organising emotional support for those who feel isolated, including the UK’s adopt-a-grandparent programme. There are new groups, projects, organisations and networks, and old ones retooling for the crisis.

Fiji-based climate organiser Thelma Young-Lutunatabua told me about the return of traditional Fijian forms of equitable, cooperative food distribution to make sure no one was left out. “The way we get through this is together,” she said.

Fifteen years ago, in the immediate aftermath of Hurricane Katrina, a mutual aid organisation called Common Ground Relief was founded by a handful of people inside the damaged area, including the former Black Panther Malik Rahim. (In the US, perhaps the most famous past examples of mutual aid are the Black Panther party’s 1960s-era food programmes to assuage hunger in inner-city neighbourhoods.) The group’s slogan was “solidarity not charity”, a phrase inspired by the Uruguayan writer Eduardo Galeano: “I don’t believe in charity. I believe in solidarity. Charity is so vertical. It goes from the top to the bottom. Solidarity is horizontal. It respects the other person. I have a lot to learn from other people.”

As a definition of mutual aid’s ideals, “solidarity not charity” surfaces constantly today. Charity often implies that the afflicted population is powerless or incompetent to address its own needs. Sometimes, it can take away confidence and pride even as it gives tangible aid. Solidarity is, first of all, an affirmation that we are in this together, and mutual aid demonstrates that even in crisis we have strength and capacity to care for ourselves. The term comes from the anarchist philosopher Peter Kropotkin’s 1902 book Mutual Aid: a Factor of Evolution, which argues that aiding and protecting others and serving the needs of the group rather than the individual has been essential to the survival of many species, and is evident in early and traditional human societies.

In the time of coronavirus, mutual aid has been used to describe myriad new volunteer cooperative projects that have arisen in response to disaster. But the landscape of outreach is complex and varied. Take, for example, the creation and circulation of masks. There is a whole spectrum of mask economies from corrupt profiteering and outright theft – including by the US federal government– to the very different world of creative mutual aid. Many of us, myself included, have made a few masks for those we know. Others have gone into bulk production.

San Francisco local government supervisor Matt Haney fundraised and organised the distribution of thousands of masks for the impoverished, densely housed – and houseless – residents of the city’s Tenderloin district, which he represents. Adriana Camarena, a lawyer from Mexico City, realised that the undocumented day labourers near her home in San Francisco’s Mission district had few supplies and little access to health information to meet the crisis. So she began making and distributing cloth masks and hand sanitiser, and giving brief educational talks to go with them.

Meanwhile, the artist and art professor Stephanie Syjuco settled into mask mass production to meet the needs of people in Oakland and Berkeley, starting with masks for a group working to address food insecurity among UC Berkeley students. By late April, she had personally made 700 masks. And the Auntie Sewing Squad, founded by Los Angeles performance artist Kristina Wong, now includes more than 500 members, and has produced more than 20,000 masks, by Wong’s count.

The aunties (and uncles, but mostly aunties) began by making masks for hospital workers, and then for farmworkers, people released by ICE (Immigration and Customs Enforcement) or getting out of prison, immigrant communities and other vulnerable groups. It’s a model of decentralised, volunteer-driven organising: whoever finds a need obtains pledges from makers until the required number is reached, and the beautifully made masks are gathered and shipped to their destination. Many pay for their own materials and shipping, and donations support others. This week, the squad is sending a van full of supplies, including masks, materials and three sewing machines, to the Navajo nation, which has been hard hit by the virus. The Navajo is just one of several indigenous communities they have reached out to.

The Auntie Sewing Squad even expanded to include cooking to support those who sew. “When you’ve been bent over a sewing machine for 12 hours, a nice order of pad thai is really welcome,” one auntie told me.

The US mask-makers, like donors to food-distribution programmes, are in part compensating for governmental failure. Had the federal government prepared for crisis, and supported the scientific advice on how to respond to pandemics, the need for these mutual aid efforts could have been smaller. There has been much talk of the underlying health conditions that make individuals more vulnerable to Covid-19. The US as a whole has underlying conditions – systemic racism, poverty and financial precariousness, lack of access to healthcare and the internet for rural and poor families – that have made this crisis far worse than it should have been. The old conservative argument against social programmes was that these needs should be met by individual and independent institutions’ generosity. In unequal societies, these were never enough to meet the need.

What is noteworthy for me about this crisis is that there is no clear distinction between purely volunteer- and donation-driven projects, and a host of other endeavours trying to meet the needs of the moment. There are many ways that businesses and workers are stepping up or shifting what they do and how they do it, out of altruism. A Buddhist group in Tallahassee, Florida, raised $500,000 to purchase masks from China for medical workers in their area. The jet belonging to the New England Patriots football team brought 1.2m masks directly from China to circumvent the federal government’s outbidding of Massachusetts on personal protective equipment (PPE).

Elsewhere, the New York Times reported on Amish families who, as other jobs dried up, turned to mass-producing cloth masks, face shields and other PPE for the Cleveland clinic, which urgently needed them. (This, like the California government program that lets otherwise shuttered restaurants deliver meals to isolated senior citizens, is when aid becomes literally mutual, meeting needs on both sides of the interaction.) Then there are the 43 Pennsylvania factory workers who chose to isolate themselves in their workplace for a 28-day marathon of 12-hour days, during which they produced tens of millions of pounds of polypropylene, the raw material from which a lot of PPE is made. Like the Amish, they were paid for their work, and were working in intense new ways, fuelled by social commitment, to meet an urgent need. One of the workers said: “We’ve been getting messages on social media from nurses, doctors, emergency workers, saying thank you for what we’re doing. But we want to thank them for what they did and are continuing to do. That’s what made the time we were in there go by quickly, just being able to support them.”

During the final 1,000 days of the second world war, shipyard workers in the San Francisco Bay Area produced 1,000 warships – a warship a day. Something like that epic, urgent industry seems to be at work now, but outside the federal government, or any government. In early April, the Bay Area branch of the news site Hoodline reported: “On Thursday morning, two tons of rolled sheet plastic arrived at a warehouse in Alameda. By the end of the weekend, it had become 16,000 plastic face shields. That remarkable turnaround is entirely owed to self-organisation by Bay Area makers, who have transformed maker spaces, universities, fabrication shops and almost anyone with their own sewing machine, CNC machine or 3D printer into an ad-hoc corps of medical supply manufacturers.” The report called the self-organised effort involving industrial-design students and teachers a “distributed factory”. Such decentralised efforts, organised without top-down authority, are exemplary mutual aid.

In April, 14 nurses and seven doctors from the same institution set off for a one-month assignment on the Navajo reservation, whose residents are facing high levels of infection. They were coordinated by the existing UCSF Heal Initiative(Health, Equity, Action and Leadership), which works with impoverished and vulnerable communities from Haiti to Nepal. Its mission statement is: “We seek to embody solidarity and contribute to the movement for global health equity led by communities themselves.” This initiative, based on the principle of “solidarity not charity”, has been working with communities under stress for six years, and will still be there when the immediate crisis is over.

During “ordinary” disasters – a hurricane, an earthquake – there’s a phenomenon called volunteer convergence, whereby people eager to help gather in the impacted areas. Sometimes so many people and so much donated material shows up that they pose management problems for those at the centre of the crisis. This is not an ordinary disaster – the impacted area is all over the world, and convergence is banned – but people are showing up in many ways. Some of this work is always going on – there is always suffering and injustice to assuage, and there are always people trying to do so.

Even ordinary disasters never really end. There are many ways in which Hurricane Katrina’s impact on New Orleans and other parts of the gulf coast lasted – though there are, at least, some positive aspects to this lingering impact. The Common Ground Health Clinic spun off from Common Ground Relief. Fifteen years on, it’s still delivering free medical care in the New Orleans region.

The Covid-19 pandemic and economic crisis will not end – if ending means things going back to the way they were. Whatever “normal” meant on 1 January 2020, it will never return, and neither will millions of the jobs financed by the disposable income that has just dried up. It’s worth remembering that, in the past few decades, the return to 19th-century robber-baron capitalism – via the dismantling of social safety nets, and the transformation of education, healthcare and other basic human needs into for-profit schemes that served shareholders first – meant that everyday life had already become a disaster for too many billions of people before this crisis.

There is a long, rough road ahead. Without radical change, the way food, shelter, medical care and education are produced and distributed will be more unfair and more devastating than before. It seems likely that conservatives will argue for brutal austerity and libertarian abandonment of the most desperate, while the rest of us are going to have to argue for some form of post-capitalism that decouples meeting basic needs from wage labour – perhaps the kind of basic income that Spain is planning to introduce.

The devastating economic effect of the pandemic will make innovation essential, whether it is rethinking higher education or food distribution, or how to fund news media. The Green New Deal offers a model for how to move forward on jobs and leave fossil fuels behind as that sector founders and climate catastrophe looms. Protests in many fields – including nurses demanding PPE, and warehouse, delivery and food-service workers protesting against exploitative or unsafe working conditions – suggests that workers’ organisations may be gaining strength.

I believe the generosity and solidarity in action in the present moment offers a foreshadowing of what is possible – and necessary. The basic generosity and empathy of most ordinary people should be regarded as a treasure, a light and an energy source that can drive a better society, if it is recognised and encouraged. Mostly, it’s overlooked, undermined and sabotaged. Capitalism, and its octopus arms of entertainment, advertising and marketing, endeavour to reduce us to consumers. This means making us the kind of miserable, selfish, lonely people who seek fulfllment through buying stuff, and believe in competitiveness as a basic social force. Competitiveness, that driving word behind free-market ideology, means we are rivals and there is scarcity; each of us gets more by seeing that someone else gets less.

Competition is the antithesis of mutual aid, which is not only a practical tool but an ideological insurrection. The fact that even in places like the US, where these competitive, isolating messages have bombarded us for at least 150 years, millions still reach out in generosity, and are still moved to meet the needs that become visible in moments such as this, is testament to something about human nature and human possibility. Those urges are strong and deep, and they can be a foundation for something different. Indeed, they often have been before, when European social welfare was built up, when US social safety nets were created, and when people self-organised on smaller scales to take care of each other.

Some of that sense of urgency and shared destiny will fade away, as it often does after a disaster, but one of the important things to remember is that some of it was here before this pandemic. I sometimes think that capitalism is a catastrophe constantly being mitigated and cleaned up by mutual aid and kinship networks, by the generosity of religious and secular organisations, by the toil of human-rights lawyers and climate groups, and by the kindness of strangers. Imagine if these forces, this spirit, weren’t just the cleanup crew, but were the ones setting the agenda.

