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Posted by John Roosevelt Boettiger on Thursday, 30 May 2019 | Permalink | Comments (0)
Tags: agriculture, associations, community, consumer, economics, farm, land, local, Martin Buber, path, producer, Schumacher Center, utopia, voluntary
I read Neruda's "Keeping Quiet" to our meditation group this past Saturday morning.
It is a beautiful reflection on the deeply engaging practice of stillness.
I've been reflecting lately on a collection of related issues, including the differences and similarities of meditating alone and meditating with a group of friends; the contrasting experiences of speaking and listening to another person, in a dyad and in a group; between moving and stillness, walking and running, doing and being, indifference and engagement, coming and going, happiness* and sadness, happiness and joy**; the mysteries of living, dying and death. There is, of course, diversity in each of those variables (the last none of us know), even moment-by-moment changes in short time spans. To string such qualities of experience together as I have done here is bewildering. Counting to twelve helps, as in meditation we may count our breaths, usually one to ten—then we start over again.
* See Jonathan Haidt, The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom (2006)
** See David Brooks, "The Difference Between Happiness and Joy," The New York Times, May 7, 2019.
Keeping Quiet
Now we will count to twelve
and we will all keep still
for once on the face of the earth,
let's not speak in any language;
let's stop for a second,
and not move our arms so much.
It would be an exotic moment
without rush, without engines;
we would all be together
in a sudden strangeness.
Fishermen in the cold sea
would not harm whales
and the man gathering salt
would not look at his hurt hands.
Those who prepare green wars,
wars with gas, wars with fire,
victories with no survivors,
would put on clean clothes
and walk about with their brothers
in the shade, doing nothing.
What I want should not be confused
with total inactivity.
Life is what it is about...
If we were not so single-minded
about keeping our lives moving,
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with
death.
Now I'll count up to twelve
and you keep quiet and I will go.
— Pablo Neruda
Posted by John Roosevelt Boettiger on Saturday, 11 May 2019 | Permalink | Comments (0)
Tags: Keeping Quiet, Pablo Neruda
'You did not act in time': Greta Thunberg's remarks to Members of Parliament in London
My name is Greta Thunberg. I am 16 years old. I come from Sweden. And I speak on behalf of future generations.
I know many of you don’t want to listen to us – you say we are just children. But we’re only repeating the message of the united climate science.
Many of you appear concerned that we are wasting valuable lesson time, but I assure you we will go back to school the moment you start listening to science and give us a future. Is that really too much to ask?
In the year 2030 I will be 26 years old. My little sister Beata will be 23. Just like many of your own children or grandchildren. That is a great age, we have been told. When you have all of your life ahead of you. But I am not so sure it will be that great for us.
I was fortunate to be born in a time and place where everyone told us to dream big; I could become whatever I wanted to. I could live wherever I wanted to. People like me had everything we needed and more. Things our grandparents could not even dream of. We had everything we could ever wish for and yet now we may have nothing.
Now we probably don’t even have a future any more.
Because that future was sold so that a small number of people could make unimaginable amounts of money. It was stolen from us every time you said that the sky was the limit, and that you only live once.
You lied to us. You gave us false hope. You told us that the future was something to look forward to. And the saddest thing is that most children are not even aware of the fate that awaits us. We will not understand it until it’s too late. And yet we are the lucky ones. Those who will be affected the hardest are already suffering the consequences. But their voices are not heard.
Is my microphone on? Can you hear me?
Around the year 2030, 10 years 252 days and 10 hours away from now, we will be in a position where we set off an irreversible chain reaction beyond human control, that will most likely lead to the end of our civilisation as we know it. That is unless in that time, permanent and unprecedented changes in all aspects of society have taken place, including a reduction of CO2 emissions by at least 50%.
And please note that these calculations are depending on inventions that have not yet been invented at scale, inventions that are supposed to clear the atmosphere of astronomical amounts of carbon dioxide.
Furthermore, these calculations do not include unforeseen tipping points and feedback loops like the extremely powerful methane gas escaping from rapidly thawing arctic permafrost.
Nor do these scientific calculations include already locked-in warming hidden by toxic air pollution. Nor the aspect of equity – or climate justice – clearly stated throughout the Paris agreement, which is absolutely necessary to make it work on a global scale.
We must also bear in mind that these are just calculations. Estimations. That means that these “points of no return” may occur a bit sooner or later than 2030. No one can know for sure. We can, however, be certain that they will occur approximately in these timeframes, because these calculations are not opinions or wild guesses.
These projections are backed up by scientific facts, concluded by all nations through the IPCC. Nearly every single major national scientific body around the world unreservedly supports the work and findings of the IPCC.
Did you hear what I just said? Is my English OK? Is the microphone on? Because I’m beginning to wonder.
During the last six months I have travelled around Europe for hundreds of hours in trains, electric cars and buses, repeating these life-changing words over and over again. But no one seems to be talking about it, and nothing has changed. In fact, the emissions are still rising.
When I have been travelling around to speak in different countries, I am always offered help to write about the specific climate policies in specific countries. But that is not really necessary. Because the basic problem is the same everywhere. And the basic problem is that basically nothing is being done to halt – or even slow – climate and ecological breakdown, despite all the beautiful words and promises.
The UK is, however, very special. Not only for its mind-blowing historical carbon debt, but also for its current, very creative, carbon accounting.
Since 1990 the UK has achieved a 37% reduction of its territorial CO2 emissions, according to the Global Carbon Project. And that does sound very impressive. But these numbers do not include emissions from aviation, shipping and those associated with imports and exports. If these numbers are included the reduction is around 10% since 1990 – or an an average of 0.4% a year, according to Tyndall Manchester.
And the main reason for this reduction is not a consequence of climate policies, but rather a 2001 EU directive on air quality that essentially forced the UK to close down its very old and extremely dirty coal power plants and replace them with less dirty gas power stations. And switching from one disastrous energy source to a slightly less disastrous one will of course result in a lowering of emissions.
But perhaps the most dangerous misconception about the climate crisis is that we have to “lower” our emissions. Because that is far from enough. Our emissions have to stop if we are to stay below 1.5-2C of warming. The “lowering of emissions” is of course necessary but it is only the beginning of a fast process that must lead to a stop within a couple of decades, or less. And by “stop” I mean net zero – and then quickly on to negative figures. That rules out most of today’s politics.
The fact that we are speaking of “lowering” instead of “stopping” emissions is perhaps the greatest force behind the continuing business as usual. The UK’s active current support of new exploitation of fossil fuels – for example, the UK shale gas fracking industry, the expansion of its North Sea oil and gas fields, the expansion of airports as well as the planning permission for a brand new coal mine – is beyond absurd.
This ongoing irresponsible behaviour will no doubt be remembered in history as one of the greatest failures of humankind.
People always tell me and the other millions of school strikers that we should be proud of ourselves for what we have accomplished. But the only thing that we need to look at is the emission curve. And I’m sorry, but it’s still rising. That curve is the only thing we should look at.
Every time we make a decision we should ask ourselves; how will this decision affect that curve? We should no longer measure our wealth and success in the graph that shows economic growth, but in the curve that shows the emissions of greenhouse gases. We should no longer only ask: “Have we got enough money to go through with this?” but also: “Have we got enough of the carbon budget to spare to go through with this?” That should and must become the centre of our new currency.
Many people say that we don’t have any solutions to the climate crisis. And they are right. Because how could we? How do you “solve” the greatest crisis that humanity has ever faced? How do you “solve” a war? How do you “solve” going to the moon for the first time? How do you “solve” inventing new inventions?
The climate crisis is both the easiest and the hardest issue we have ever faced. The easiest because we know what we must do. We must stop the emissions of greenhouse gases. The hardest because our current economics are still totally dependent on burning fossil fuels, and thereby destroying ecosystems in order to create everlasting economic growth.
“So, exactly how do we solve that?” you ask us – the schoolchildren striking for the climate.
And we say: “No one knows for sure. But we have to stop burning fossil fuels and restore nature and many other things that we may not have quite figured out yet.”
Then you say: “That’s not an answer!”
So we say: “We have to start treating the crisis like a crisis – and act even if we don’t have all the solutions.”
“That’s still not an answer,” you say.
Then we start talking about circular economy and rewilding nature and the need for a just transition. Then you don’t understand what we are talking about.
We say that all those solutions needed are not known to anyone and therefore we must unite behind the science and find them together along the way. But you do not listen to that. Because those answers are for solving a crisis that most of you don’t even fully understand. Or don’t want to understand.
You don’t listen to the science because you are only interested in solutions that will enable you to carry on like before. Like now. And those answers don’t exist any more. Because you did not act in time.
Avoiding climate breakdown will require cathedral thinking. We must lay the foundation while we may not know exactly how to build the ceiling.
Sometimes we just simply have to find a way. The moment we decide to fulfil something, we can do anything. And I’m sure that the moment we start behaving as if we were in an emergency, we can avoid climate and ecological catastrophe. Humans are very adaptable: we can still fix this. But the opportunity to do so will not last for long. We must start today. We have no more excuses.
We children are not sacrificing our education and our childhood for you to tell us what you consider is politically possible in the society that you have created. We have not taken to the streets for you to take selfies with us, and tell us that you really admire what we do.
We children are doing this to wake the adults up. We children are doing this for you to put your differences aside and start acting as you would in a crisis. We children are doing this because we want our hopes and dreams back.
I hope my microphone was on. I hope you could all hear me.
II. A perspective from The New Yorker, April 24, 2019:
The Uncanny Power of Greta Thunberg’s Climate-Change Rhetoric
By Sam Knight
April 24, 2019, The New Yorker
Greta Thunberg, the sixteen-year-old climate activist, says that all she wants is for adults to behave like adults, and to act on the terrifying information that is all around us.