What I have seen after earlier disasters is that a lot of people aspire to “go home” and “back to normal”, but some find in the moment a sense of self and a sense of connection so meaningful that something about who they were and what they did in the crisis carries forward into how they live the rest of their life. Sometimes this is as intangible as a change of priorities and habits, and a new sense of agency; not uncommonly, it’s as substantial as a new coalition, a new network, a new set of policy priorities, a new political career or a decision to go into work that supports the whole. And even those who want things to get back to normal often find they are changed permanently in their sense of who they are, and what matters most. The pandemic marks the end of an era and the beginning of another – one whose harshness must be mitigated by a spirit of generosity. An artist hunched over her sewing machine, a young person delivering groceries on his bicycle, a nurse suiting up for the ICU, a doctor heading to the Navajo nation, a graduate student hip-deep in Pyramid Lake catching trout for elders, a programmer setting up a website to organise a community: the work is under way. It can be the basis for the future, if we can recognise the value of these urges and actions, recognise that things can and must change profoundly, and if we can tell other stories about who we are, what we want and what is possible.

 

It Could Happen Any Time

[Preface by John R. Boettiger: This is not the first time that my son Joshua has contributed to Reckonings, as you will see if you seek his name in "Search Reckonings" on the lower right of this page. I have plucked the following poem by William Stafford and Joshua's commentary from the website of his current congregation, Temple Emek Shalom in Ashland, Oregon (https://emekshalom.org/). What Joshua writes below, though written seven years ago on December 1, 2015, and in a different season, seems deeply appropriate to the time of crisis we are now experiencing. I also realize that today is the day of shabat in the Jewish weekly calendar, so I will close this preface with a longstanding prayer addressed to readers: Shabat Shalom. The traditional translation is “Good Sabbath.” This is a decent translation, but the phrase is very nuanced. ... So when someone wishes you Shabat Shalom, they are saying to you “May you dwell in completeness on this seventh day."]

 

It Could Happen Any Time

Rabbi Joshua Boettiger

12-1-15

It could happen any time, tornado,
earthquake, Armageddon.  It could happen.
Or sunshine, love, salvation.

It could, you know.  That’s why we wake
and look out — no guarantees
in this life.

But some bonuses, like morning,
like right now, like noon,
like evening.

– William Stafford

 

Sometimes the world feels like a very scary place; sometimes we don’t know what to do with the rush of horrific news in our world that we may receive in the course of any given day. And we feel the truth that, as Stafford writes, “it could happen any time.” So that is true. We cannot deny that it is so. And we wake up and look out and know that there are no guarantees in this life.

And yet there is more that could befall us at any time, and is in fact, is extraordinarily more likely to actually happen: sunshine, love, salvation.

We look out our window now. Sometimes our fear for our world and our loved ones in it clouds and darkens our vision. This is just what it is to be alive. And every generation feels it and has felt it and will continue to feel it.

And yet there is morning, noon, evening. Each of them an indescribable miracle; a gift staring us right in the face. We cannot deny that this is true – the gift that is this life; the miraculous in what we call the mundane.

May we have the courage to be who we are and to be in the world as it is. Hanukah is a season of miracles. May we have the courage to meet the miraculous half-way.

The Coronavirus Is Rewriting Our Imaginations

[Prefatory note from John R. Boettiger: Bill McKibben wrote recently: “If there is one essay from the weeks of pandemic I wish I could make everyone read, it would be Kim Stanley Robinson’s offering on The New Yorker’s Web site. No novelist has engaged as long or as successfully with the climate crisis.” Robinson’s essay is reprinted below.]

 What felt impossible has become thinkable. The spring of 2020 is suggestive of how much, and how quickly, we can change as a civilization.

 By Kim Stanley Robinson

New Yorker

May 1, 2020

The critic Raymond Williams once wrote that every historical period has its own “structure of feeling.” How everything seemed in the nineteen-sixties, the way the Victorians understood one another, the chivalry of the Middle Ages, the world view of Tang-dynasty China: each period, Williams thought, had a distinct way of organizing basic human emotions into an overarching cultural system. Each had its own way of experiencing being alive.

In mid-March, in a prior age, I spent a week rafting down the Grand Canyon. When I left for the trip, the United States was still beginning to grapple with the reality of the coronavirus pandemic. Italy was suffering; the N.B.A. had just suspended its season; Tom Hanks had been reported ill. When I hiked back up, on March 19th, it was into a different world. I’ve spent my life writing science-fiction novels that try to convey some of the strangeness of the future. But I was still shocked by how much had changed, and how quickly.

Schools and borders had closed; the governor of California, like governors elsewhere, had asked residents to begin staying at home. But the change that struck me seemed more abstract and internal. It was a change in the way we were looking at things, and it is still ongoing. The virus is rewriting our imaginations. What felt impossible has become thinkable. We’re getting a different sense of our place in history. We know we’re entering a new world, a new era. We seem to be learning our way into a new structure of feeling.

In many ways, we’ve been overdue for such a shift. In our feelings, we’ve been lagging behind the times in which we live. The Anthropocene, the Great Acceleration, the age of climate change—whatever you want to call it, we’ve been out of synch with the biosphere, wasting our children’s hopes for a normal life, burning our ecological capital as if it were disposable income, wrecking our one and only home in ways that soon will be beyond our descendants’ ability to repair. And yet we’ve been acting as though it were 2000, or 1990—as though the neoliberal arrangements built back then still made sense. We’ve been paralyzed, living in the world without feeling it.

Now, all of a sudden, we’re acting fast as a civilization. We’re trying, despite many obstacles, to flatten the curve—to avoid mass death. Doing this, we know that we’re living in a moment of historic importance. We realize that what we do now, well or badly, will be remembered later on. This sense of enacting history matters. For some of us, it partly compensates for the disruption of our lives.

Actually, we’ve already been living in a historic moment. For the past few decades, we’ve been called upon to act, and have been acting in a way that will be scrutinized by our descendants. Now we feel it. The shift has to do with the concentration and intensity of what’s happening. September 11th was a single day, and everyone felt the shock of it, but our daily habits didn’t shift, except at airports; the President even urged us to keep shopping. This crisis is different. It’s a biological threat, and it’s global. Everyone has to change together to deal with it. That’s really history.

It seems as though science has been mobilized to a dramatic new degree, but that impression is just another way in which we’re lagging behind. There are 7.8 billion people alive on this planet—a stupendous social and technological achievement that’s unnatural and unstable. It’s made possible by science, which has already been saving us. Now, though, when disaster strikes, we grasp the complexity of our civilization—we feel the reality, which is that the whole system is a technical improvisation that science keeps from crashing down.

On a personal level, most of us have accepted that we live in a scientific age. If you feel sick, you go to a doctor, who is really a scientist; that scientist tests you, then sometimes tells you to take a poison so that you can heal—and you take the poison. It’s on a societal level that we’ve been lagging. Today, in theory, everyone knows everything. We know that our accidental alteration of the atmosphere is leading us into a mass-extinction event, and that we need to move fast to dodge it. But we don’t act on what we know. We don’t want to change our habits. This knowing-but-not-acting is part of the old structure of feeling.

Now comes this disease that can kill anyone on the planet. It’s invisible; it spreads because of the way we move and congregate. Instantly, we’ve changed. As a society, we’re watching the statistics, following the recommendations, listening to the scientists. Do we believe in science? Go outside and you’ll see the proof that we do everywhere you look. We’re learning to trust our science as a society. That’s another part of the new structure of feeling.

Possibly, in a few months, we’ll return to some version of the old normal. But this spring won’t be forgotten. When later shocks strike global civilization, we’ll remember how we behaved this time, and how it worked. It’s not that the coronavirus is a dress rehearsal—it’s too deadly for that. But it is the first of many calamities that will likely unfold throughout this century. Now, when they come, we’ll be familiar with how they feel.

What shocks might be coming? Everyone knows everything. Remember when Cape Town almost ran out of water? It’s very likely that there will be more water shortages. And food shortages, electricity outages, devastating storms, droughts, floods. These are easy calls. They’re baked into the situation we’ve already created, in part by ignoring warnings that scientists have been issuing since the nineteen-sixties. Some shocks will be local, others regional, but many will be global, because, as this crisis shows, we are interconnected as a biosphere and a civilization.

Imagine what a food scare would do. Imagine a heat wave hot enough to kill anyone not in an air-conditioned space, then imagine power failures happening during such a heat wave. (The novel I’ve just finished begins with this scenario, so it scares me most of all.) Imagine pandemics deadlier than the coronavirus. These events, and others like them, are easier to imagine now than they were back in January, when they were the stuff of dystopian science fiction. But science fiction is the realism of our time. The sense that we are all now stuck in a science-fiction novel that we’re writing together—that’s another sign of the emerging structure of feeling.

Science-fiction writers don’t know anything more about the future than anyone else. Human history is too unpredictable; from this moment, we could descend into a mass-extinction event or rise into an age of general prosperity. Still, if you read science fiction, you may be a little less surprised by whatever does happen. Often, science fiction traces the ramifications of a single postulated change; readers co-create, judging the writers’ plausibility and ingenuity, interrogating their theories of history. Doing this repeatedly is a kind of training. It can help you feel more oriented in the history we’re making now. This radical spread of possibilities, good to bad, which creates such a profound disorientation; this tentative awareness of the emerging next stage—these are also new feelings in our time.

Memento mori: remember that you must die. Older people are sometimes better at keeping this in mind than younger people. Still, we’re all prone to forgetting death. It never seems quite real until the end, and even then it’s hard to believe. The reality of death is another thing we know about but don’t feel.

So this epidemic brings with it a sense of panic: we’re all going to die, yes, always true, but now perhaps this month! That’s different. Sometimes, when hiking in the Sierra, my friends and I get caught in a lightning storm, and, completely exposed to it, we hurry over the rocky highlands, watching lightning bolts crack out of nowhere and connect nearby, thunder exploding less than a second later. That gets your attention: death, all too possible! But to have that feeling in your ordinary, daily life, at home, stretched out over weeks—that’s too strange to hold on to. You partly get used to it, but not entirely. This mixture of dread and apprehension and normality is the sensation of plague on the loose. It could be part of our new structure of feeling, too.

Just as there are charismatic megafauna, there are charismatic mega-ideas. “Flatten the curve” could be one of them. Immediately, we get it. There’s an infectious, deadly plague that spreads easily, and, although we can’t avoid it entirely, we can try to avoid a big spike in infections, so that hospitals won’t be overwhelmed and fewer people will die. It makes sense, and it’s something all of us can help to do. When we do it—if we do it—it will be a civilizational achievement: a new thing that our scientific, educated, high-tech species is capable of doing. Knowing that we can act in concert when necessary is another thing that will change us.

People who study climate change talk about “the tragedy of the time horizon.” The tragedy is that we don’t care enough about those future people, our descendants, who will have to fix, or just survive on, the planet we’re now wrecking. We like to think that they’ll be richer and smarter than we are and so able to handle their own problems in their own time. But we’re creating problems that they’ll be unable to solve. You can’t fix extinctions, or ocean acidification, or melted permafrost, no matter how rich or smart you are. The fact that these problems will occur in the future lets us take a magical view of them. We go on exacerbating them, thinking—not that we think this, but the notion seems to underlie our thinking—that we will be dead before it gets too serious. The tragedy of the time horizon is often something we encounter, without knowing it, when we buy and sell. The market is wrong; the prices are too low. Our way of life has environmental costs that aren’t included in what we pay, and those costs will be borne by our descendents. We are operating a multigenerational Ponzi scheme.