During the week of Easter, Britain enjoyed—if that is the right word—a break from the intricate torment of Brexit. The country’s politicians disappeared on vacation and, in their absence, genuine public problems, the kinds of things that should be occupying their attention, rushed into view. In Northern Ireland, where political violence is worsening sharply, a twenty-nine-year-old journalist and L.G.B.T. campaigner named Lyra McKee was shot and killed while reporting on a riot in Londonderry. In London, thousands of climate-change protesters blocked Waterloo Bridge, over the River Thames, and Oxford Circus, in the West End, affixing themselves to the undersides of trucks and to a pink boat named for Berta Cáceres, an environmental activist and indigenous leader, who was murdered in Honduras. Slightly more than a thousand Extinction Rebellion activists, between the ages of nineteen and seventy-four, were arrested in eight days. On Easter Monday, a crowd performed a mass die-in at the Natural History Museum, under the skeleton of a blue whale. In a country whose politics have been entirely consumed by the maddening minutiae of leaving the European Union, it was cathartic to see citizens demanding action for a greater cause. In a video message, Christiana Figueres, the former executive secretary of the United Nations Framework Convention on Climate Change, compared the civil disobedience in London to the civil-rights movement of the sixties and the suffragettes of a century ago. “It is not the first time in history we have seen angry people take to the streets when the injustice has been great enough,” she said.
On Tuesday, as members of Parliament returned to work, Greta Thunberg, the sixteen-year-old Swedish environmental activist, was in Westminster to
address them. Last August, Thunberg stopped attending school in Stockholm and began a protest outside the Swedish Parliament to draw political attention to climate change. Since then, Thunberg’s tactic of going on strike from school—inspired by the response to the Parkland shooting in Florida last year—has been taken up by children in a hundred countries around the world. In deference to her international celebrity, Thunberg was given a nauseatingly polite welcome in England. John Bercow, the speaker of the House of Commons, briefly held up proceedings to mark her arrival in the viewing gallery. Some M.P.s applauded, breaching the custom of not clapping in the chamber. When Thunberg spoke to a meeting of some hundred and fifty journalists, activists, and political staffers, in Portcullis House, where M.P.s have their offices, she was flanked by Ed Miliband, the former Labour Party leader; Michael Gove, the Environment Secretary and a prominent Brexiteer; and Caroline Lucas, Britain’s sole Green Party M.P., who had invited her.
Thunberg, who wore purple jeans, blue sneakers, and a pale plaid shirt, did not seem remotely fazed. Carefully unsmiling, she checked that her microphone was on. “Can you hear me?” she asked. “Around the year 2030, ten years, two hundred and fifty-two days, and ten hours away from now, we will be in a position where we set off an irreversible chain reaction beyond human control, that will most likely lead to the end of our civilization as we know it.”
Thunberg—along with her younger sister—has been given a diagnosis of autism and A.D.H.D. In interviews, she sometimes ascribes her unusual focus, and her absolute intolerance of adult bullshit on the subject of climate change, to her neurological condition. “I see the world a bit different, from another perspective,” she told my colleague Masha Gessen. In 2015, the year Thunberg turned twelve, she gave up flying. She travelled to London by train, which took two days. Her voice, which is young and Scandinavian, has a discordant, analytical clarity. Since 2006, when David Cameron, as a reforming Conservative Party-leadership contender, visited the Arctic Circle, Britain’s political establishment has congratulated itself on its commitment to combatting climate change. Thunberg challenged this record, pointing out that, while the United Kingdom’s carbon-dioxide emissions have fallen by thirty-seven per cent since 1990, this figure does not include the effects of aviation, shipping, or trade. “If these numbers are included, the reduction is around ten per cent since 1990—or an average of 0.4 per cent a year,” she said. She described Britain’s eagerness to frack for shale gas, to expand its airports, and to search for dwindling oil and gas reserves in the North Sea as absurd. “You don’t listen to the science because you are only interested in solutions that will enable you to carry on like before,” she said. “Like now. And those answers don’t exist anymore. Because you did not act in time.”
The climate-change movement feels powerful today because it is politicians—not the people gluing themselves to trucks—who seem deluded about reality. Thunberg says that all she wants is for adults to behave like adults, and to act on the terrifying information that is all around us. But the impact of her message does not come only from her regard for the facts. Thunberg is an uncanny, gifted orator. Last week, the day after the fire at Notre-Dame, she told the European Parliament that “cathedral thinking” would be necessary to confront climate change.
Yesterday, Thunberg repeated the phrase. “Avoiding climate breakdown will require cathedral thinking,” she said. “We must lay the foundation while we may not know exactly how to build the ceiling.” In Westminster, Thunberg’s words were shaming. Brexit is pretty much the opposite of cathedral thinking. It is a process in which a formerly great country is tearing itself apart over the best way to belittle itself. No one knew what to say to Thunberg, or how to respond to her exhortations. Her microphone check was another rhetorical device. “Did you hear what I just said?” she asked, in the middle of her speech. The room bellowed, “Yes!” “Is my English O.K.?” The audience laughed. Thunberg’s face flickered, but she did not smile. “Because I’m beginning to wonder.”
Posted by John Roosevelt Boettiger on Wednesday, 24 April 2019 | Permalink | Comments (2)
Tags: climate, Greta Thunberg, school, strike, warming
I sat down early this afternoon to read and listen to Krista Tippett's conversation with Pádraig Ó Tuama, leader of a peace and reconciliation community called Corrymeela in the far north of Northern Ireland, a community grown from the history of The Troubles.
I was drawn to the title of their talk with each other, "Belonging Creates and Undoes Us." Tippett describes Corrymeela as "extending a quiet, generative, and joyful force far beyond [its] northern coast to people around the world." Ó Tuama is a poet, a theologian, and author of an extraordinary memoir, In the Shelter: Finding a Home in the World, perhaps suggested by a very old Irish proverb, "It is in the shelter of each other that the people live."
The second moment at which I lingered was when I learned that Pádraig Ó Tuama's favorite poem is David Wagoner's "Lost," which I did not know. The poem, inspired by a wisdom tradition of Northwest Indians, expresses familiar thoughts in a distinctive and moving way:
Lost
Stand still.
The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.
-- David Wagoner
What is it to treat one's experience of Here as "a powerful stranger" whose permission must be sought "to know it and be known"? As Ó Tuama says, such power can be benevolent or malevolent, as can be such permission, granted or denied. If our Now—our true Here—is unknown, as Wagoner makes clear in his poem—"if what a tree or a bush does is lost" on us, we are surely ourselves lost. We must be silent, still and alert if we are to be found, if we are truly, consciously to be in the forest of our being.
The third time I paused in my reading of the conversation was when I began more deeply to understand its subject of relationship, when Pádraig Ó Tuama described what he called "a beautiful phrase from West Kerry where you say, 'mo sheasamh ort lá na choise tinne' — “You are the place where I stand on the day when my feet are sore.”
I came to admire a short, dark, and deeply affecting poem by Ó Tuama, a poem he calls "The Pedagogy of Conflict":
When I was a child,
I learned to count to five
one, two, three, four, five.
But these days, I’ve been counting lives, so I count
one life
one life
one life
one life
one life
because each time
is the first time
that that life
has been taken.
Legitimate Target
has sixteen letters
and one
long
abominable
space
between
two
dehumanizing
words.
Toward the end of their conversation, Krista Tippett asked Pádraig Ó Tuama to read aloud the last lines of his book, In the Shelter. I savor them. They serve as well to conclude these brief reflections.
Neither I nor the poets I love found the keys to the kingdom of prayer and we cannot force God to stumble over us where we sit. But I know that it’s a good idea to sit anyway. So every morning I sit, I kneel, waiting, making friends with the habit of listening, hoping that I’m being listened to. There, I greet God in my own disorder. I say hello to my chaos, my unmade decisions, my unmade bed, my desire and my trouble. I say hello to distraction and privilege, I greet the day and I greet my beloved and bewildering Jesus. I recognize and greet my burdens, my luck, my controlled and uncontrollable story. I greet my untold stories, my unfolding story, my unloved body, my own love, my own body. I greet the things I think will happen and I say hello to everything I do not know about the day. I greet my own small world and I hope that I can meet the bigger world that day. I greet my story and hope that I can forget my story during the day, and hope that I can hear some stories, and greet some surprising stories during the long day ahead. I greet God, and I greet the God who is more God than the God I greet.
Hello to you all, I say, as the sun rises above the chimneys of North Belfast.
Hello.
Posted by John Roosevelt Boettiger on Sunday, 14 April 2019 | Permalink | Comments (0)
Tags: community, conflict, home, relationship, shelter, silence, suffering
The On Being Project is one of the few programs available online to which I regularly attend. (Five others are Maria Popova's Brain Pickings, Poetry Magazine, Orion Magazine, Yes! Magazine, Betsey Crawford's The Soul of the Earth; as well, of course, as the major sources of news and commentary: The New York Times, The Washington Post, The Guardian's US edition, and The New Yorker.
On Being's founder and skilled interviewer is Krista Tippett, author of an excellent book, Becoming Wise: An Inquiry into the Mystery and Art of Living, Unlike standard descriptions of books on sites like Amazon, the paragraphs about Tippett's book are not only useful in themselves, but offer a useful introduction to the On Being program itself:
“The discourse of our common life inclines towards despair. In my field of journalism, where we presume to write the first draft of history, we summon our deepest critical capacities for investigating what is inadequate, corrupt, catastrophic, and failing. The ‘news’ is defined as the extraordinary events of the day, but it is most often translated as the extraordinarily terrible events of the day. And in an immersive 24/7 news cycle, we internalize the deluge of bad news as the norm—the real truth of who we are and what we’re up against as a species. But my work has shown me that spiritual geniuses of the everyday are everywhere. They are in the margins and do not have publicists. They are below the radar, which is broken.
"Peabody Award-winning broadcaster and National Humanities Medalist Krista Tippett has interviewed the most extraordinary voices examining the great questions of meaning for our time. The heart of her work on her national public radio program and podcast, On Being, has been to shine a light on people whose insights kindle in us a sense of wonder and courage. Scientists in a variety of fields; theologians from an array of faiths; poets, activists, and many others have all opened themselves up to Tippett's compassionate yet searching conversation.