And yet: “Flatten the curve.” We’re now confronting a miniature version of the tragedy of the time horizon. We’ve decided to sacrifice over these months so that, in the future, people won’t suffer as much as they would otherwise. In this case, the time horizon is so short that we are the future people. It’s harder to come to grips with the fact that we’re living in a long-term crisis that will not end in our lifetimes. But it’s meaningful to notice that, all together, we are capable of learning to extend our care further along the time horizon. Amid the tragedy and death, this is one source of pleasure. Even though our economic system ignores reality, we can act when we have to. At the very least, we are all freaking out together. To my mind, this new sense of solidarity is one of the few reassuring things to have happened in this century. If we can find it in this crisis, to save ourselves, then maybe we can find it in the big crisis, to save our children and theirs.

Margaret Thatcher said that “there is no such thing as society,” and Ronald Reagan said that “government is not the solution to our problem; government is the problem.” These stupid slogans marked the turn away from the postwar period of reconstruction and underpin much of the bullshit of the past forty years.

We are individuals first, yes, just as bees are, but we exist in a larger social body. Society is not only real; it’s fundamental. We can’t live without it. And now we’re beginning to understand that this “we” includes many other creatures and societies in our biosphere and even in ourselves. Even as an individual, you are a biome, an ecosystem, much like a forest or a swamp or a coral reef. Your skin holds inside it all kinds of unlikely coöperations, and to survive you depend on any number of interspecies operations going on within you all at once. We are societies made of societies; there are nothing but societies. This is shocking news—it demands a whole new world view. And now, when those of us who are sheltering in place venture out and see everyone in masks, sharing looks with strangers is a different thing. It’s eye to eye, this knowledge that, although we are practicing social distancing as we need to, we want to be social—we not only want to be social, we’ve got to be social, if we are to survive. It’s a new feeling, this alienation and solidarity at once. It’s the reality of the social; it’s seeing the tangible existence of a society of strangers, all of whom depend on one another to survive. It’s as if the reality of citizenship has smacked us in the face.

As for government: it’s government that listens to science and responds by taking action to save us. Stop to ponder what is now obstructing the performance of that government. Who opposes it? Right now we’re hearing two statements being made. One, from the President and his circle: we have to save money even if it costs lives. The other, from the Centers for Disease Control and similar organizations: we have to save lives even if it costs money. Which is more important, money or lives? Money, of course! says capital and its spokespersons. Really? people reply, uncertainly. Seems like that’s maybe going too far? Even if it’s the common wisdom? Or was.

Some people can’t stay isolated and still do their jobs. If their jobs are important enough, they have to expose themselves to the disease. My younger son works in a grocery store and is now one of the front-line workers who keep civilization running.

My son is now my hero: this is a good feeling. I think the same of all the people still working now for the sake of the rest of us. If we all keep thinking this way, the new structure of feeling will be better than the one that’s dominated for the past forty years.

The neoliberal structure of feeling totters. What might a post-capitalist response to this crisis include? Maybe rent and debt relief; unemployment aid for all those laid off; government hiring for contact tracing and the manufacture of necessary health equipment; the world’s militaries used to support health care; the rapid construction of hospitals.

What about afterward, when this crisis recedes and the larger crisis looms? If the project of civilization—including science, economics, politics, and all the rest of it—were to bring all eight billion of us into a long-term balance with Earth’s biosphere, we could do it. By contrast, when the project of civilization is to create profit—which, by definition, goes to only a few—much of what we do is actively harmful to the long-term prospects of our species. Everyone knows everything. Right now pursuing profit as the ultimate goal of all our activities will lead to a mass-extinction event. Humanity might survive, but traumatized, interrupted, angry, ashamed, sad. A science-fiction story too painful to write, too obvious. It would be better to adapt to reality.

Economics is a system for optimizing resources, and, if it were trying to calculate ways to optimize a sustainable civilization in balance with the biosphere, it could be a helpful tool. When it’s used to optimize profit, however, it encourages us to live within a system of destructive falsehoods. We need a new political economy by which to make our calculations. Now, acutely, we feel that need.

It could happen, but it might not. There will be enormous pressure to forget this spring and go back to the old ways of experiencing life. And yet forgetting something this big never works. We’ll remember this even if we pretend not to. History is happening now, and it will have happened. So what will we do with that?

A structure of feeling is not a free-floating thing. It’s tightly coupled with its corresponding political economy. How we feel is shaped by what we value, and vice versa. Food, water, shelter, clothing, education, health care: maybe now we value these things more, along with the people whose work creates them. To survive the next century, we need to start valuing the planet more, too, since it’s our only home.

It will be hard to make these values durable. Valuing the right things and wanting to keep on valuing them—maybe that’s also part of our new structure of feeling. As is knowing how much work there is to be done. But the spring of 2020 is suggestive of how much, and how quickly, we can change. It’s like a bell ringing to start a race. Off we go—into a new time.

 

 

Kahlil Gibran on fear

One of the communities that continues to nourish me in the virtual world that accompanies the coronavirus epidemic is the Community Congregational Church (CCC) at the top of Rock Hill Road in Tiburon, California. In this instance, I am thinking of a weekly meeting called Stone Soup that normally meets in the church's Seminar Room but has adapted to meet during these times through the medium of Zoom. Imagine 25 to 30 of us, focusing our discussion on the readings that accompany the previous and prospective Sunday services (also Zoom facilitated).

Typically, one of the two readings is a biblical passage, the other often a story or poem from a more contemporary writer. In the most recent Stone Soup of which I am thinking, the second reading is a poem by the 20th-century Lebanese-American artist Kahlil Gibran.

Born in 1883 of a poor Maronite Christian family in the village of Bsharri in what was then the Ottoman Empire and is now Lebanon, Gibran had very little formal schooling before being taken by his mother to the United States in 1895. The family settled in Boston's South End. Although attracted to the Western aesthetic culture of the day, his mother and elder half-brother wanted Gibran to absorb more of his own heritage, so at the age of 15 he returned to his homeland to study for three years at the Collège de la Sagesse, a Maronite-run institute in Beirut.

Quiet and sensitive as a young boy, Gibran "displayed an early artistic aptitude and a love for nature that became evident in later works." The writing for which he became best known was the book he called The Prophet, published in 1923.

 

Fear
by Kahlil Gibran

It is said that before entering the sea
a river trembles with fear.

*She looks back at the path she has traveled,
from the peaks of the mountains,
the long winding road crossing forests and villages.

And in front of her,
she sees an ocean so vast,
that to enter
there seems nothing more than to disappear forever.

But there is no other way.
The river can not go back.

Nobody can go back.
To go back is impossible in existence.

The river needs to take the risk
of entering the ocean
because only then will fear disappear,
because that’s where the river will know
it’s not about disappearing into the ocean,
but of becoming the ocean.

 

"Fear" is a poem of changing consciousness. The reader contemplates a river flowing into the ocean. "It is said," earlier in its life, "before entering the sea, a river trembles with fear." She can look back at her journey, but cannot go back. The source of the fear is clear:

she sees an ocean so vast,
that to enter
there seems nothing more than to disappear forever.

That is the fear: to disappear forever, only postponed in a tidal marsh whose life is barely ours. I wish I had known that earlier, that there is no other way, that I can not go back. Poet, you speak with such clarity and certitude, brook no argument, no wiggle room. You ironically call it risk, but then say in truth:

Nobody can go back.
To go back is impossible in existence.

However much we wish to go back, to relive our earlier existence (selectively, differently, to be sure) we can only go forward. That is my word, not yours. But it changes all, as you do, finally, in your very last lines. I see it is not risk you ask, but trust. All that looking back and all that trembling fear is apprenticeship. Learning what is not, in order to know what is.

it’s not about disappearing into the ocean,
but of becoming the ocean.

 

* The river's gender intrigues me in this poem. Conventional usage suggests male. The river is female. I think the choice is inspired. The learning it conveys, the river's flow and her coming to know, are more yin than yang.

 

 

 

 

 

 

 

My dear friend Al Braidwood, after reading an earlier version of this post, sent me an excerpt from the Chandogya Upanishad, translated from the original Sanskrit by Al's former meditation teacher Eknath Easwaran.

"As the rivers flowing east and west

merge in the sea and become one with it,

forgetting they were ever separate streams,

so do all creatures lose their separateness

when they merge at last into pure Being.”

 

 

Love and Nonviolence in the Time of Coronavirus

Tuesday, March 17, 2020, CommonDreams

Love and Nonviolence in the Time of Coronavirus

By Ken Butigan

The COVID-19 pandemic has ground the world to a halt.  While Hubei province in China has begun to recover, it has done so by locking down sixty-million people and severely disrupting the patterns of life and work there.  The rest of the world is generally behind the curve in its response, with the number of cases skyrocketing and a few countries courageously taking the same drastic measures that the Chinese did toward containment and mitigation.  The United States has declared a national emergency, but the pivotal strategy of testing is severely lagging. Quite likely, the next weeks will see a dramatic increase in cases and deaths.

How, then, does this crisis sharpen our choice for a culture of active and life-giving nonviolence?  Doesn’t it, instead, point to a future of epidemics, social disruption, economic chaos, and an increase in the politics of fear?

There is no question that the current catastrophe could worsen an already grim trajectory of climate change, poverty, racial injustice and militarism. It could feed the flames of authoritarianism and regimes of surveillance, even as it could drive long-term economic dislocation, with harsh impacts in the lives of people everywhere.

At the same time, however, this crisis is so global, so encompassing, so pervasively universal—touching virtually every person on the planet—that it not only begs for an immediate and comprehensive response, it cracks open the possibility for a long-term cultural and planetary shift toward a more just, peaceful and sustainable order.

"Let us use these coming days and weeks to take steps toward a liberation from the domination system and toward a culture of peace and nonviolence."

It is the magnitude of this cataclysmic predicament that directly confronts us, willingly or not, with the choice Dr. Martin Luther King, Jr. specified for humanity half a century ago—nonviolence or nonexistence—and prompts us urgently to discover a way forward drawing on nonviolent methods toward a more nonviolent world.

While combating this pandemic with xenophobia and “us versus them” nationalism has been the reaction of some, the reality is that, if we are to survive this crisis effectively, it will require comprehensively nonviolent cooperation and approaches.  We are already seeing these in action.  When the people of Wuhan and Italy—and now Spain—join in the radical social-distancing of staying home for weeks, they are not only protecting themselves, they are engaging in a powerful, nonviolent action of social responsibility and solidarity. When societies take rapid, extraordinary steps to mitigate the shock of job loss or the expense of testing, they are pursuing nonviolent strategies—nonviolent because they resist the violence of exclusion or indifference while fostering healing and unity.  Even as we find ourselves in the midst of this disorienting and surreal disaster, we are often responding instinctively with empathy and compassion.  No doubt, this nonviolent energy, extended to the entire world, will be increasingly needed as the scale of this catastrophe becomes clearer over the next weeks and months.