"In Becoming Wise, Tippett distills the insights she has gleaned from this luminous conversation in its many dimensions into a coherent narrative journey, over time and from mind to mind. The book is a master class in living, curated by Tippett and accompanied by a delightfully ecumenical dream team of teaching faculty.
"The open questions and challenges of our time are intimate and civilizational all at once, Tippett says – definitions of when life begins and when death happens, of the meaning of community and family and identity, of our relationships to technology and through technology. The wisdom we seek emerges through the raw materials of the everyday. And the enduring question of what it means to be human has now become inextricable from the question of who we are to each other.
"This book offers a grounded and fiercely hopeful vision of humanity for this century – of personal growth but also renewed public life and human spiritual evolution. It insists on the possibility of a common life for this century marked by resilience and redemption, with beauty as a core moral value and civility and love as muscular practice. Krista Tippett's great gift, in her work and in Becoming Wise, is to avoid reductive simplifications but still find the golden threads that weave people and ideas together into a shimmering braid.
"One powerful common denominator of the lessons imparted to Tippett is the gift of presence, of the exhilaration of engagement with life for its own sake, not as a means to an end. But presence does not mean passivity or acceptance of the status quo. Indeed Tippett and her teachers are people whose work meets, and often drives, powerful forces of change alive in the world today. In the end, perhaps the greatest blessing conveyed by the lessons of spiritual genius Tippett harvests in Becoming Wise is the strength to meet the world where it really is, and then to make it better."
________________________
Here is a letter written and posted online in early 2019 by Krista Tippett, conveying the most recent developments in the On Being Project:
It’s been a year of expansion and deepening at The On Being Project. Our beautiful team has more than doubled in size to be of greater service in a tender and tumultuous moment in the life of the world. I’m delighted to announce that Lucas Johnson has joined us as the first executive director of the Civil Conversations Project. You may remember him from this conversation taped at the On Being Gathering — another milestone among many this past year.
And I’m beyond excited to announce the launch of a whole new gathering space and experience here at onbeing.org. Our website had become unwieldy under the weight of 15 years of content and wasn’t serving the ways we’ve heard you engage with and use our work — for personal reflection, for discussion in family and community, and for teaching and social repair. In over a year of intensive labor, full of the care and creativity of many, we fashioned a digital home that is newly beautiful and hospitable.
Transcripts are easier to find and read. Search is vastly improved. And we’ve created new features to meet the needs, thoughts, and suggestions we’ve heard across the years.
There are Starting Points — curated for the kind of day you may be having, for particular challenges or curiosities, or to introduce someone new to On Being. There are Libraries — our entire archive made accessible and welcoming by topic — for browsing and diving deep.
The Civil Conversations Project also now has a robust presence at the heart of our online home. The Grounding Virtues and the Better Conversations Guide are integrated throughout onbeing.org as they have become woven into the fabric of The On Being Project as a whole. Poetry, so foundational to our work and sensibility, also has its rightful place — present along just about every pathway.
As we’ve contemplated the purpose and shape of The On Being Project, we’ve defined our mission in this way:
Pursuing deep thinking and social courage, moral imagination and joy, to renew inner life, outer life, and life together
This is an aspiration we take on with a generational sense of time. Onbeing.org will be a primary place where we are actively watching, learning, adding, and evolving. And you may already have noticed a new interactive volume and vitality as well in various social media spaces, like Facebook, Twitter, and Instagram.
In the discernment of the last year, we have decided to discontinue the On Being Blog and columnists in their original form, but the wonderful writing that graced our project in recent years is present throughout this new site, and we are actively exploring what to incubate next. The Pause newsletter, which has grown in leaps and bounds as a beloved Saturday morning ritual, will be a primary way to stay on top of new developments and experiments to come – including our ongoing ventures on the road, in the old-fashioned flesh and blood.
On Being has always grown and evolved through listening to our listeners and to the world as much as listening to our guests. This is more than ever before, and we are so honored by every voice and life that joins this adventure, even for an hour. I believe that the people and projects and energies alive in our community and its kindred places are nothing less than the generative narrative of our time. This is emerging right alongside the destructive narrative that gets all the attention, and we are committed to nourishing, emboldening, and accompanying it — that is to say, you.
With deep gratitude and, yes, love,
Krista
Posted by John Roosevelt Boettiger on Tuesday, 02 April 2019 | Permalink | Comments (0)
Tags: Krista Tippett, On Being
I spoke briefly to a standing-room-only auditorium last evening as we celebrated St. Patrick's Day a few hours early.
I co-lead (with Carol Saysette and George Wilson) a large seminar of Redwoods folks who are exploring the many dimensions of the Celtic spiritual tradition. I wanted to give those assembled some context about our seminar, which sponsored last evening's wonderful music, song and dance:
St. Patrick’s Eve, March 16, 2019.
"I wrote these brief remarks this afternoon. I hope they evoke some still, small voice in you, as they did and do in me.
"The seeds of this evening are in the hardy band of forest folk, our ‘red-woods-hood’ we call Celtic Spirituality, and earlier in a three-day retreat with John Patrick Newell. I speak of us. We are always in motion and always still, always constant and always changing. The mysteries of this evening, the music, song, dance and drama, the poetry and stories we remember and have forgotten but can recall, and those for which we can as yet only listen. Our celebration of Patrick, the ur-saint if you will, of Celtic spirituality, the weave of the ancient traditions, the druids in Ireland, Scotland and Wales, the gifts we know and are still learning and as yet barely glimpse or intuit from the traditions, the stories and the practices—I think especially the practices—of Buddhism, Islam, Judaism and Christianity.
"All that is part of our inheritance, our foremothers and forefathers, our birth, life, death and rebirth, the legacies we’ve left, still leave, have yet to leave, will never finally leave, for our children, grandchildren, great-grandchildren… and they in turn for us and for their children. At our Celtic heart is the earth, the precarious, precious, terribly endangered earth, and our fellow sentient beings, that sustain us as we awaken to them and still destroy them, so often before we even know them, much less their place in the family of life.
"I’m grateful for—and only a little embarrassed by—the number of Johns in our Celtic heritage and in the voices to which we listen: There is John the Evangelist also known as John the Beloved, who listened to the heartbeat of God. We’ve had the companionship of John Patrick Newell and John O’Donohue. Those to whom we—our band of Celtic folks here at The Redwoods—return again and again, growing, deepening our practices, returning, reconnecting, following an invitation. In Newell’s words, 'The invitation is to recover an inner stance of listening that will equip us to move forward into new beginnings we may not yet even be able to imagine. This is my prayer,' John Patrick said to us—'that we may grow in such awareness and commitment. Together they—and we—hold the promise of rebirth.'
"Our spirit is one of pilgrimage, with Patrick and Columba, Brigid and Brendan, and in the green shamrock, the walking stick, the living tree, the bell. Patrick described a vision he had: 'I saw a man [or was it a woman?] coming, as it were from Ireland. He [or she] carried many letters, and gave me one. I read the heading: ‘The voice of the Irish.’ As I began the letter, I imagined in that moment that I heard the voice of those very people who were near the wood which is beside the western sea—and they cried out, as with one voice: ‘We appeal to you, holy servant boy, to come and walk among us.’ So he did; so he does this evening. Welcome, dear brother Patrick."
The symbolism of the Celtic cross: heart for love, two hands for friendship, crown for loyalty.
Posted by John Roosevelt Boettiger on Sunday, 17 March 2019 | Permalink | Comments (0)
Tags: Celtic spirituality, pilgrimage, rebirth
I am grateful in manifold ways for C.G. Jung's wonderful enlargement of my chosen field of psychology. That gratitude had its fortuitous, unsought birth in the first of my many years as an analysand, a patient in psychotherapy. The first of my two Jungian therapists was Edward F. Edinger, whose office in those years was on Central Park West in New York City. I was young, in my 20s, newly married, a graduate student of political science at Columbia University.
My understanding of psychology, particularly of the dynamics of human development in its social, historical, and cultural context, which would become the calling of a lifetime of practice, had hardly begun to emerge, so it appeared wholly accidental that, in my search for a therapist, a friend urged me to seek out Dr. Edinger, a psychiatrist and analytical psychologist who was prominent among what I came later to understand as the second generation of American students of C.G. Jung.
Our weekly sessions together over the better part of three years were revelatory and transformative, even if I began them imagining myself as the student I remained. At first, I would characteristically arrive early, sit for a half-hour or so on the greensward of Central Park, consciously preparing myself for what I anticipated as kin to an hour with one of my professors at Columbia. In fact, I was beginning, with Dr. Edinger, a lifelong journey of absorption in a deeply meaningful process of what Jung called individuation, the achievement of self-actualization through a process of integrating the conscious and the unconscious, with central attention to human relations, family dynamics across generations, and the central integrative function of dreams. For a thoughtful interview with Edward Edinger, read here in Psychology Today.
I recall that early work now, a full half-century later, as I contemplate a remarkable short poem by W.H. Auden called "The More Loving One." Auden's poem was drawn to my attention today in reading the current issue of Maria Popova's online journal, Brain Pickings. Listen to the poem as read on Brain Pickings or SoundCloud by astrophysicist Janna Levin. The image that comes to mind in reading this particular Auden poem is the night sky, particularly when we are blessed with clarity of vision, so the stars are not obscured by clouds or by a plethora of more earthly and proximate lights. Here is Auden's beautiful, almost whimsical poem.
THE MORE LOVING ONE
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
Posted by John Roosevelt Boettiger on Sunday, 10 March 2019 | Permalink | Comments (0)
Tags: C.G. Jung, Edward Edinger, human development, individuation, love, psychology, W.H. Auden
Over the years in Reckonings, more times than I can recall, I have drawn upon the wisdom of Wendell Berry, expressed with wonderful depth and variety in his many novels, essays, and perhaps most essentially, his poetry, in which his contemplative character emerges with dialogical richness. I say dialogical in part because all fine writing provokes and inspires diverse response from readers' experience, but more specifically because Berry is a true master of dialogue, of meaningful conversation. In his poems that mastery is especially suggestive. For example, in any of his Sabbath poems I find invitation and companionship. Yesterday, for example, I had good reason to remember and employ these lines as a kind of lifeboat. Deep thanks to a dear friend, Andrea, for reminding me of them.