Nonviolence is organized love.  A constructive force, an active method, and a powerful way of life, active nonviolence is the power of creative love unleashed to relieve suffering, to struggle for justice, and to nurture a world where everyone counts.  Now more than ever this energy is urgently required to respond to the world of hurt that the COVID-19 tsunami is leaving in its wake—the growing number of people struck down with the virus; the keen grief of those who have suddenly lost loved ones; the overwhelmed health-care systems and providers; but also those caught in its financial wreckage, including minimum wage workers who suddenly have no income; small business owners with raser-thin margins forced to shut down; and, most palpable of all, millions at the margins who have no safety net, no resources, no health care, no recourse.

The present world of pain not only presents an emergency requiring an immediate response, it throws in sharp relief the need for dramatic social change.  We have not built a world that is up to effectively dealing with this challenge. This moment of what we might call “pan-suffering”—agony reaching deeply into the lives and societies across the globe—is revealing the need for societies and systems capable of handling such transnational emergencies while providing for those most impacted by them.

From “War Footing” to “Nonviolent Mobilization”

While the metaphor of “going to war against the virus” crops up in many media reports—“Every college and university is on a war footing about this and are trying to assemble as much information as possible” (LA Times); “New York adopts war footing to ready hospitals for virus surge” (Bloomberg News); “Trump’s national emergency declaration, corporate partnership put U.S. on war footing vs. coronavirus” (Boston Herald)—the strategies in place, and the ones that will succeed, are anything but those of war-fighting.  When the media reach for a term like “war footing,” they are falling lazily into a traditional groove for describing a concerted, society-wide strategy for mobilizing people and resources to solve a monumental problem confronting the nation or the world. 

"The present world of pain not only presents an emergency requiring an immediate response, it throws in sharp relief the need for dramatic social change."

If, in fact, defeating COVID-19 will most effectively happen through nonviolent strategies, it is best to reach for a metaphor that both implies this and minimizes the possibility of violent counter-measures (as in the “war in Iraq” or even policies that have taken on this signifier, like “the war on drugs” or “the war on poverty”).  Rather than the metaphor of war, it is better to take on a metaphor from the world of nonviolence, for example, “nonviolent mobilization”: inviting people across our societies to tap their power for love, mercy, peace and nonviolent change in a comprehensive and collaborative way.  Truly ending this epidemic will require a common vision of, and policies supporting and fostering, unity, cooperation and healing.

The more we take steps now in the spirit of nonviolent transformation, healing and connectedness, the more we will glean lessons for going forward as a society and a planet.

These lessons—for example, that health-care for all lessens the spread of epidemics; that an economic safety-net for all buffers the shocks of such catastrophes; that our limited resources should be poured into meeting the human needs of all instead of military systems that buttress “us versus them” geo-politics—will point us toward and serve as a foundation of a nonviolent shift that our nation and our world desperately needs.

Pace e Bene

While many of us may have long been thinking along these lines, it is in these moments of shock and peril that we can find the gumption to take the concrete steps for making this shift a reality.

In addition to teaching at DePaul University, I work with Pace e Bene Nonviolence Service, a thirty-year-old organization spreading the power of nonviolence. Pace e Bene (“Peace and Good,” a greeting used by St. Francis of Assisi) has long been working for what Joanna Macy calls “the great turning.”  Since 2014, we have been collaborating with a growing community of sisters and brothers in the US and around the world to take steps toward building and nurturing a culture of active nonviolence free from war, poverty, racism and environmental destruction.  Each year since then Campaign Nonviolence has been growing—by organizing Nonviolent Cities, by facilitating trainings and workshops, by publishing books on nonviolence, by encouraging the Catholic Church to spread nonviolence (in our work with Pax Christi International’s Catholic Nonviolence Initiative), and by mobilizing nonviolent actions for a week each September, anchored by the International Day of Peace. (This year, the Campaign Action Week will take place September 19-27.)

In all of this, we have been preparing for a turning point.  Maybe it is here.

This all depends on our choice.

On the Threshold?

We can’t predict what the long-term impacts of the COVID-19 pandemic will be.  Perhaps, after it passes, we will resume the life we have always known.  There is some evidence that this is what’s happening in China, where the lessening of the coronavirus spread has seen a return to pre-COVID-19 fossil fuel consumption levels.

At the same time, there is the potential for a long-term shift.  In spite of rampant nationalistic tendencies, this disease underscores the inextricable interconnectedness of planet earth. We are all literally in this together, and that togetherness does not stop at national borders.  The healing the earth’s population in the face of this global infection ultimately will hinge on the care for all, not for some. Just as humanity began to reset its self-understanding after Apollo 8’s “earthrise” photo was beamed home in 1968—a startling image that helped us “get” that we are one borderless planet, suspended in the darkness, together—so COVID-19 shocks us into an even deeper awareness: whatever threatens one threatens all.  Our survival depends on one another.  Or, to put it positively, we are being beckoned to, once and for all, outgrow our limiting conceptions of self and nation.  Our full flourishing hinges on transcending the confining cultural and social operating systems that exclude, demonize, and reject. 

"Whatever the outcome, the experience of this current pandemic is likely a rehearsal for the summoning of global resolve to, once and for all, tackle the series of grave 'epidemics' that are mutating and growing all around us."

COVID-19 has deepened our understanding of the Apollo 8 image: we see a planet wounded and needy, one community of communities in need of healing, compassion, and transformation, a sacred reality calling us to the nonviolent turn. Violence will not heal this brokenness and pain. Only nonviolence—purified of violence at its very roots, as Sr, Nancy Shreck, OSF has put it—can relieve this suffering in its comprehensiveness.

Whatever the outcome, the experience of this current pandemic is likely a rehearsal for the summoning of global resolve to, once and for all, tackle the series of grave “epidemics” that are mutating and growing all around us: the epidemic of economic inequality; the epidemic of racism, sexism and homophobia; the epidemic of nationalism and xenophobia; the epidemic of militarist systems and solutions; and the existential epidemic of planetary collapse.  Our current struggle offers us the gift of both seeing the “big picture” in a new way and the invitation to shift our way of life and being in foundational ways in light of that “big picture.”

It is a vivid and compelling invitation to see anew the indivisible reality of life and, consequently, to join and contribute to the global movement for this cultural and planetary shift.

Steps Forward

The immediate question is: How can we make this choice for a nonviolent shift in the midst of the current chaos?

First, within our own lives.  As one nation after another goes into lockdown in order to interrupt the transmission of COVID-19, more and more of us will be staying put at home.  This is an opportunity to prepare ourselves for taking part in this shift. How? Instead of regarding it as a kind of involuntary imprisonment, perhaps we can envision it as a space for transformation.  In the fourth century, the first monks headed to the deserts of Egypt and Palestine to, as Thomas Merton imagined it, jump ship from the Roman Empire, which had begun to co-opt the Church.  Their life of contemplation and self-confinement was a process of being freed from empire, physically but also spiritually.  They sparked a revolution of consciousness that has rippled down to our own day. 

Similarly, let us use these coming days and weeks to take steps toward a liberation from the domination system and toward a culture of peace and nonviolence.  With intentionality, reflection, prayer and community offline and online, we can take steps to challenge scripts of fear and division and to experience healing and transformation in our lives, our relationships and in the global movement for a world where everyone counts.

"Let us commit ourselves to the dramatic, systemic transformation needed now more than ever. "

In this time of anxiety, let us renew our relationship with our loved ones, even if we are in close quarters.

In this time of dislocation, let us nurture the bonds of connection and solidarity.

In this time of disruption, let us find ways to commit our lives to the healing and well-being of all.

In this time of instability, let us imagine what nonviolent practice we can take up and deepen.

A New Movement is Coming

The greatest social movement in human history is coming.  Each of us is called to join it.  It is a global movement, a movement of movements.  It is learning from the history of movements that has been accelerating over the past century.  It is rooted in the blood and tears of millions who have spent their lives throughout history clamoring for justice, working for peace, laboring for a world that works for everyone.

This movement will not appear by magic.  It requires hard work and “acting our way into thinking.”  It will be deeply nonviolent—saying No to injustice and Yes to the humanity of all, including the humanity of our opponents.

In a curious way, COVID-19 is a strange messenger.  It is calling us resolutely to join this planetary movement that is emerging.

Let us join this all-embracing movement.  We can fill our knapsack for the journey ahead by taking nonviolence trainings online, planning for action in September, imagining how your locality could become a nonviolent city—and entering the mystery of nonviolent healing and transformation.  We can ready for humanity’s next step by finding—online, or off—a small group of 4 or 5 people to reflect, study and plan together, supporting one another as catalysts for transformation, as agents of nonviolent change, as advocates for a renewed and revitalized world.

Let us commit ourselves to the dramatic, systemic transformation needed now more than ever.  The vision, principles and strategies of nonviolent movement-building will strengthen our ability and capacity as agents of nonviolent change for a renewed and revitalized world.

We do not know, yet, how the change which is needed will come about. In these days of darkness and decision, let us open ourselves to the new direction to which we are being called.

Let us choose the way of nonviolent love in this time of coronavirus.

Ken Butigan is director of Pace e Bene, a nonprofit organization fostering nonviolent change through education, community and action. He also teaches peace studies at DePaul University and Loyola University in Chicago.

Hope and Falling Together: Rebecca Solnit in conversation with Krista Tippett (2016)

On Being with Krista Tippett

Rebecca Solnit

Hope and Falling Together

May 26, 2016

“When all the ordinary divides and patterns are shattered, people step up to become their brothers’ keepers. And that purposefulness and connectedness bring joy even amidst death, chaos, fear, and loss.” A singular writer and thinker, Rebecca Solnit celebrates the unpredictable and incalculable events that so often redeem our lives, both solitary and public. She searches for the hidden, transformative histories inside and after events we chronicle merely as disasters, in places like post-Hurricane Katrina New Orleans.

Rebecca Solnit is a contributing editor at Harper's Magazine and a regular writer for publications including The Guardian and The London Review of Books. Her books include A Paradise Built in Hell, Hope in the Dark, and a new collection of essays, The Mother of All Questions.

Krista Tippett, host: Rebecca Solnit describes her vision as a writer like this: “to describe nuances and shades of meaning, to celebrate public life and solitary life, to find another way of telling.” She is a contributing editor to Harper’s Magazine and the author of profound books that defy category. She’s emerged as one of our great chroniclers of untold histories of redemptive change in places like post-Hurricane Katrina New Orleans. She writes that, so often, “When all the ordinary divides and patterns are shattered, people step up to become their brother’s keepers. And that purposefulness and connectedness bring joy even amidst death, chaos, fear, and loss.”

Rebecca Solnit: I want better metaphors. I want better stories. I want more openness. I want better questions. All these things feel like they give us tools that are a little more commensurate with the amazing possibilities and the terrible realities that we face.

Ms. Tippett:  Rebecca Solnit’s books include A Paradise Built in Hell, Hope in the Dark, and a new collection of essays, The Mother of All Questions. She was born in Bridgeport, Connecticut, and moved with her parents to the San Francisco Bay Area when she was young. I spoke with her in 2016.

Ms. Tippett: I usually start my conversations with an inquiry about the spiritual background of your childhood, and — however you would define that. And as I look at the sweep of your writing, I see so many elements that, to me, are profoundly spiritual — a long sense of time, a robust commitment to hope. You describe your childhood in so many ways — in one place, these are words you use: “a scrawny, battered little kid in a violent house.” And I wonder how you would think about that notion of the spiritual background of your childhood. And it occurs to me that perhaps some of these things were seeded by absence, as much as by presence.

Ms. Solnit:  I think that’s true. And when you ask that question, what comes to mind is a map of where most of my childhood took place. I wrote somewhere that I had an inside-out childhood, because every place was safe but home. If you went — just on the other side of the backyard fence was a quarter horse stud farm and then dairy farms and open space. And the landscape and the animals, domestic and wild, were this huge refuge and really fed me and encouraged me, and there was a sense of community with the non-human. And so that was if you went north, even just to the other side of the fence and beyond — it was just endless open space and oak trees and grasslands and wildlife.

And then if you went south, there was a really great public library. And the minute I learned how to read, it was as though I’d been given this huge treasure. Every book was a box I suddenly knew how to open, and in it I could meet people, go to other worlds, go deep in all kinds of ways. And I spent my childhood in the hills and in the books. And those — so that was not maybe what people think of conventionally as spirituality, but that was my company, my encouragement, my teaching, my community.

Ms. Tippett: That’s lovely. So the sweep of your work is wonderful, and it’s daunting, as an interviewer. But I actually thought I would start with — I’d just love to have a conversation with you about this piece that was in Harper’s not that long ago, about — I can’t remember the title of it. But it was ostensibly about the choice not to have children.

Ms. Solnit: Oh, yeah. It’s called “The Mother of All Questions.”

Ms. Tippett: The Mother of All Questions.” And part of what you were reflecting on, or a jumping-off point for your reflection, was the fact that people are so curious about that and, in fact, so presumptuous about it. And I think you make the case very quickly that it’s a valid and life-giving choice, not to have children. But in fact, the piece, like so much of what you write, becomes a reflection on the vast expanse of what it is to be alive. And so there’s this: you said, “People lock onto motherhood as a key to feminine identity in part from the belief that children are the best way to fulfill your capacity to love, even though the list of monstrous, ice-hearted mothers is extensive. But there are so many things to love besides one’s own offspring, so many things that need love, so much other work love has to do in the world.”

Ms. Solnit: Yeah, exactly.

Ms. Tippett: And you say — I love this phrase: “There’s so much other work love has to do in the world.” I just feel like that’s so worth just putting out in public life and reflecting on.

Ms. Solnit: Yeah, and it’s partly — we overemphasize this very specific zone of love. It’s as though we’ve hyper-mapped it and obsessed about it and shone lights on it and things. And then there’s this whole other territory of relationships, to the larger world in particular and to public life, to — I hang out with a lot of climate activists, and there’s this profound love they have for the natural world, for the future, for justice. And that really shapes lives and gives them tremendous meaning. And it benefits all of us that they have this and that this motivates them, because they’re acting on behalf of all of us. And we should call that love. And we should look at the way that —

Ms. Tippett: And it’s a passionate love, right? It’s a passionate love.

Ms. Solnit: Absolutely. It’s just — it’s ferocious, and it’s protective the way that mother love can be. And if anything’s going to save the planet, it’s that love. But mostly we don’t even acknowledge that it exists, and so we have these blank spots on the map of who we are. And I want to try and fill those in and encourage people to go there, to recognize that actually, their lives can take place or are already taking place there and that this will give them this bigger sense of self.

Ms. Tippett :So a lot of the themes that run through your work, the things you care about, I want to say they’re outliers in terms of what we know how to talk about in public — certainly, in intellectual circles. And so maybe let’s talk about hope, because I think hope is one of those.

Ms. Solnit: I can talk about hope till, I think, the cows come home.

Ms. Tippett: [laughs] Well, I just — I want to start — somewhere you write that your fascination with this — maybe you began to articulate your fascination with this when you registered your emotions and the emotions of others in response to the 1989 earthquake in San Francisco. And my sense is that what you — how you responded and how you saw others respond — it was not, perhaps, what you would have expected.

Ms. Solnit: The amazing thing about the 1989 earthquake — it was an earthquake as big as the kind that killed thousands of people in places like Turkey and Mexico City and things like that. But partly because we have good infrastructure, about 50 people died. A number of people lost their homes. Everybody was shaken up. But what was so interesting for me was that people seemed to kind of love what was going on. And when I’d ask people, or when it would come up in conversation, because for years afterwards around here, people would be like, “Oh, where were you at 5:02, or is it 5:03 P.M., on October 17, 1989?” And people would get this expression that I later ran into when I visited Halifax, Nova Scotia, after a big hurricane there, when I talked — and then eventually, I did a whole book on this mysterious emotion. People would light up. And everything we’ve been told about disaster by trashy Hollywood disaster movies with Charlton Heston and Tom Cruise, everything about the news — is that human beings are fragile, disasters are terrible, and we’re either terrified because we’re fragile, or our morality is also fragile, and we revert to our best-deal, savage, social-Darwinist, Hobbesian nature, and go out raping and looting.

Those myths became a secondary disaster, worse than the hurricane that hit New Orleans on August 29, 2005, because that’s why it was — the city was shut off, turned into a prison city, why the police were shooting black people in the back, why people were not allowed to evacuate and supplies were not allowed in while people were dying of exposure and lack of medication and et cetera.

So that was part of where I got hopeful, and then also, in a larger sense, one of the things I’m really interested in is, what are the stories we tell, and what are their consequences? And are there other ways of telling, other ways — other stories that don’t get told? And hopefulness is really, for me — is not optimism: that everything’s going to be fine, and we can just sit back. And that’s too much like pessimism, which is that everything’s going to suck, and we can just sit back.

Hope, for me, just means a Buddhist sense of uncertainty, of coming to terms with the fact that we don’t know what will happen and that there’s maybe room for us to intervene, and that we have to let go of the certainty people seem to love more than hope and know that we don’t know what’s going to happen. And we live in a very surprising world, where nobody anticipated the way the Berlin Wall would fall or the Arab Spring would rise up, the impact of Occupy Wall Street. Obama was unelectable, six months before he was elected.

Ms. Tippett: But I wonder, as you just described that, just then, what you said — in those moments of disaster, of crisis, we come face to face with the reality that unexpected things will happen — as you said, that life is surprising, in good ways and bad. That’s just true. But is there something life-giving, even energizing, about people actually having to face those bedrock realities in those moments?

Ms. Solnit: Yeah, and there’s a way a disaster throws people into the present and gives them this supersaturated immediacy that also includes a deep sense of connection. It’s as though in some violent gift, you’ve been given a kind of spiritual awakening where you’re close to mortality in a way that makes you feel more alive. You’re deeply in the present and can let go of past and future and your personal narrative, in some ways. You have shared an experience with everyone around you, and you often find very direct but also metaphysical senses of connection to the people you suddenly have something in common with.

And then oftentimes, the people who do the really important work in disasters, which doesn’t get talked about much, are the neighbors. Who’s going to rescue you when your building collapses, when the ice storm comes, and the power goes out? It’s probably going to be the neighbors. And so the question is really two things. One is, how can we get there without going through a disaster, and …

Ms. Tippett:[ laughs] That’s right. That’s the question, isn’t it?

Ms. Solnit: And I think of that as this funny way the earthquake shakes you awake. And then that’s the big spiritual question: How do you stay awake? How do you stay in that deeper consciousness of that present-mindedness, that sense of non-separation and compassion and engagement — and courage, which is also a big part of it, and generosity? People are not selfish and greedy.

So and then the other question is, why has everything we’ve ever been told about human nature misled us about what happens in these moments? And what happens if we acknowledge, as I think people in the kind of work that neuropsychologists and the Dalai Lama’s research projects and economists are beginning to say, what if human — everything we’ve been told about human nature is wrong, and we’re actually very generous, communitarian, altruistic beings who are distorted by the system we are in but not made happy by it? What if we can actually be better people in a better world?

Ms. Tippett: A story I have always loved, that, to me — Dorothy Day, I just feel like, gets quoted all the time, more and more. Somehow, she’s really come to the forefront of consciousness. And you do write about — in your book, A Paradise Built in Hell, which I love so much — you write about the San Francisco earthquake of April 18, 1906, which killed 3,000 people and annihilated the center of the city, as you say, and shattered this hundred-mile stretch.

But Dorothy Day was in Oakland. She’s eight years old. She watches this thing that someplace you describe as — you say, yes, people fall apart, but in disaster, there’s also this falling together that we don’t chronicle. And she — the question she asked was — she saw, to me — this is me looking at this — she saw that people were capable of this; that all along, they knew how to do this, to take care of each other.

Ms. Solnit: Exactly.

Ms. Tippett: And she said, “Why can’t we live this way all the time?”

Ms. Solnit: No, that is her formative experience. She said, while the disaster lasted, people loved one another. And Dorothy Day is such a key figure for that book, both because the earthquake becomes a spiritual awakening and the template for what she pursues in her life, and because she’s somebody who had a partner and a child, and she kept the child, but she gave up family life for this larger sense of community she pursued as the founder of Catholic Worker. And she treated poverty as the disaster in which she would create this kind of communitas, this deeper, broader, higher, more spiritual sense of community than private life had offered her. And she’s so interesting as somebody who renounces it directly and connects this other sense so directly to disaster.

Ms. Tippett: Yeah, and you talk about — in all the places you looked, and in your own circle as you were in that disaster, there’s virtue that arises, and that there’s a joy — there’s a hope and a joy. And I was thinking about that phrase of hers, “the duty of delight.” So it’s not — so yes, there’s — she makes sacrifices that seem — that would seem extreme in the context of most of our lives. But that joy was also something she claimed and hung onto.

Ms. Solnit: “Joy” is such an interesting term, because we hear constantly about happiness — “Are you happy?” And it’s — emotions are mutable, and this notion that happiness should be a steady state seems destined to make people miserable. And joy is so much more interesting, because I think we’re much more aware that it’s like the light at sunrise, or the lightning, or something — that it’s epiphanies and moments and raptures, and that it’s not supposed to be a steady state, and that’s OK. And I think it’s a word that comes up a lot more in spiritual life than “happiness,” that millstone, happiness.

Ms. Tippett: Absolutely, yeah. You draw a connection often between, I would say, the reasonableness of hope and the reality of darkness. Would you say something about that?