Posted by John Roosevelt Boettiger on Thursday, 07 March 2019 | Permalink | Comments (0)
Tags: contemplation, conversation, dialogue, friendship, lifeboat, poems, Wendell Berry
I find myself returning to the poetry and poetic prose of Jane Kenyon as I contemplate a fresh piece of writing unlike much of what I have done earlier. Maria Popova reminded me in a current issue of her blog, Brain Pickings, of Kenyon’s wise advice to writers:
“Be a good steward of your gifts. Protect your time. Feed your inner life. Avoid too much noise. Read good books, have good sentences in your ears. Be by yourself as often as you can. Walk.”
Posted by John Roosevelt Boettiger on Saturday, 16 February 2019 | Permalink | Comments (0)
Tags: Jane Kenyon, Maria Popova, poetic prose, writing
Maria Popova, editor and author of a wonderfully capacious and thoughtful online journal called Brain Pickings, has just published a remarkable book, Figuring. Of the book, she writes,
"It only took twelve years of Brain Pickings and the most beautiful, difficult, disorienting experience of my personal life. Figuring explores the complexities, varieties, and contradictions of love, and the human search for truth, meaning, and transcendence, through the interwoven lives of several historical figures across four centuries."
Here is Maria Popova's prelude to Figuring:
"All of it — the rings of Saturn and my father’s wedding band, the underbelly of the clouds pinked by the rising sun, Einstein’s brain bathing in a jar of formaldehyde, every grain of sand that made the glass that made the jar and each idea Einstein ever had, the shepherdess singing in the Rila mountains of my native Bulgaria and each one of her sheep, every hair on Chance’s velveteen dog ears and Marianne Moore’s red braid and the whiskers of Montaigne’s cat, every translucent fingernail on my friend Amanda’s newborn son, every stone with which Virginia Woolf filled her coat pockets before wading into the River Ouse to drown, every copper atom composing the disc that carried arias aboard the first human-made object to enter interstellar space and every oak splinter of the floor-boards onto which Beethoven collapsed in the fit of fury that cost him his hearing, the wetness of every tear that has ever been wept over a grave and the yellow of the beak of every raven that has ever watched the weepers, every cell in Galileo’s fleshy finger and every molecule of gas and dust that made the moons of Jupiter to which it pointed, the Dipper of freckles constellating the olive firmament of a certain forearm I love and every axonal flutter of the tenderness with which I love her, all the facts and figments by which we are perpetually figuring and reconfiguring reality — it all banged into being 13.8 billion years ago from a single source, no louder than the opening note of Beethoven’s Fifth Symphony, no larger than the dot levitating over the small i, the I lowered from the pedestal of ego.
"How can we know this and still succumb to the illusion of separateness, of otherness? This veneer must have been what the confluence of accidents and atoms known as Dr. Martin Luther King, Jr., saw through when he spoke of our 'inescapable network of mutuality,' what Walt Whitman punctured when he wrote that 'every atom belonging to me as good belongs to you.'
"One autumn morning, as I read a dead poet’s letters in my friend Wendy’s backyard in San Francisco, I glimpse a fragment of that atomic mutuality. Midsentence, my peripheral vision — that glory of instinct honed by millennia of evolution — pulls me toward a miraculous sight: a small, shimmering red leaf twirling in midair. It seems for a moment to be dancing its final descent. But no — it remains suspended there, six feet above ground, orbiting an invisible center by an invisible force. For an instant I can see how such imperceptible causalities could drive the human mind to superstition, could impel medieval villagers to seek explanation in magic and witchcraft. But then I step closer and notice a fine spider’s web glistening in the air above the leaf, conspiring with gravity in this spinning miracle.
"Neither the spider has planned for the leaf nor the leaf for the spider — and yet there they are, an accidental pendulum propelled by the same forces that cradle the moons of Jupiter in orbit, animated into this ephemeral early-morning splendor by eternal cosmic laws impervious to beauty and indifferent to meaning, yet replete with both to the bewildered human consciousness beholding it.
"We spend our lives trying to discern where we end and the rest of the world begins. We snatch our freeze-frame of life from the simultaneity of existence by holding on to illusions of permanence, congruence, and linearity; of static selves and lives that unfold in sensical narratives. All the while, we mistake chance for choice, our labels and models of things for the things themselves, our records for our history. History is not what happened, but what survives the shipwrecks of judgment and chance.
"Some truths, like beauty, are best illuminated by the sidewise gleam of figuring, of meaning-making. In the course of our figuring, orbits intersect, often unbeknownst to the bodies they carry — intersections mappable only from the distance of decades or centuries. Facts crosshatch with other facts to shade in the nuances of a larger truth — not relativism, no, but the mightiest realism we have. We slice through the simultaneity by being everything at once: our first names and our last names, our loneliness and our society, our bold ambition and our blind hope, our unrequited and part-requited loves. Lives are lived in parallel and perpendicular, fathomed nonlinearly, figured not in the straight graphs of “biography” but in many-sided, many-splendored diagrams. Lives interweave with other lives, and out of the tapestry arise hints at answers to questions that raze to the bone of life: What are the building blocks of character, of contentment, of lasting achievement? How does a person come into self-possession and sovereignty of mind against the tide of convention and unreasoning collectivism? Does genius suffice for happiness, does distinction, does love? Two Nobel Prizes don’t seem to recompense the melancholy radiating from every photograph of the woman in the black laboratory dress. Is success a guarantee of fulfillment, or merely a promise as precarious as a marital vow? How, in this blink of existence bookended by nothingness, do we attain completeness of being?
"There are infinitely many kinds of beautiful lives.
"So much of the beauty, so much of what propels our pursuit of truth, stems from the invisible connections — between ideas, between disciplines, between the denizens of a particular time and a particular place, between the interior world of each pioneer and the mark they leave on the cave walls of culture, between faint figures who pass each other in the nocturne before the torchlight of a revolution lights the new day, with little more than a half-nod of kinship and a match to change hands."
Posted by John Roosevelt Boettiger on Tuesday, 05 February 2019 | Permalink | Comments (0)
II. That is the fundamental sense of “wild” or of “wilderness”: undomesticated, unrestrained, out of control, disorderly.
III. There are two ways to value this, as exemplified by the sense of “wild party”: from the point of view of the participants and that of the neighbors.
IV. To our people, as pioneers, “the wilderness” looked disorderly, undomestic, out of control.
V. According to that judgment, it needed to be brought under control, put in order by domestication.
VI. But our word “domestic” comes from the Latin domus, meaning “house” or “home.” To domesticate a place is to make a home of it. To be domesticated is to be at home.
VII. It is a sort of betrayal, then, that our version of domestication has imposed ruination, not only upon “wilderness,” as we are inclined to think, but upon the natural or given world, the basis of our economy, our health, in short our existence.
VIII. It was hardly surprising that, as our dominant economy battered and plundered “the wilderness,” some would undertake to save it in parks and wilderness preserves.
IX. But this began a theoretical, and false, division of the world and our minds. Some of the world, though never enough, would be preserved as wilderness, whereas much the greater part would be abandoned to the violences of our “domestic” so-called economy. We would love the wilderness and plunder or ignore the economic landscapes of food production and forestry, not to mention mining.
X. But if we were really to pay attention to what we’ve been calling “wilderness” or “the wild,” whether in a national park or on a rewooded Kentucky hillside, we would learn something of the most vital and urgent importance: they are not, properly speaking, wild.
XI. Our overdone appreciation of wildness and wilderness has involved a little-noticed depreciation of true domesticity, which is to say homemaking, homelife, and home economy.
XII. With only a little self-knowledge and a little sitting still and looking, the conventional perspective of wild and domestic will be reversed: we, the industrial consumers of the world, are the wild ones, unrestrained and out of control, self-excluded from the world’s natural homemaking and living at home.
XIII. To that world we strangers can come home only by obeying both Nature’s laws and the specifically human laws adding up to self-restraint and love for neighbors.
XIV. I have in mind now what Robert E. Lee, from the far side of defeat and humiliation, said to a mother who asked for his blessing on her son: “Teach him he must deny himself.”
XV. Defeat and humiliation are our inescapable subjects now. We are defeating ourselves and our land by economic violence, normative homelessness, all the modes and devices of estrangement and divorce.
XVI. The so-called wilderness, from which we purposely exclude our workaday lives, is in fact a place of domestic order. It is inhabited, still, mainly by diverse communities of locally adapted creatures living, to an extent always limited, in competition with one another, but within a larger, ultimately mysterious order of interdependence and even cooperation.
XVII. The wildest creatures to be found in any forest, if not surface miners and industrial loggers, are the industrial vacationers with their cars, cameras, computers, high-tech camping gear, and other disturbers of domestic tranquility and distracters of attention.
XVIII. The “wilderness vacation” is thus a wild product of a wild industry and is a sort of wild party. One “escapes” to the “wilderness,” leaving one’s home vacant, to what purpose? Not, apparently, to study the settled domesticity of Nature’s homelands and households, and thus to make one’s home less a place needing to be escaped from.
XIX. And what of the world in which and from which we live our “domestic” lives and “make our living”? Well, I can think of no wilder weeds than corn and soybeans as they presently are grown. The seeds, the poisons, the gigantic machines and their fuel, all come from our wildest industries to our wildest fields. The fields which, remember, are the very substance of our country and the world are eroded, toxic deserts, drained by waterways similarly degraded and toxic. Cropped continuously, the fields lie naked to the sky all winter, without the protection of a cover crop.
XX. Crops of soybeans and corn are reliably profitable to the corporate suppliers of “purchased inputs,” but they are notoriously unreliable as sources of income to farmers. Because production is unlimited, there is an ever-present threat of surpluses, which can depress prices below the cost of production.