Ms. Solnit: Well, I really wanted to rescue “darkness” from the pejoratives, because it’s also associated with dark-skinned people, and those pejoratives often become racial in ways that I find problematic. So I wrote a book called Hope in the Dark, about hope, where that darkness was the future — that the present and past are daylight, and the future is night. But in that darkness is a kind of mysterious, erotic, enveloping sense of possibility and communion — love is made in the dark, often as not — and then to recognize that unknowability as fertile, as rich as the womb, rather than the tomb, in some sense. And so much, for me, of hope is not, as I was saying, not optimism that everything will be fine, but that we don’t know what will happen.

A guest of yours whose name I’m going to mispronounce — Walter Brueggemann…

Ms. Tippett: Yes, yes, theologian of the prophets.

Ms. Solnit: Yeah, and I listened to his interview, and he talked about how much hope is grounded in memory. And I was so excited to hear someone say that. We think of hope as looking forward, but memory lets us know, if we have a real memory, that we didn’t know. We didn’t know the Berlin Wall was going to fall, and the Soviet Union was going to fall apart, and the binary arrangement those of us who are older grew up in, where it seemed like capitalism and communism and the Cold War standoff was going to last for centuries.

If you study history deeply, you realize that, to quote Patti Smith, “People have the power” — that popular power, civil society, has been tremendously powerful and has changed the world again and again and again; that we’re not powerless; that things are very unpredictable and that people have often taken on things that seemed hopeless — freeing the slaves, getting women the vote — and achieved those things. And I feel like so much of what we’re burdened by is bad stories, both people who have amnesia, who don’t remember that the present was constructed by certain forces to serve certain elements and can be deconstructed and that things could be very different, that they have been very different, that things are always changing and that we have agency in that change.

And one of the simple examples I often go back to is that when you and I were small, to be gay or lesbian or otherwise — something other than standard heterosexual — was to be considered mentally ill or criminal or both, and punished accordingly. And to go from there to national same-sex marriage rights is an unimaginable journey. It’s — and that’s a lot of what my hopeful stuff is about, is trying to look at the immeasurable, incalculable, indirect, roundabout way that things matter.

My friend, David Graber, has a wonderful passage about how the Russian revolution succeeded, but not really in Russia. It terrified, or at least motivated, leaders in Europe and North America and elsewhere to make enormous concessions to the rights of poor and workers and really furthered economic justice in other places. And if you can say that a revolution was successful, but not in the country it took place in, then you can start to trace these indirect impacts.

Ms. Tippett: You can listen again and share this conversation with Rebecca Solnit at civilconversationsproject.org. We are expanding On Being’s Civil Conversations Project to be more of a resource for families and communities. Find audio, video, and a starter guide for beginning new conversations where you live and reinventing common life for this century, because the point of speaking together differently is to live together differently. Again, all that at civilconversationsproject.org.

Ms. Tippett: You have this wonderful sentence that “History is like the weather, not like checkers.” And you talk about — here’s another: “Sometimes cause and effect are centuries apart; sometimes Martin Luther King’s arc of the moral universe that bends towards justice is so long few see its curve; sometimes hope lies not in looking forward but backward to study the line of that arc.” It’s an un-American way of thinking, but it’s an essential way, I think, to inhabit this century, in particular.

Ms. Solnit: There used to be products advertised in comic books and things — “Instant results guaranteed, or your money back.” If disappointment is your goal, that’s a sure-fire recipe for it. For example, Occupy Wall Street was pronounced a failure before it had really gotten going, and at one point, there were Occupies in New Zealand and Japan and Europe — in California alone, there were about 400 Occupies at the peak, in late 2011. And they dispersed, as these encampments and people — in which people had these extraordinary dialogues. And the impact of those dialogues is hard to measure. But you can look at Bernie Sanders and Elizabeth Warren and Bill de Blasio of New — the mayor of New York, as people who are carrying those frameworks into the mainstream and into electoral politics. And you can also look at both national things — the movement against punitive student debt and the …

Ms. Tippett: I feel like what you’re — you’re kind of — you’re drawing a map, and it’s a different kind of map than we came out of the 20th century in our heads with, which is about how social change happens. I think maybe the image people go to, in a default way, is maybe the civil rights movement, simplified — large numbers of people on the street, a charismatic leader, and laws that get passed right in that moment.

So let me ask you this, because, one, I very much appreciated your writing about Hurricane Katrina and the world after Hurricane Katrina. And this is one of these places where we’ve told the story in a certain way. And we — and even from the very beginning, the story was narrated and presented in a way that was largely just incredibly demoralizing. If you met someone — say, a Martian, who — [laughs] who was not here and had never heard of this, how would you tell, start to tell, the fullness of that story of Hurricane Katrina, what happened to this city called New Orleans and how that history is still being made now?

Ms. Solnit: I should say that all my work on disaster draws from these wonderful disaster sociologists who had this — do this incredible work, documenting what happens in disasters, and have since World War II. I’m kind of their popularizer, and people like Kathleen Tierney. But — and they say there’s no such thing as a “natural” disaster, meaning that in an earthquake, it’s buildings that fall on you. So what are the building codes? Who lives in substandard housing? Who lives on the floodplain? Who gets evacuated? Who gets left behind? What happened to New Orleans is that the levees failed. About seven-eighths of the city flooded, meaning that a lot of it was from a few feet to 15 feet or more deep in water, and just all systems failed, and some hospitals were able to run on generators.

There was a supposedly — there was what was called a mandatory evacuation, but people who didn’t have the resources to evacuate were left behind to face what happened. So that’s the set-up for it that creates a disaster. In Cuba, when there’s a mandatory evacuation, everybody receives the assistance they need to evacuate, so it’s our kind of laissez-faire, every-man-for-himself system that left what were often portrayed as the “criminal element,” was a lot of poor women, single moms with kids, a lot of elderly people. And a lot of the guys who got portrayed as gangsters and things were the wonderful rescuers and these really able-bodied young guys who did amazing things.

Then things happen, like they basically get sealed off. You can walk out of the central city to dry land, but the sheriff of a suburb called Gretna, and his thugs, get on the bridge with guns and turn people back at gunpoint. You cannot walk out of New Orleans to dry land, so you’re trapped. You’re a prisoner, essentially.

Ms. Tippett: And that was because of the narrative they were working off, in terms of who these people were?

Ms. Solnit: Yeah, well, the — all the clichés that surfaced in the 1906 earthquake, all the crap about human nature, about how we all revert — especially poor people, especially non-white people — how we revert to our savage, social-Darwinist nature, were aired. And the mainstream media — and this includes The New York Times and The Washington Post and CNN and The Guardian, all the major news outlets — it wasn’t — were the unindicted co-conspirators, I always say. They start publishing all this garbage about how there’s mass killings in the Superdome. And that was just believed so much that the Federal Emergency Management Agency sends a gigantic tractor-trailer refrigerated truck to get what turns out to be six bodies, not the 200 that are supposed to be there.

There’s all these stories that people are shooting at helicopters, so you can’t have helicopter rescues. And so they mount a campaign, not to treat suffering human beings and bring them resources, but to reconquer the city. Kathleen Blanco, the governor of Louisiana, said, “We have troops fresh from Iraq, and they have M16s that are locked and loaded, and they know how to use them.” And it’s like, that is not a humanitarian effort. M16s are not how you help that grandmother dying on the roof. And some of those grandmothers died.

And so people were not a victim of a hurricane, they were a victim of vicious stories; of the media’s failures; of the failures of the government on every scale, from the city of New Orleans that left prisoners locked in flooded jails, to the federal government. And so that’s political failures, but behind those politics are stories.

And what’s interesting is that a lot of people believe those stories. And we often treat stories like they’re very trivial, like they’re story hour for kids or — but people live and die by stories. And people died of vicious stories in New Orleans. Everybody could have been evacuated in 24 hours. Everybody could have been evacuated beforehand.

Ms. Tippett: Well, and the stories you also tell that we don’t hear, which were life-giving — that in the immediate aftermath, more than 200,000 people invite displaced strangers into their homes through hurricanehousing.org, which I never heard about; that the massive number of people who went to New Orleans, who went to the Gulf Coast to help rebuild — that it was like the Freedom Summer in Mississippi, magnified a thousand-fold. So there’s also that taking place, and those lives, one at a time.

Ms. Solnit: And there was — from the very minute it all began, there was tremendous altruism. The first round of rescuers were people who were themselves inside the city who got boats or did other things to rescue people, who came together in buildings that weren’t damaged and formed little communities and took care of the vulnerable. But there are these extraordinary stories. And people really — that impulse to help is so powerful. And they talk — they call it “disaster convergence,” and it often becomes a problem, where you have — you remember after 9/11, people lined up around the block all over the country, to give blood. People really want to help. That’s who we are.

And New Orleans, for years afterwards, had all these people — church groups, and I saw amazing Mennonite builders rebuilding houses, and Habitat for Humanity, and I kind of loved it. It was the whole spectrum, from Catholic Charities to the Mennonites to pretty radical anarchists. And people working with Common Ground, which was founded by the Black Panthers and young white supporters and became a project that did a lot of different things, and not all of it worked out perfectly, but some of it was amazing, and it became really a part of the conversation. But they founded the first really good clinic for people who needed emergency care, who needed their diabetes medicine or their tetanus shot or their wound disinfected. And that split off into Common GroundClinic, which is still going strong more than ten years later. And that’s the kind of indirect consequences that I find so interesting to trace, is that here’s something that came out of Katrina that’s still helping people every day.

Ms. Tippett: Right. So we talked a little while ago about love and your idea that love has so many other things to do in the world, aside from these silos of loving our families and loving our children. So if I ask you just what story or people come to mind — if you think about the word “love” as a practical, muscular, public thing in New Orleans, ten years after Hurricane Katrina, what comes to mind for you?

Ms. Solnit: So many things; it’s a really magical place. People have deep connections in New Orleans. I would try to explain that people in New Orleans and Katrina lost things that most of us hadn’t had for generations. A lot of people lived in a neighborhood where they knew hundreds of people. They knew everybody who lived near them. They might have extended family. They might be like Fats Domino, who was born in a house in the Lower Ninth Ward, delivered by his grandmother. People live in their grandparents’ houses. They have these deep roots and wide branches.

And they engage in public celebration. They talk to strangers. And they — it’s a deeply Dionysian place, with the second line parades all — 40-something Sundays a year; not just Carnival, not just Mardi Gras. And it’s a profoundly spiritual place. So all these things are part of the place, and so they’re already really rich.

But a lot of people, after Katrina, felt like, OK, we really have to engage to keep this place alive. And there was a real rise in civic engagement, and a number of institutions around justice and policing were reformed. The police were actually taken over by the federal government, because it was the most corrupt and incompetent police department in the United States. They got a semi-decent mayor for a change, after a lot of corruption — particularly from Ray Nagin, who went to jail for it, the mayor during and after Katrina. And people really started to dream big, about “OK, here we are on the fastest-eroding coastline in the world, in a city that’s partly below sea level, in an era of climate change, increasing storms, and rising waters. How do we adapt?” And people are having this really exciting conversation about rethinking the city and how water works in the city, building systems of survival.

And again, this is like all disasters. The storm was horrible. It killed about 1,800 people. It displaced a lot of black people who were never able to come back, and impacted the continuity and mental health of the community. But it did create this engagement and this really creative planning of the future. And New Orleans might have just continued its gentle decline, without Katrina.

Ms. Tippett: Right, and it’s kind of an incubator now, isn’t it? Kind of a …

Ms. Solnit: Yeah, yeah, and a lot of the young people, these young idealists who moved there, fell in love with the place and stayed. And it’s complicated; some of them are the white kids who are gentrifying traditionally black neighborhoods. But they’re also — some — they’re not all white, and they are people who are bringing a passion for urban planning, community gardens; for thinking about these social and ecological systems. And the place is very energized right now in new ways, and it has retained quite a lot, if not all, of the energy it had before.

Ms. Tippett: I’m Krista Tippett, and this is On Being. Today, with writer, historian, and activist Rebecca Solnit. I spoke with her during the 2016 presidential election.

Ms. Tippett: It seems to me that that story of New Orleans after Hurricane Katrina becomes just an extreme example of a larger reality you see. And so here’s something you wrote, where it’s so beautifully stated — and in fact, each one of us individually, if we stopped to take it apart, has a story of a million events or actions or people without which we would not be. And you wrote, “Trace it far enough and this very moment in your life becomes a rare species, the result of a strange evolution, a butterfly that should already be extinct and survives by the inexplicabilities we call coincidence.” [laughs]

Ms. Solnit: Yeah, and it’s also about the unpredictability of our lives and that ground for hope I talk about — that we don’t know what forces are at work, what — who and what is going to appear, what thing we may not have even noticed or may have discounted that will become a tremendous force in our lives.

People in this culture love certainty so much, and they seem to love certainty more than hope, which is why they often seize on these really bitter, despondent narratives that are — they know exactly what’s going to happen. And that certainty just seems so tragic to me. I want people to tell more complex stories and to acknowledge that sometimes we win, and that there are these openings. But an opening is just an opening; you have to go through it and make something happen. And you don’t always win, but if you try, you don’t always lose.

Ms. Tippett: Yeah, you don’t always win, but I think I come back to your idea that history is like — and in fact, our lives — are like the weather, not like checkers. So your point, which actually is, I would say, is the kind of complexity that I think theology at its best imposes — that you walk through the openings, and perhaps you don’t win that battle, or you don’t see the result you hoped for; perhaps you outright lose. But the complex way you’re wanting to tell the stories of reality and of our lives is that whatever we do, there are always consequences that we don’t control and can’t see and can’t calculate, but they matter. They count.

Ms. Solnit: The guy I’m involved with loves to say, and I’m getting — it’s from Foucault, and I’m getting it wrong — that “We know what we do. We know why we do it. But we don’t know what we do, does.” And I love that sense that we don’t know consequences. We can learn and surmise. And that a lot of what matters is indirect and nonlinear. And it’s like even checkers seems too sophisticated and complex for the metaphor. I use bowling, where people are like, “Either we knocked all the pins down with this bowling ball, or we had a gutter ball, and nothing happened.”

And my wonderful environmentalist friend, Chip Ward, likes to talk about the “tyranny of the quantifiable,” and I’ve been using that phrase of his for about 15 years. And it is a kind of tyranny, and I think — and it does get mystical, where you have to look at what’s not quantifiable. Martin Luther King is assassinated in 1968. A comic book about how civil disobedience works out was distributed during the civil rights movement, gets translated into Arabic and distributed in Egypt and becomes one of the immeasurable forces that help feed the Arab Spring, which is five years old right now; and most of it doesn’t look that good, but they did overthrow a bunch of regimes. And the French Revolution didn’t really look very good five years out, I was saying the other day.

Ms. Tippett: Oh, I know. It’s so important that you point that out — that we — and also, our revolution. These things are messy, and they take generations. And we forget that, and we’re already calling it as a loss, and it’s absurd, really. It’s absurd.

Ms. Solnit: Yeah, and I think that there are really good points to be made that — for example, that overthrowing a dictator is nice, but you need democratic institutions. In Egypt, for example, the military was a power that didn’t go away. And you need to not just have that amazing moment in the streets and that rupture, but you need to have an ongoing engagement with transforming the system and making it accountable. But what happened mattered, nevertheless, and I think for people, many people in the Middle East, just the sense that it’s not inevitable that we live in authoritarianism; we are not powerless. And I think of Alexander Dubček — the hero of the Prague Spring of 1968, which was quashed — playing a role in the 1989 revolution that liberated that country.

Ms. Tippett: That’s so true, yeah.

Ms. Solnit: And I want better metaphors. I want better stories. I want more openness. I want better questions. All these things feel like they give us tools that are a little more commensurate with the amazing possibilities and the terrible realities that we face. And what we get given, so often, are just these kind of clumsy, inadequate tools. They don’t help. They don’t open things up. They don’t shed light. They don’t lead us to interesting places. They don’t let us know how powerful we can be. They don’t help us ask the questions that really matter and that start with rejecting the narratives we’re told and telling our own stories, becoming the storyteller rather than the person who’s told what to do.

Ms. Tippett:I ’m very much a comrade in your reverence for something called public life and — which I think we’ve narrowly equated with political life, in recent generations, but opening that language up more. You’ve said public life enlarges you, gives you purpose and context. I want to come to this idea that — [laughs] maybe this analogy is more apt — we’re in the middle of this presidential election year, which is so confusing, messy, and there’s a lot of anger in the room. And where am I going with this? You — I don’t want to compare it to a natural disaster, but you said — [laughs] I think I am, in my mind. [laughs]

Ms. Solnit: Oh, go; do it. [laughs]

Ms. Tippett: But you said, in the middle of a natural disaster, there’s this joy that rises up. So on the one hand, we have this spectacle of — I think — let’s just say — I think I can safely say this: a presidential election is — which is not what any of us — how any of us would want it to be, perhaps. But tell me, where are you taking joy in public life right now? And that might have nothing to do with politics.

Ms. Solnit: Yeah, I totally agree we need a broader sense of public life, that it’s a sense of belonging to a place, by which I mean the physical place — the trees, the birds, the weather, the coastline or the hills or the farms…

Ms. Tippett: The people.

Ms. Solnit: As well as the people and the institutions. And it’s one of the reasons I love New Orleans. People really engage with each other, just in every day, and — whereas sometimes, living in the Bay Area, it feels like where I’m in a zombie movie; everybody’s walking around in a trance, staring at their phone, and nobody’s in the private world your phone opens onto.

But it’s funny the way you describe it, because I think there’s a kind of self-forgetfulness and a sense of having something in common that brings that joy, when it comes in disaster. And of course, a presidential election is the exact opposite. It’s partisanship and this sort of deep attachment to “I’m right and you’re wrong,” and the squabbling.

Ms. Tippett: But — so put that aside, because I think that’s not very joyful for you or me. But where are you finding joy in public life right now? Where do you want to look, in terms of the larger narrative of who we are and what we’re capable of and what this moment — you often talk about — you say, “Whenever I look around me, I wonder what old things are about to bear fruit, what seemingly solid institutions might soon rupture, and what seeds we might now be planting whose harvest will come at some unpredictable moment in the future.” So where are you looking right now with intrigue?

Ms. Solnit: The climate movement, which was this embryonic, ineffectual thing, ten years ago — and I was in Paris for the climate conference, and it’s global. It’s powerful. It’s brilliant. It’s innovative, and remarkable things are happening and real transformations. And ten years ago, we didn’t even have the energy options. We didn’t really have good alternatives to fossil fuel the way we do now, as Scotland hedged towards 100 percent fossil-free energy generation, as all these remarkable things happened. So we’re really in an energy revolution that’s an evolution of — a revolution of consciousness about how things work and how connected they all are, and this incredible kind of war of the world against the fossil fuel corporations. It’s very effective.

But that’s the pragmatic side. What I also see is these deep connections between people in North America and Africa and the Pacific — the Philippines, Asia — this global movement that’s really coming of age and that has a kind of profound beauty, not in only some of the individuals I’m friends with who are doing great things, but a kind of beauty of creativity, of passion, of real love for the vulnerable populations at stake; for the world, the natural world; for the sense of systems and order — the natural order of the weather patterns, sea levels, things like winter.

Ms. Tippett: [laughs] Yeah, things like winter, yeah.

Ms. Solnit: Yeah, yeah — winter as it used — winter and spring as it used to be, where the bird migrations happened in coordination with these flowers blooming and these insects hatching, et cetera. And what we recognize, when we address climate change, is this infinite complexity that has a beautiful kind of order to it, and it’s falling into disorder. And so the love, the intelligence, the passion, the creativity of that movement is one. And there’s many other things I could say, but right now that’s just so exciting.

And it’s negotiating. It’s negotiating, and this is what hope is about, for me. It’s not saying, “Oh, we can pretend that everything’s going to be fine, and we’ll fix it all, and it’ll be as though it never happened.” It’s really saying, the difference between the best-case scenario and the worst case-scenario is where these people in the Philippines survive, where these people in the Arctic are able to keep something of their way of life. And we’re going to do everything we can to fight for the best case rather than the worst case — without illusions; without thinking that we’re going to make it all magically OK and like it never happened. And so that tough-mindedness is also really beautiful; that pragmatic idealism.

Ms. Tippett: That tough-minded hope.

Ms. Solnit: Exactly.

Ms. Tippett: I think you would give it that word.

Ms. Solnit: And hope is tough. It’s tougher to be uncertain than certain. It’s tougher to take chances than to be safe. And so hope is often seen as weakness, because it’s vulnerable, but it takes strength to enter into that vulnerability of being open to the possibilities. And I’m interested in what gives people that strength, and what stories, what questions, what memories, what conversations, what senses of themselves and the world around them.

Ms. Tippett: We’ve run — well, we’re just over about a minute. I just want to ask you one last question. It’s a huge question, but just where would you start thinking about this? How is your sense of what it means to be human evolving right now, as you write and as we speak? What contours is that taking on that perhaps you wouldn’t have expected ten years ago, or when you were 15 and miserable? [laughs]

Ms. Solnit: [laughs] Yeah, yeah. I was a really isolated kid, and my brothers teased me when I did girl things, so I wasn’t very good at girl things, so I wasn’t very good at connecting to other girls, and I was just the weird kid with her nose in a book. And so I have really wonderful people around me and really deep connections, and that’s incredibly satisfying. And it’s all kind of amazing.

I think a lot of us wish you could send postcards to your miserable teenage self. I always thought that “It Gets Better” campaign for queer kids should be broadened, because it gets better for a lot of us. My mother, in her ever un-encouraging way, when I won some big prize, said, “This is all such a surprise. You were just a mousy little thing.” [laughs] But it is kind of a surprise. And it’s like, to have this ability to participate and really maybe be helpful to other people — to do really meaningful work — it’s all just this kind of astonishment.