XXI. By ignorance, indifference, or a principled cynicism, both fields and farmers are sacrificed to the so-called free market. Thus our “domestic” crops become domicidal: homewreckers, destroyers of ecosystems, farms, farm families, rural communities, and ultimately, by the same dreadful logic of limitless consumption, also of urban communities.
XXII. Our lives now depend almost exclusively upon two kinds of mining: fast mining for fuels and ores; and agricultural mining, mostly by annual grains, which is comparatively slow, but much too fast. The rule in both is to take without limit and to give back nothing. We are treating the fertility of our croplands, not as the forever-renewable resource it in fact is, but as an extractable ore, the only limit being eventual exhaustion.
XXIII. This is the business of America, which has been and is fairly directly the pillage and ruin of both the natural world and its human communities, except of course for a few reserved plots of “wilderness.”
XXIV. The ruling assumption of both conservationists and political progressives appears to be that we will use our big brains and technological cleverness to bring about “clean” and “green” innovations, until we all can speed away on our wilderness vacations with our consciences clear.
XXV. This fails, typically, to see that our vehicles and our uses of them are as damaging as their bad fuels. The talk is all of limits on pollution, but not of the extravagance that is the cause of pollution and of all other damages. If we had an unlimited supply of “clean energy,” we would destroy the world by driving on it.
XXVI. The only antidote would have to be thrift in our use of all the quantitively limited resources of the world. Thrift, unfashionable as it now is, is yet apparently an inescapable law, both natural and traditionally human. Thrift requires attention to carrying capacity, land maintenance, the character of good work, and sustainable rates of use.
XXVII. Thrift would require not only the most careful husbandry of the world’s renewable resources, but also rationing of its exhaustible fuels and ores in accordance with their limited quantities and our actual needs. The test of the sincerity of conservationists should be their willingness to limit consumption.
XXVIII. By our habits of exploitation, our limitless consumption, and our version of conservation, about equally, we withhold our attention from the laws of Nature, the laws of human neighborhood, and the always vulnerable health and wholeness of the living world — the things to which our attention has most urgently been called by our best teachers.
XXIX. I don’t like or trust our obsessive talking of the future, but it is obvious that attention finally will have to be paid. Sooner or later, and the sooner the better, our economy of limitless consumption will collide with the immutable limits of the given world.
XXX. And then, as some foresters, farmers, and ranchers already are doing, we will have to submit ourselves as students to Nature in her innumerable local incarnations, asking her how we humans, the most singular and the strangest of her children, can live as good neighbors to all of our neighbors.
XXXI. I now need to say plainly that I am not opposed to what is called “wilderness preservation,” which is necessary to the health of the natural world, of human nature, and of human livelihood. I wish there might be patches of “wilderness preservation” on every farm and in every working forest or woodland. The setting aside of such privileged places ought to be recognized as essential to the practice of good land use, and to the good health of land-using economies.
XXXII. What I am opposing is the language, by now utterly trite and thoughtless, by which conservationists prefer the parks and “wilderness areas” over the rest of the country, to which they consign the servitude, excess, and violence of our continuing version of domesticity, which is to say our misnamed economy.
XXXIII. Thus they falsely and impossibly consign Nature to the “wilderness areas,” forgetting that all the world is hers. By so confining her, if only in their thoughts, they imply, permit, and even require the uproar, waste, and ugliness of their domestic lives, which they need to vacate every year to spend a few days in scenes of “wild” quietude and beauty. O
Posted by John Roosevelt Boettiger on Saturday, 26 January 2019 | Permalink | Comments (0)
Tags: domestic, forest, nature, Wendell Berry, wild, wilderness, wildness, woodland
If too many critics were not kind to Mary Oliver, she was probably the best read and most admired poet in America. On the day after she has left us, perhaps this is the poem to offer. May her death have been as she wished in this poem. I can testify confidently that she did not "end up simply having visited this world."
When Death Comes
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it's over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up simply having visited this world.
--Mary Oliver
Posted by John Roosevelt Boettiger on Friday, 18 January 2019 | Permalink | Comments (0)
“Your great mistake is
to act the drama as if you
were alone.”
— David Whyte
In no small measure because of their shared devotion to the Irish philosopher and writer John O’Donohue (a devotion that captures me as well), I am drawn toward these excerpts from a conversation between Krista Tippett and the poet and philosopher David Whyte, on Tippett’s truly marvelous program called “On Being.” This episode was recorded in 2016 and replayed in December 2018 (https://onbeing.org/programs/david-whyte-the-conversational-nature-of-reality-dec2018/).
In that conversation, David Whyte said of the poem below, “This poem is written almost like a conversation in the mirror, trying to remind myself what’s first order. We have so many allies in this world, including just the color blue in the sky, which we’re not paying attention to, or the breeze or the ground beneath our feet. This is an invitation to come out of abstraction and back into the world again.
Everything is Waiting for You
by David Whyte
Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice. You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.
Put down the weight of your aloneness and ease into the
conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.
There is a second poem that David Whyte draws from memory and recites during his conversation with Krista Tippett, a beautiful poem called “Everything is Waiting for You.” Just before he recites it, Whyte says,
“I’ve often felt like the deeper discipline of poetry is overhearing yourself say things you didn’t want to know about the world, something that actually emancipates you from this smaller self out into this larger dispensation that you actually didn’t think you deserved. So one of the things we’re most afraid of in silence is this death of the periphery, the outside concerns, the place where you’ve been building your personality and where you think you’ve been building who you are, starts to atomize and fall apart. It’s one of the basic reasons we find it difficult even just to turn the radio off or the television or not look at our gadget — is that giving over to something that’s going to actually seem as if it’s undermining you to begin with and lead to your demise. The intuition, unfortunately, is correct. You are heading toward your demise, but it’s leading towards this richer, deeper place that doesn’t get corroborated very much in our everyday outer world.”
Working Together
by David Whyte
We shape our self
to fit this world
and by the world
are shaped again.
The visible
and the invisible
working together
in common cause,
to produce
the miraculous.
I am thinking of the way
the intangible air
traveled at speed
round a shaped wing
easily
holds our weight.
So may we, in this life
trust
to those elements
we have yet to see
or imagine,
and look for the true
shape of our own self,
by forming it well
to the great
intangibles about us.
Posted by John Roosevelt Boettiger on Thursday, 17 January 2019 | Permalink | Comments (0)
Tags: David Whyte, John O'Donohue, Krista Tippett
This is a somewhat longer talk I first gave as the keynote address for a conference at The University of California at Berkeley on the subject of Women and The New Deal, and then, in a somewhat revised form, at The Redwoods in Mill Valley, California. Readers will see a little repetition of phrases and anecdotes included in the already posted talk on Eleanor Roosevelt and the Universal Declaration of Human Rights. That was shortform, if you will. This is longform.
The Spirit of Eleanor Roosevelt
John Roosevelt Boettiger
Thursday, January 3, 2019
I’m inclined to identify my grandmother as among those William James called the “twice-born,” those who have experienced a renewal—a personal transformation, after enduring trauma and loss that could have buried the gift of a loving life but decidedly did not. In fact, the rebirthing that followed her trauma and loss drew her into an adulthood that nourished us all and led her to be one of the most well-known women of the 20th century. She was a great gift to me, and to so many others.
Like her other grandchildren, I knew my grandmother as Grandmère. (Thanks to her early caretakers, she was bilingual since childhood.) In my teens and 20s I often lived and traveled with her. We said goodbye the day before she died in November 1962. Eleanor Roosevelt was not only my beloved grandmother, but my first and best mentor. Her values did more to shape my own than those of any other person. I’m deeply grateful for her, for our time together.
She was a loving grandmother in my early years. She held my mother Anna’s hand when I was born. She joined us for many visits to our home on Mercer Island in Lake Washington, near Seattle. When my father—also John Boettiger—left for combat in World War II, I knew her when my mother and I—responding to my grandfather’s call—came east to live in the White House for the duration of the war.
When I think of the essence of Eleanor Roosevelt’s spirit, the word that first comes to mind is a plain one. Its value is that it’s the word she used most commonly to describe herself and her care for others’ lives. Most of all she wanted to be useful.
When using that simple word to assess herself and her service on others’ behalf, she held herself to a high bar, and served those she loved, those for whom she worked untiringly in the wider world—the poor, those (in her husband’s words) “ill-housed, ill-clad, ill-nourished,” those who suffered from racism and imprisonment, even death by lynching, as well as ordinary folks in search of a viable, meaningful life—she worked for all of those, with an energy that exhausted and inspired others of us who were a lot younger than she.
I remember words spoken in eulogy about her by one of those she knew and admired as he knew and admired her: Adlai Stevenson. As our ambassador to the United Nations he spoke to the General Assembly two days after she died and a few days later at a memorial service at the Cathedral of St. John the Divine in New York. “Yesterday,” Stevenson told the General Assembly, “I said that I had lost more than a friend —I had lost an inspiration: for she would rather light candles than curse the darkness and her glow has warmed the world. My country mourns; and I know that all in this Assembly mourn with us.”
The United Nations itself, Stevenson added, “is in no small way a memorial to her and her aspirations. To it, she gave the last 15 years of her restless spirit…,” her labors, her love, her ideals—as he said, “ideals that made her, only weeks after Franklin Roosevelt’s death, put aside all thoughts of peace and quiet after the tumult of their lives to serve as one of this nation’s delegates [to the UN]…Her duty then as always, was to the living, the world, to peace.” It was her leadership, Stevenson said, that helped give the world “after years of painstaking and patient travail one of the most noble documents of humankind, the Universal Declaration of Human Rights.”
I remember, too, a serendipitous occasion in 1958, when I was living with her at Val-Kill, her home in Hyde Park, browsing in her library. I came across a biography entitled Adlai Stevenson: Conscience in Politics. Opening it, I found an inscription: “To Eleanor Roosevelt, my conscience,” (signed ) Adlai Stevenson.
One of a few aspects of my grandmother’s character inadequately recognized by her biographers was her sense of humor. She comes across in too many accounts as knowing and wise but sober. No one who heard her wonderful narration of Prokofiev’s “Peter and the Wolf” would believe that. Nor anyone who sat around the table at a rambunctious family dinner at her home. She always led the toasts, the first being “To the president of the United States” to which she often enough added, “It’s to the office we raise our glasses, not necessarily to the present incumbent.”