Ms. Tippett: Rebecca Solnit is a contributing editor at Harper’s Magazine and a regular writer for publications including The Guardian and The London Review of Books. Her books include A Paradise Built in Hell, Hope in the Dark, and a new collection of essays, The Mother of All Questions.

Anne Lamott: How We Endure and Find Meaning in a Crazy World

“The world is always going to be dangerous, and people get badly banged up, but how can there be more meaning than helping one another stand up in a wind and stay warm?”

By Maria Popova

We live in a culture of dividedness and fragmentation of the self. When we contemplate what it takes to live a full life, we extol mindfulness and wholeheartedness.

But being wholehearted is only sufficient if your heart is your whole self; being mindful is only sufficient if your mind is all you are. We are, of course, so much more expansive than our hearts and our minds and our perfect abs, or whatever fragment we choose to fixate on. But we compartmentalize our experience in this way, divide it into fragments, as if to divide and conquer it. I’ve written before about our resistance to speaking of the soul, of which those of us who uphold secular ideals of rationalism are especially culpable. And yet I find, over and over, that the fullest people — the people most whole and most alive — are those unafraid and unashamed of the soul.

The soul has had no greater champion in this age of fragments than Anne Lamott — a writer of exceptional lucidity and enchantment, with a rare way of becalming our modern anxieties and ancient anguishes, from grief and gratitude to the perils of perfectionism to how we keep ourselves small with people-pleasing. In Stitches: A Handbook on Meaning, Hope and Repair (public library), Lamott lays bare the deepest, most worn yet most resilient threads of the soul and laces out of the loose ends an extraordinary lattice of assurance and grace — assurance that there is hope for awakening in ourselves “a deeper sense of immediacy or spirit or playfulness” amid the slumber of ordinary life, and for those moments when we feel like all such hope is lost, the grace of trusting “that we do endure, and that out of the wreckage something surprising will rise.”

 

A century and a half after Tolstoy tussled with the search for meaning in a seemingly meaningless world, Lamott writes in the opening essay, titled “Beginning”:

We so often lose our way.

It is easy to sense and embrace meaning when life is on track. When there is a feeling of fullness — having love, goodness, family, work, maybe God* as parts of life — it’s easier to navigate around the sadness that you inevitably stumble across. Life holds beauty, magic and anguish. Sometimes sorrow is unavoidable, even when your kids are little, when the marvels of your children, and your parental amazement, are all the meaning you need to sustain you, or when you have landed the job and salary for which you’ve always longed, or the mate. And then the phone rings, the mail comes, or you turn on the TV…

What is the point of it all when we experience the vortex of interminable depression or, conversely, when we recognize that time is tearing past us like giddy greyhounds? It’s frightening and disorienting that time skates by so fast, and while it’s not as bad as being embedded in the quicksand of loss, we’re filled with dread each time we notice life hotfoot it out of town.

One rarely knows where to begin the search for meaning, though by necessity, we can only start where we are… It somehow has to do with sticking together as we try to make sense of chaos, and that seems a way to begin.

In a living testament to Faulkner’s assertion that the writer’s duty is “to help man endure by lifting his heart” and to E.B. White’s conviction that the writer “should tend to lift people up, not lower them down,” Lamott captures the precarious goodwill of the human spirit:

We try to help where we can, and try to survive our own trials and stresses, illnesses and elections. We work really hard at not being driven crazy by noise and speed and extremely annoying people, whose names we are too polite to mention. We try not to be tripped up by major global sadness, difficulties in our families or the death of old pets…

We work hard, we enjoy life as we can, we endure. We try to help ourselves and one another. We try to be more present and less petty. Some days go better than others. We look for solace in nature and art and maybe, if we are lucky, the quiet satisfaction of our homes…

We’re social, tribal, musical animals, walking percussion instruments. Most of us do the best we can. We show up. We strive for gratitude, and try not to be such babies.

And then there’s a mass shooting, a nuclear plant melts down, just as a niece is born, or as you find love. The world is coming to an end. I hate that. In environmental ways, it’s true, and in existential ways, it has been since the day each of us was born.

Where is meaning in the meteoric passage of time, the speed in which our lives are spent? Where is meaning in the pits? In the suffering? I think these questions are worth asking.

But in asking these questions, Lamott observes — as Meghan Daum did in her eloquent defiance of the platitude industrial complex — that we rarely afford adversity anything more than the status of a complacent metaphor:

Our lives and humanity are untidy: disorganized and careworn. Life on earth is often a raunchy and violent experience. It can be agony just to get through the day.

And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, “This is a nightmare. I hate everything. I’m going to go hide in the garage.”

My understanding of incarnation is that we are not served by getting away from the grubbiness of suffering. Sometimes we feel that we are barely pulling ourselves forward through a tight tunnel on badly scraped-up elbows. But we do come out the other side, exhausted and changed.

To heal, it seems we have to stand in the middle of the horror, at the foot of the cross, and wait out another’s suffering where that person can see us.

Echoing Emerson’s notion that life is a series of surprises, which we mostly resist, Lamott considers the inevitable ebb and flow of the human experience — the same cycling of impoverishment and excess that Rilke memorably extolled — and writes:

No matter what happens to us — to our children, to our town, to our world — we feel it is still a gift to be human and to have a human life, as long as we ignore the commercials and advertisements and the static that the world beams at us, and understand that we and our children are going to get knocked around, sometimes so cruelly that it will take our breath away. Life can be wild, hard and sweet, but it can also be wild, hard and cruel.

The bad news is that after the suffering, we wait at the empty tomb for a while, the body of our beloved gone, grieving an unsurvivable loss.

It’s a terrible system. But the good news is that then there is new life. Wildflowers bloom again… They’re both such surprises. Wildflowers stop you in your hiking tracks. You want to savor the colors and scents, let them breathe you in, let yourself be amazed. And bulbs that grow in the cold rocky dirt remind us that no one is lost.

But nowhere are these surprises at their most acute, or their most unwelcome, than in loss. “Grief, when it comes,” Joan Didion wrote in her indispensable memoir of loss, “is nothing like we expect it to be” — a notion Lamott enlivens with her touch of poetic precision:

Most of us have figured out that we have to do what’s in front of us and keep doing it… Every time we choose the good action or response, the decent, the valuable, it builds, incrementally, to renewal, resurrection, the place of newness, freedom, justice…

We live stitch by stitch, when we’re lucky. If you fixate on the big picture, the whole shebang, the overview, you miss the stitching. And maybe the stitching is crude, or it is unraveling, but if it were precise, we’d pretend that life was just fine and running like a Swiss watch. This is not helpful if on the inside our understanding is that life is more often a cuckoo clock with rusty gears.

In the aftermath of loss, we do what we’ve always done, although we are changed, maybe more afraid. We do what we can, as well as we can.

A great truth, attributed to Emily Dickinson, is that “hope inspires the good to reveal itself.” This is almost all I ever need to remember. Gravity and sadness yank us down, and hope gives us a nudge to help one another get back up or to sit with the fallen on the ground, in the abyss, in solidarity.

That solidarity, Lamott argues in a sentiment that calls to mind Jeanette Winterson’s exquisite notion of “the paradox of active surrender,” is often what art gives us:

When you love something like reading — or drawing or music or nature — it surrounds you with a sense of connection to something great. If you are lucky enough to know this, then your search for meaning involves whatever that Something is. It’s an alchemical blend of affinity and focus that takes us to a place within that feels as close as we ever get to “home.” It’s like pulling into our own train station after a long trip — joy, relief, a pleasant exhaustion.

If a writer or artist creates from a place of truth and spirit and generosity, then I may be able to enter and ride this person’s train back to my own station. It’s the same with beautiful music and art.

Beauty is meaning.

But rather than a compendium of philosophical reflections suspended mid-air by the free-hanging laziness of aphorism, Lamott’s book is a tapestry of real stories — “real” in the rawest, most soul-shaking sense of the word — from which her firmly grounded yet elevating wisdom springs. In another essay, Lamott — a staunch champion of the uncomfortable art of letting yourself be seen — recounts her own journey from a difficult childhood to self-destruction to recovery and meaning. In a passage that evokes Henry Miller’s assertion that “it takes only one friend, if he is a man of faith, to work miracles,” she writes:

What saved me was that I found gentle, loyal and hilarious companions, which is at the heart of meaning: maybe we don’t find a lot of answers to life’s tougher questions, but if we find a few true friends, that’s even better. They help you see who you truly are, which is not always the loveliest possible version of yourself, but then comes the greatest miracle of all — they still love you.

I also learned that you didn’t come onto this earth as a perfectionist or control freak. You weren’t born a person of cringe and contraction. You were born as energy, as life, made of the same stuff as stars, blossoms, breezes. You learned contraction to survive, but that was then. You have paid through the nose — paid but good. It is now your turn to reap.

It can be healthy to hate what life has given you, and to insist on being a big mess for a while. This takes great courage. But then, at some point, the better of two choices is to get back up on your feet and live again.

In the fourth essay, Lamott revisits this subject of how we embolden each other to go on living. Echoing Emerson’s unforgettable contention that “people wish to be settled [but] only as far as they are unsettled is there any hope for them,” she writes:

Alone, we are doomed, but by the same token, we’ve learned that people are impossible, even the ones we love most — especially the ones we love most: they’re damaged, prickly and set in their ways. Also, they’ve gotten old and a little funny, which can be draining. It is most comfortable to be invisible, to observe life from a distance, at one with our own intoxicating superior thoughts. But comfort and isolation are not where the surprises are. They are not where hope is… Only together do we somehow keep coming through unsurvivable loss, the stress of never knowing how things will shake down, to the biggest miracle of all, that against all odds, we come through the end of the world, again and again — changed but intact (more or less)… Insofar as I have any idea of “the truth,” I believe this to be as true as gravity and grace.

I’ve always loved funky rustic quilts more than elegant and maybe lovelier ones. You see the beauty of homeliness and rough patches in how they defy expectations of order and comfort. They have at the same time enormous solemnity and exuberance. They may be made of rags, torn clothes that don’t at all go together, but they somehow can be muscular and pretty. The colors are often strong, with a lot of rhythm and discipline and a crazy sense of order. They’re improvised, like jazz, where one thing leads to another, without any idea of exactly where the route will lead, except that it will refer to something else maybe already established, or about to be. Embedded in quilts and jazz are clues to escape and strength, sanctuary and warmth. The world is always going to be dangerous, and people get badly banged up, but how can there be more meaning than helping one another stand up in a wind and stay warm?

Stitches is a soul-stretching read in its totality — the kind you revisit again and again, and find especially assuaging assurance during life’s darkest moments. Complement it with Lamott on the greatest gift of friendship, Meghan Daum on how we become who we are, and Victoria Safford on what hope really means.