In order to deepen my account of Grandmère’s spirit, I need to share with you a particular story that cuts close to home for me. My father returned from the war with battle fatigue, what we now know as PTSD, compounding a lifetime of susceptibility to depression. Despite my mother’s entreaties, he would not seek treatment. (In those days there was little effective treatment to be had). We had moved to the desert outskirts of Phoenix, Arizona, where my parents were determined to sink all their resources into a brave but ill-starred effort to establish a liberal Democratic daily newspaper, The Arizona Times, which came, alas all too briefly, to be.
In all senses of the term—financial, marital, psychological—the costs were too high. My parents’ marriage broke under the stress. My mother Anna’s greater resilience served her well, literally re-grounding us in Los Angeles. My father hadn’t her inner resourcefulness. He struggled with his pain for two years without finding a way through it, and in despair he took his own life. He was fifty. I was eleven.
That is background. Now the foreground. I lived with my grandmother on vacations during my undergraduate years at Amherst College. One day I’d drafted a paper about the United Nations. Knowing her deep knowledge of the UN, before departing for work that morning I gave her the draft, asking her, if she had time, to take a look at it and let me know her thoughts when I returned home that evening.
It wasn’t until 1 or 2 in the morning that I returned home. I expected to find her asleep. But she was in her study, lit only by a gooseneck lamp over her desk and a low fire in the grate. She was signing and adding brief handwritten notes to letters she had dictated earlier in the day, and listening to Gregorian chants on the phonograph. I asked her if she’d had time to read my draft, and her reply touched a deep and tender place in me that she had the remarkable insight and love to understand. She said, “I did, and what struck me most was how your writing is like that of your father.” I didn’t know how to reply. No one had spoken to me about him in the eight years since his death.
How could she possibly know—I hardly did myself—how my hunger for him remained. So she filled my silence. “Come sit by the fire with me and I’ll tell you about him”: how much she had loved him, admired his writing, how deeply she wished she could have done more to save my parents’ marriage and prevent his suicide.
I realized later that Grandmère and I had experienced, at the same age—she just before she was ten, I at eleven—the loss of a treasured, anguished,
self-destructive father.
Her mother, though, was something else, if hardly more accessible. She remembered Anna Hall Roosevelt as extraordinarily beautiful, but reserved,
stern, lacking empathy and understanding, minimal in performing the tasks of mothering, disappointed in her daughter’s shyness and solemnity. “I can remember standing in the door,” Grandmère wrote, “very often with my finger in my mouth—which was, of course, forbidden—and I can see the look in [my mother’s] eyes and hear the tone of her voice as she said: ‘Come in Granny.’ If a visitor was there she might turn and say: ‘She is such a funny child, so old-fashioned, that we always call her Granny. I wanted to sink through the floor in shame…” Anna Hall died of diphtheria at age 29 when her daughter Eleanor was eight.
Given her childhood—her father Elliott’s alcoholism, his addiction to opium, many long absences from home in fruitless searches for cure, and his own semi-suicidal death at age 34; given her mother’s disregard; and the strictures imposed by her stern grandmother Hall, to whom she was entrusted after her mother’s death, it’s not surprising that mothering did not come easily to Eleanor Roosevelt, especially when her children were young. She felt anxious responsibility: helplessness, dependency. She wrote later, “I do not think that I am a natural born mother… If I ever wanted to mother anyone, it was my father.”
I think the point I want most to convey is that given those emotional absences and losses of Grandmère’s childhood, it’s all the more remarkable that she developed such a vivid capacity for sustained, close love and friendship as she grew through her adult life. I think of her deep friendships with Lorena Hickock, whom we all knew as “Hick”; with Joe Lash, who would become her first biographer; and later with her physician and confidant David Gurewitsch, as well as her many longtime friends like Esther Lape, Molly Dewson, Isabella Greenway, Justine Wise Polier, Lady Reading in England.
I won’t try to summarize this evening the most important and complex relationship in her adult life, with her husband Franklin, but there’s no doubt that it was a profound and knowing if sometimes stressful alliance.
Why stressful? Well, she was a compassionate and canny political and social activist. She understood him, supported him, sought his support, and knew she wasn’t burdened with the responsibilities and limits of the presidency. They shared the same humane liberal vision for the country and the world. If she sometimes provoked impatience (“Dear God,” [my grandfather is said to have said] “make Eleanor slow down.”), she always consulted him, and often enough responded to his requests and needs in ways he could not or would not. I think of her brilliant address to the 1940 Democratic party convention in Chicago, and her strong support for the nascent civil rights movement. There was a basket in his bedroom reserved for appeals and information from her, a basket that was seldom empty. On balance, I’d say that she, more than any other of his close advisors, enriched his conduct of the presidency.
____________________
Having spoken of the absences of her childhood, I want to circle back for a moment to the gifts of those early years that nourished her growth into the woman she became. However frequent and long her father’s absences, their love for each other was real, and fueled by her imagination. His presences, however infrequent and undependable, stayed in her heart.
On another occasion, reflecting upon her childhood, she offered a revealing comment about what she felt a strength of her adult years:
“Thanks to my childhood, I was very disciplined by the time I grew up. I remember the method by which a nurse taught me to sew, when I was only six. After I had darned a sock, she would take the scissors and cut out all I had done, telling me to try again. This was very discouraging, but it was good training…. When people have asked how I was able to get through some of the very bad periods in my later life, I have been able to tell them honestly that because of all this early discipline I inevitably grew into a really tough person.”
“A really tough person.” It was true in the sense that she intended: able to withstand suffering, hardship or difficulty; strong, tenacious, responding vigorously to challenges. Jean Bethke Elshtain wrote of it truly, “For Roosevelt, being a lady and being tough was no contradiction in terms, and her explicit fusing of the two turned older understandings inside out.”
Then, for three years, there was Allenswood, probably the greatest early gift to her growth into the woman she became. When she was turning fifteen, Grandmother Hall sent her to an English boarding school headed by a remarkable Frenchwoman, Marie Souvestre. Her time at Allenswood, and particularly her vivid relationship with Marie Souvestre, nourished a vitality and independence of mind, an inclination to know and speak the truth, and a new confidence in relationships with her peers. Most notably, Souvestre also stimulated her social and political consciousness, reinforcing the central guiding principle with which I began: to be useful to others.
I think that’s the best way to understand the thoughtful recollection of her friend Isabella Greenway, who wrote: “Even at that age life had, through her orphanage, touched her and made its mark in a certain aloofness from the careless ways of youth. The world had come to her as a field of responsibility rather than as a playground.”
Finally, there is a second important element in Eleanor Roosevelt’s life and spirit that has too often been overlooked by her biographers. I mean her Christian faith and her Christian practice. It may have been the only subject on which she and Mlle. Souvestre disagreed. In a conversation with her friend William Turner Levy about Souvestre, my grandmother said, “She simply refused to acknowledge that she was following standards she hadn’t invented. She was following love, as we all must, and that is to follow God.”
She abandoned the severe religiosity of her grandmother Hall, but throughout her whole life she kept her habits of regular evening prayer at her bedside, and of church attendance. In one of her books, The Moral Basis of Democracy, she wrote, “We do not begin to approach a solution of our problems until we acknowledge the fact that they are spiritual. Even more than other forms of government, she added, democracy requires “a spiritual, moral awakening…We may belong to any religion or none, but we must acknowledge that the life of Christ was based on principles which are necessary to the development of a democratic state.”
She was distressed that many Americans [these are her words] “who call themselves Catholic, Protestant or Jew, behave as though religion were something shut up in one compartment of their lives. It seems to have no effect on their relationship to their surroundings and activities.” When I was living with her in Hyde Park, I remember often driving her to St. James Episcopal Church, at first, I confess, because no one who was visiting her was interested in going, and she was sometimes, let’s say, an inattentive driver.
I was always moved that she kept by her bedside at Val-Kill a framed copy of a prayer attributed to St. Francis that says a great deal about her spirit. Listen to the choice in the pairs of words, for they describe the character and radiance of her spiritual practice and its centrality in her private and public life:
Where there is hatred, let me sow love;
where there is injury, pardon;
where there is discord, union;
where there is doubt, faith;
where there is despair, hope;
where there is darkness, light;
and where there is sadness, joy.
Grant that I may not so much
seek to be consoled, as to console;
to be understood, as to understand;
to be loved, as to love;
for it is in giving that we receive,
it is in pardoning that we are pardoned,
and it is in dying that we are born to eternal life.
Grandmère has been gone now for more than half a century. I’m more deeply knowing and grateful today than I was as a teenager for her presence in my life. I have in my home a small replica of a statue by the sculptor Penelope Jencks, a lovely statue and likeness whose life-size original stands on the southern tip of Riverside Park at 72nd Street in New York City. If you haven’t already, I hope you’ll see it, linger with it a while. I have a photo of that statue that I trust fits the theme of this evening. A couple of years ago, some enterprising soul—a woman, I know—climbed the statue and added a pink knitted cap. She would have been very pleased and would have joined in your laughter.
Posted by John Roosevelt Boettiger on Wednesday, 16 January 2019 | Permalink | Comments (0)
My sister sent me yesterday an article in her hometown newspaper, The Washington Post, about Mary and The Magnificat, taking its text from the first chapter of the Gospel of Luke, verses 46-55, in which Mary—who will become the mother of Jesus—speaks the words that have come to be known as The Magnificat. I hope you find them as important as I did, and that you will take the further step to become familiar with the author of the essay, D.L. Mayfield. Here it is:
Mary’s ‘Magnificat’ in the Bible is revolutionary. Some evangelicals silence her.
The artist Ben Wildflower's depiction of Mary, based on the Magnificat.
by D. L. Mayfield [www.dlmayfield.com]
December 20, 2018
When I was 15, I was cajoled into playing the role of Mary in our church’s Christmas nativity scene. I was embarrassed, stuffing a pillow under a robe to signify pregnancy, but I felt I had no choice: I was the pastor’s daughter, and there was no one else who could play the role. My cheeks burning in shame, I remember feeling little connection to Mary, the mother of God. I was silent in the play. Mary, in our tradition, was a vehicle for Jesus: a holy womb, a good and compliant and obedient girl.
Much later in life, I was shocked to discover that Mary wasn’t quiet, nor was she what I would call meek and mild.
Go read the first chapter of Luke. Read the song, called the “Magnificat,” that Mary sings. [Luke 1: 46-55]
The first verses were always familiar to me: “My soul magnifies the Lord, and my spirit rejoices in God my savior.” Same for the next few lines about Mary being overwhelmed at the goodness of God looking upon a humble girl, that God is mighty and has done great things, that he is holy and will bless those who fear him. But then comes this:
“He has performed mighty deeds with his arm;
he has scattered those who are proud in their inmost thoughts.
He has brought down rulers from their thrones
but has lifted up the humble.
He has filled the hungry with good things
but has sent the rich away empty.”
In all my long years of being in church, of knowing the Christmas story backward and forward, I never heard these verses emphasized. Here, Mary comes across less like a scared and obedient 15-year-old and more like a rebel intent on reorienting unjust systems.
I loved this Mary. Where had she been all my life?
Throughout history, I would learn, poor and oppressed people had often identified with this song — the longest set of words spoken by a woman in the New Testament (and a poor, young, unmarried pregnant woman at that!).
Oscar Romero, priest and martyr, drew a comparison between Mary and the poor and powerless people in his own community. Dietrich Bonhoeffer, a German pastor and theologian who was executed by the Nazis, called the Magnificat “the most passionate, the wildest, one might even say the most revolutionary hymn ever sung.”
Revolutionaries, the poor and the oppressed, all loved Mary and they emphasized her glorious song. But the Magnificat has been viewed as dangerous by people in power. Some countries — such as India, Guatemala, and Argentina — have outright banned the Magnificat from being recited in liturgy or in public.
And evangelicals — in particular, white evangelicals — have devalued the role of Mary, and her song, to the point that she has almost been forgotten as anything other than a silent figure in a nativity scene.
I asked evangelical Christians on Twitter about the passage, and more than 1,100 responded: 28 percent said they had never heard the title “Magnificat” (Latin for “magnify”); another 43 percent said their churches never read or discussed it; 21 percent said they had encountered it just a few times; and 8 percent said they read it every year.
Almost all of the popular evangelical songs that incorporate the Magnificat stop after the first few verses. According to Spotify, this version by ZOEgroup is the most popular English-language version of the Magnificat; it leaves out the parts about the rulers being brought down and the rich being sent away.
However, some pastors are trying to bring Mary’s song back into church. Brian Thomas, a former Southern Baptist pastor, said he left his denomination after learning how Protestantism, and evangelicalism in particular, dismissed certain parts of the Bible — including the importance of Mary.
Thomas Irby preached on the Magnificat last year as a response to the #MeToo movement. He spoke of Mary’s physical vulnerability and her courage to share her own story. “Preachers have too often settled for a pliable passage about a devoted woman and the mighty God she serves,” said Irby, an associate pastor at Ashland Place United Methodist Church in Mobile, Ala., which has gained notability as the congregation of former attorney general Jeff Sessions. Irby said he is planning on preaching the Magnificat again this year.
The artist Ben Wildflower grew up evangelical, reading the Bible over and over. Yet he never heard the song of Mary emphasized in church until he started attending an Anglican congregation. There, the Magnificat was a part of the evening prayer in the Book of Common Prayer, and Wildflower found it beautiful and profound. One day he picked up a piece of wood outside of a construction site and crafted an image of Mary that was different from all the sweet pictures of her staring up into heaven. He drew her with her fist raised to the sky, and her foot stepping on a snake. It is now his most popular image.
“She’s a young woman singing a song about toppling rulers from their thrones. She’s a radical who exists within the confines of institutionalized religion,” he said. Some Christians took issue with the political nature of his image, until Wildflower wrote a post explaining the revolutionary text came from the Bible.
Why has this song been forgotten, or trimmed, for so many people who grew up evangelical? It could be a byproduct of the Reformation, which caused Protestants to devalue Mary in reaction to Catholic theology. Or a lack of familiarity with liturgy, and an emphasis on other texts. Or perhaps the song doesn’t sound like good news if you are well fed, or rich, or in a position of power and might — or if you benefit from systems that oppress. How does the Magnificat feel if you aren’t one of the lowly, if you aren’t as vulnerable and humble as Mary?
Theologian Warren Carter writes that in the time of Jesus, 2 to 3 percent of the population was rich, while the majority lived a subsistence-level existence. “Mary articulates an end to economic structures that are exploitative and unjust. She speaks of a time when all will enjoy the good things given by God.”
This year, I will be reading the Magnificat as it was meant to be read. As Gustavo Gutierrez, a Dominican priest, once wrote, we will miss the meaning of the text with any “attempts to tone down what Mary’s song tells us about the preferential love of God for the lowly and the abused."
It might not feel like good news to me, exactly, as someone who is neither hungry nor poor. But Mary and her song are good news for my neighbors, both locally and globally, who continue to be crushed under a world that thrives on exploitation and injustice. And as someone who is trying to take the Bible seriously, I know that loving my neighbor is the No. 1 way I can love God in our world.
Mary, no longer just a silent member of the nativity, or a holy womb for God, or an obedient and compliant girl, has become the focal point for how I, and many other Christians, celebrate Christmas while living in the reality of waiting for true justice to come. She has helped me understand the true magnificence of how much God cares about our political, economic and social realities.
The economic and political worldview of many white evangelicals has led to a silencing of Mary and of God’s dream for the world. But now she is helping me trust that the eventual upending of the systems of the world will be good news for me, and for other evangelicals, as well.
Posted by John Roosevelt Boettiger on Monday, 31 December 2018 | Permalink | Comments (0)
Tags: #MeToo, Bible, Bonhoeffer, church, God, Jesus, Luke, Magnificat, magnify, Mary, nativity, neighbor, Romero, song
Amos Oz, one of my favorite Israeli authors (alongside David Grossman, the poet Yehuda Amachi, A. B. Yehoshua), peace activist, memoirist, novelist extrordinaire, died yesterday in his sleep, of cancer, at his home in Tel Aviv. He was 79, just a month younger than me. I admired his writing and his activism: his tenacious devotion to a two-state solution for Jews and Palestinians in Israel.
I think the last of his books I read was his novel Judas (2016), a complex and moving story, and before that his memoir, A Tale of Love and Darkness (2004), more beautifully told and different in many respects, but which I've always thought, not only in its title, a companion to my own A Love in Shadow (1978).
Emily Barton concludes her nuanced review of Oz's Judas, "The novel grapples with the humanity of Jesus; the basis of anti-Semitism in particular and prejudice in general; the hope for eventual peace in the state of Israel; love. Oz pitches the book’s heartbreak and humanism perfectly from first page to last, as befits a writer who understands how vital a political role a novelist can play."
The interview that follows—that appeared in The New York Times a couple of years ago, toward the end of Barack Obama's presidency— conveys, in Amos Oz's own words, a good deal of why I treasure his writing, and why his death saddens me. The questions are pretty standard interview-an-author style. The answers reveal a truly gifted and deeply thoughtful man.
______________________________________
Tell us about some of your favorite writers.
You see, I don’t have a bookshelf with my eternal beloved ones on it. They come and go. A few of them come more often than the others: Chekhov, Cervantes, Faulkner, Agnon, Brener, Yizhar, Alterman, Bialik, Amichai, Lampedusa’s “Il Gattopardo,” Kafka and Borges, sometimes Thomas Mann and sometimes Elsa Morante and Natalia Ginzburg.
What moves you most in a work of literature?
The short answer is that when a work of literature suddenly makes the very familiar unfamiliar to me, or just the opposite, when a work of literature makes the unfamiliar almost intimately familiar, I am moved (moved to tears, or smiles, or anger, or gratitude, or many other, different, kinds of excitement).
What kind of reader were you as a child? Which childhood books and authors stick with you most?
Omnivorous, I read everything. Anything at all. I read the user’s manual of the electric heater, I read novels that were way above my grasp, I read poetry which could only offer me the music of its language while the meaning was still far from me. I read newspapers and magazines of all sorts, leaflets, ads, political manifestoes, dirty magazines, comics. Anything at all.
If you had to name one book that made you who you are today, what would it be?
Almost every good book changes me in a small way. But I may have not gathered the courage to send an early story to a literary editor were it not for what I learned from Sherwood Anderson’s “Winesburg, Ohio” and from Agnon’s “In the Prime of Her Life” and from M. Y. Berdyczewski’s short stories. “Winesburg, Ohio” taught me that sometimes the more provincial a story is, the more universal it may become. I wrote about these early literary epiphanies in “A Tale of Love and Darkness.”
What author, living or dead, would you most like to meet, and what would you like to know?
I would very much wish to spend half an hour with Anton Chekhov. I would buy him a drink. I would not discuss literary issues with him, not even bother to interview him or ask him for some useful tips, just chat about people. Even gossip with him. I love Chekhov’s unique blend of misanthropy and compassion. (And gossip — which is a mixture of both — is, after all, a distant cousin of stories and novels, although they don’t say hello to each other in the street, as novels and stories are embarrassed by this member of their family.)
What books are currently on your night stand?
A few weeks ago a beloved friend and colleague, the Israeli novelist A. B. Yehoshua lost his wife to an illness. Rivka Yehoshua was a leading psychoanalyst, and both of them were close friends for more than five decades. Thirty years ago, Yehoshua published “Five Seasons,” a wonderful novel about a delicate man losing his wife in the prime of their lives. “Five Seasons” describes the first year of the protagonist’s life as a widower. I am rereading it now with awe, in tears, and with admiration. I can’t help shuddering at the thought that rather often life imitates literature.
What are a few of the last great books you read?
I read “Lenin’s Kisses,” a fierce, funny, painful and playful novel by a great Chinese writer, Yan Lianke. It is much more than just a poignant, daring political parody: It is also a subtle study of evil and stupidity, misery and compassion. I reread Anita Shapira’s biography of David Ben-Gurion rediscovering the greatness of this founding father of Israel who, as early as the beginning of the 1930s, recognized the rise of Palestinian nationalism and its fierce resentment toward Zionism, and conducted a series of painstaking meetings with Palestinian leaders, trying in vain to formulate a far-reaching compromise between two legitimate national movements, both rightly claiming the same tiny homeland.
Who are some under-appreciated or overlooked authors? Are there Israeli writers who aren’t as widely translated as they should be whom you’d recommend in particular?
Two great Israeli writers, S. Yizhar and Yehoshua Kenaz, are hardly known outside the realm of Hebrew. Yizhar’s work has an almost Joycean quality about it, while Kenaz at his heights makes you think of Marcel Proust.
What genres do you especially enjoy reading? And which do you avoid?
Recently, I’ve developed a growing addiction to well-written memoirs and biographies, whether they relate to artists, statesmen or failed eccentrics: “Stalin,” by Simon Sebag Montefiore; “Kafka,” by Reiner Stach; “Nikolai Gogol,” by Nabokov.
Do you have a favorite fictional hero or heroine? A favorite antihero or villain?
Don Quixote. The hero and the antihero of the first modern novel, which is also the first postmodern novel, and also the first deconstructionist novel. Don Quixote’s genes can be found in thousands and thousands of literary and cinematic figures created since. Maybe some of his genes are in every post-Quixotean human being.
If you could require the president to read one book, what would it be? The Israeli prime minister?
Unfortunately, there are many political leaders in today’s world, including my country, who would pleasantly surprise me if they read any book at all. To President Obama I would give, as a farewell present, with admiration, my “Tale of Love and Darkness.” Prime Minister Netanyahu may perhaps benefit from reading “Richard III.”
Whom would you want to write your life story?
All my children are very fine writers. Any one of them could tell my story with the right blend of kinship, empathy and irony.
Posted by John Roosevelt Boettiger on Friday, 28 December 2018 | Permalink | Comments (0)
Tags: Amos Oz
Posted by John Roosevelt Boettiger on Tuesday, 25 December 2018 | Permalink | Comments (0)
By Ed Simon
Mr. Simon is a staff writer for The Millions.
For me, few images of Christ’s nativity convey its strange, luminescent wonder as much as William Blake’s “The Descent of Peace.” Painted in the early 19th century as part of a series of illustrations for John Milton’s “On the Morning of Christ’s Nativity,” Blake imagined the scene as bathed in an otherworldly light that holds the darkness at bay while an angel somersaults in the heavens. Within the manger, the infant Christ floats in the air with arms outstretched above an exhausted Virgin Mary.
Blake’s reality thrummed with a charged beauty — as a child he had visions of a “tree full of angels,” and when he was 4 he saw God put his head in through his family’s kitchen window. Yet it is precisely that sense of the sacred and the profane being commingled, of our prosaic reality being a site for divine wonder, which makes Blake a prophet perfectly attuned to Advent.
Christmas, according to the carol, is the “most wonderful time of the year.” Certainly it’s one of the most commercialized, where it’s hard to sense much of the sacred import between Black Friday and the perennial culture-war scuffles over the meaning of the season. How much better, then, to see the holiday through Blake’s eyes, where “If the doors of perception were cleansed, everything would appear to man as it is, Infinite.” One need not be a conventional Christian — I’m not — to see the significance of the nativity story. Because what the nativity story conveys is a narrative of wonder threaded through prosaic reality, where the birth of a child is an act of God’s self-creation, where a manger can be the site of the universe’s new genesis. Perhaps Blake’s seeing angels in trees and God in his kitchen is the true nature of things, and everyday appearances are the real delusions.
It is difficult to see those angels today. We live less in an “age of wonder” than we do in an age of anger, anxiety and fear; the age of the weaponized tweet and horrific push notification. I don’t believe that one can die from lack of wonder, but I’m certain that a deficit of it will ensure that one has never really lived. If that’s true, then few of us, including myself, are really totally alive in this anxious age, for anxiety is the great enemy of wonder. Anxiety implores us to retreat, wonder to expand; ignorance festers in small minds, wonder spreads out from the open one; fear demands we build walls, wonder that we tear them all down. The philosopher Ludwig Wittgenstein claimed in his “Culture and Value” that “Man has to awaken to wonder — and so perhaps do peoples.” What would it mean here and now to cleanse the doors of perception, to reclaim this strange awareness we call wonder?
The power of the story of the nativity is its ability to transform our prosaic experience. One need not be a believer to see the value in this. What would appear to be a humble human birth is at the same time holy and miraculous, with animals laid down before the Lord, and the star of Bethlehem guiding the Magi to Christ’s cradle.
To wonder is to dwell in amazement, surprise and the miraculous. One can experience wonder when meditating upon the magnitude of the universe, or in contemplating Blake’s poetry or art. Wonder is when we apprehend the sublime and the magnificent in what we encounter every day, with both humility and delight. The wonder in the Christmas story is that something as human as a baby could also be something as foreign as God.
In thinking about the meaning of the nativity today, I find its most potent and radical message to be one not just of wonder, but of wonder as means of approaching difference, of experiencing and understanding the Other. As God, Christ is supposed to be radically foreign, but as Jesus he is intimately human. The theology of incarnation explains that union’s tension, but the broader philosophical implications concern how love must be inculcated by wonder at this paradox. The philosopher Simon Critchley, describing the contours for a “faith of the faithless,” writes that “Christ is the incarnation of love as an act of imagination … the imaginative projection of love onto all creatures.”
Wonder is the antidote to hatred, for wonder is fundamentally radical. Had Herod any sense of wonder for the exquisite singularity of all people, would the massacre of the innocents have commenced? If we had wonder at the individual universe that is each fellow human, at the cosmic complexity of other people, would we put refugees in cages?
We do not have to look far into the current state of the world to realize that this time requires a return to wonder — what I would call a “politics of wonder,” predicated on both empathy and celebration of difference. Those of us, religious believers or not, who understand the profound meaning of the nativity must fight on behalf of wonder and in the service of a future society that places wonder at its very center.
If a “right to wonder” sounds utopian or quixotic, if it implies radical reorientation and questioning, if it seems untenable or strange, then that’s precisely the point. To put wonder at the center of our personal and political lives is not denialism, but a rebellion against the life-denying strictures of the present. To wonder is an act of resistance and an act of love. We require this not just on Christmas, but on every day of the year, not just because it may save our lives, but also because it will remind us of why they need saving in the first place.
Posted by John Roosevelt Boettiger on Tuesday, 25 December 2018 | Permalink | Comments (0)
Tags: Christ, Jesus, nativity, William Blake, wonder
By The Editorial Board of The Washington Post
“DO NOT be afraid,” the angel tells shepherds in the Gospel of Luke. “I bring you good news of great joy which will be for all the people.” The good news in Scripture was, of course, the birth of Jesus and the coming of the Kingdom of God. But as the Christmas story proceeds, there is still bad news to confront. Herod, the Roman-installed king of Judea, upon hearing reports of the birth of a child whom he fears will be a potential rival for power and glory, orders the killing of all male infants from Bethlehem — an event known as the Slaughter of the Innocents.
And so, Jesus of Nazareth, by some Gospel accounts, spent his earliest years as a refugee in Egypt, where his family had fled, and did not return to Judea until Herod had died. When he began to teach and preach as a young man, he found a ready following for his message, which was one of love, humility and understanding. But it was also profoundly upsetting to the established order. The author Tod Lindberg says of Jesus’ Beatitudes (“Blessed are the meek . . . those who hunger and thirst for righteousness . . . the merciful . . . the peacemakers”) that they provide “a dizzying commentary designed to turn upside down the political and social world of the Roman Empire . . . Jesus describes those who are truly fortunate, the lucky ones of their day. But it is not emperors, conquerors, priests, and the wealthy who enjoy this favor. Rather, it is the common people, those whom earthly success has largely passed by.. . .”
The message is universal. It’s no wonder that it has resonated through much of the world, Christian and non-Christian, over two millennia. It reflects values and sentiments common to many peoples and faiths. But it also marks out a difficult and challenging path, one that has proved hard to follow for Christians (and often their institutions) and non-Christians alike. “You will know the truth, and the truth will make you free,” is one of the most familiar of Jesus’ proclamations. But much of the world is still not free, and the truth is under mounting assault, subject to a vast new array of distortions and malevolent misuses by those who would deny its very existence.
There have been many Herods over the centuries — leaders who, out of fear, greed or lust for power, have wrought death and destruction on their own people and others. Today new Slaughters of the Innocents are looming, most ominously in the land from which one of the Three Wise Men of Christmas is said to have traveled: the nation of Yemen. Hundreds of thousands of children there are threatened with death by starvation and bombing inflicted by the neighboring kingdom of Saudi Arabia, which has done all it can to stifle the horrifying reports and, of course, to silence those who say and reveal things that it cannot allow to be heard. Bringing urgent news of this kind to the world requires the work of many brave, devoted, disinterested men and women: journalists, principled government officials and judges, volunteer organizations that advance human rights and welfare, medical missionaries to the poor. It has cost a number of them their lives in numerous places, but their comrades carry on the work. In this holiday season, we remember them and the light they cast.
Posted by John Roosevelt Boettiger on Tuesday, 25 December 2018 | Permalink | Comments (0)
Landscape with the Fall of Icarus, Circle of Pieter Bruegel the Elder, ca. 1590-95, Museum van Buuren, Brussels, Belgium
(double-click to enlarge)
Musée des Beaux Arts
W. H. Auden
About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.
Posted by John Roosevelt Boettiger on Tuesday, 04 December 2018 | Permalink | Comments (0)
Tags: Musee des Beaux Arts, Pieter Bruegel the Elder, W.H. Auden